B&H Photography Podcast

There are many different ways to look at culture, and today we take a geographic approach, to distinguish people who live in rural mountain and hilly settings from those of the wider plains and urban areas.

Our focus is the country of Romania, where we’ll explore the rustic landscape of small farms, hand tilled fields, and local communities that still identify with the working methods and traditions of the past. Along the way, we’ll follow the cyclical work of farmers and shepherds, gain insight into the Orthodox faith, explore vibrant holiday celebrations, and reveal unique rituals with pagan roots.

In this fourth installment of our monthly series, Picturing World Cultures, we speak with Daniel Rosca, a Romanian photographer and travel guide specialized in photographic, cultural, and genealogical tours.

As a child, Daniel experienced the age-old traditions of rural Romania first-hand during time spent on his grandparent’s farm. Following university studies, he spent four years abroad, working in youth development, consulting, and corporate social responsibility. After living in Brussels, Warsaw, Istanbul, and Cairo, and travelling to another 40 countries on four continents, Daniel decided travel should become his full-time job.

He chose to return to his homeland in 2011, where he founded Romania Photo Tours and True Romania Tours, to help curious travelers immerse themselves in—and capture images of—old-world Romanian culture.

In summary, to quote the motto of his photo tour site: Veni, Vidi, Click!

Guest: Daniel Rosca

For more information on our guest and the gear he uses, see:

https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-daniel-rosca-romania

And if you haven’t already listened, check out all episodes from our Picturing World Cultures podcast series here: https://www.bhphotovideo.com/explora/promotion/picturing-world-cultures

Episode Timeline:

2:07: The blend of various cultures and influences that make up Romanian culture, geographic distinctions between regions based on mountains, hills, and plains, Romania’s historic regions, plus the country’s widespread agricultural focus.

9:41: Common misconceptions about Romania: dispelling inaccuracies about Dracula and Romania’s communist past, plus Romania’s current strengths in tech, IT, and engineering.

12:34: Special considerations, both general and cultural, when photographing people in different regions, making pictures of the Roma, military, or police, plus Romania’s strict policies that prohibit driving after even a sip of alcohol.

17:44: Romanian agricultural traditions of scything, haymaking, horse carts, blacksmiths, shepherding, plus the art of traditional egg painting.

23:24: Forging a human connection with local villagers and craftspeople, etiquette and logistics when making pictures, plus the issue of obtaining model releases for portraits.

30:14: Daniel’s go-to photo gear: Nikon Z6 mirrorless and a 24-70 mm f/2.8 lens, the benefits to carrying a flash, plus recommendations for packing and benefits to traveling light

34:08: Episode Break

35:10: Romanian Orthodox churches, regional differences in appearance, rules of etiquette and respectful behavior when photographing, plus the many denominations of Orthodoxy, and details about holiday schedules.

44:42: Meaning of the word Orthodox, distinctions between Orthodox and Catholic faiths, plus Romania’s Lutheran heritage, and fortified churches of Transylvania.

47:11: Romanian bear dance festivals of Moldova over New Year’s, the festival’s pagan roots, tips for getting good pictures by interacting and considering the background first, plus other year end celebrations

54:20: Romanian Easter traditions, a candle lit in Jerusalem on Easter morning and flown to all Romanian Orthodox churches, breaking the Lenten fast, plus Romania’s little-known focus on vegan foods.

1:00:58: Romania’s Dracula lure, distinguishing true cultural history from the literary myth, useful resources for more background about Romania, plus details about Daniel’s genealogical tours.

57:22: Daniel Rosca answers our Picturing World Cultures Visual Questionnaire.

Guest Bio: Daniel Rosca is a Romanian photographer and tour guide specializing in photographic, cultural, and genealogical tours. As a child, he spent a lot of time at his grandparent’s subsistence farm and experienced many of the traditions of rural Romania. After university and ...

Professional tree planting is back breaking piecework—a combination of high intensity sport and industrial labor that requires both technical finesse and remarkable physical and mental endurance. Using techniques more often associated with high-performance athletes, experienced planters (commonly known as high-ballers) leap up and down through uneven and debris-strewn terrain, armed only with a shovel and 30-kg bags of seedlings on their backs.

In recent years, tree planting has become a rite of passage among young Canadians not afraid of hard work and dirt under their fingernails. As seasonal work, it attracts many students from Canada’s southern cities. Due to the brutal physical demands, most are under 30 years old. Out on the cut block inclement weather is common, and the swarms of biting insects are legendary.

Working in—rather than on—the land for months on end, and sharing an isolated camp site creates a solid bond among planters. This has molded into a subculture of sorts, which is the subject of today’s show.

My guest for this episode is Canadian photographer and filmmaker Rita Leistner. Rita documents communities living in extreme conditions, typically investing months or years in a project. After spending a decade as a tree planter during her youth, Rita returned to the forest in 2016 to document a new generation. In 2021, she released her results as an Art Trifecta, featuring large fine art photographs, a 256-page photo book, and the documentary feature film “Forest for the Trees.”

Equally in her element in forests and war zones, Rita’s photographs and her writings about photography, art, and war have been published, exhibited, and collected worldwide. She is represented by the Stephen Bulger Gallery for art, and by Green Planet Films for film.

Guest: Rita Leistner

Above photograph © Rita Leistner

For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-rita-leistner-canada

And if you haven’t already listened, check out all episodes from our Picturing World Cultures podcast series here.https://www.bhphotovideo.com/explora/promotion/picturing-world-cultures

Episode Timeline:

2:02: The backstory to Canadian tree planting as a business

5:21: Rita’s interest in photography and her early days as a tree planter.

12:43: Comparisons and contrasts between Rita’s early tree planting experiences and what she found when returning to the forest to document this subject.

18:21: A typical day in the life of a tree planter and the actual planting process

26:31: How Rita landed on her distinctive photographic style of capturing fast moving planters with a PhaseOne camera and Profoto lighting.

32:40: Rita talks about how the young planters responded to her sudden presence in the camp.

36:17: Rita’s lighting set up with Profoto B1 lights and coordinating with an assistant to carry all the gear.

41:56: Episode Break

43:10: Rita talks about power consumption, batteries, generators, workflow, and more when working in remote locations.

45:03: Inclement weather, dirt, and bugs when shooting both stills and video footage out in the wilderness.

48:41: The lighting details behind Rita’s enchanted forest nighttime images and timelapse footage.

53:38: How the work of tree planters is perceived by both the logging industry and environmentalists, and the effects this has on the planters themselves.

1:03:47: How Rita’s Tree Planter project has affected her sense of Canadian identity.

1:06:04: Rita Leistner answers our PWC Visual Questionnaire.

Guest Bio: Rita Leistner is a Canadian photographer and filmmaker who creates portraits of communities living in extreme conditions, typically investing months or years in a project. After spending a decade of her formative years as a tree planter in the Canadian wilderness, she returned to this theme to document a new generation of planters from 2016 to 2019. In 2021, she released the project as an Art Trifecta, featuring fine art photographs, a 256-page monograph, and the 91-minute documentary film Forest for the Trees.

Additionally, Rita has been captured by insurgents, assaulted, and shot at, and she has run into gunfire to get a photograph. She has published four books of photography including Unembedded: Four Independent Photojournalists on the War in Iraq (2005), widely considered one of the most influential anti-war books to come out of the Iraq conflict. Rita’s photographs and her writings about photography, ...

What a treat to welcome photographer Ami Vitale to the B&H Photography Podcast. Vitale is mustering her high profile as a National Geographic photographer, as well as the talents of eighty-nine other incredible photographers, to raise funds for Conservation International. The Prints for Nature Sale runs until December 10, 2020 and offers gorgeous gallery-quality prints at a very affordable price. Please check this link for more information and to support this worthy initiative.

We also speak with Vitale about her career trajectory and commitment to telling the stories of endangered species and the humans around them. We discuss her work photographing Sudan, the last male white rhinoceros in existence, and her incredible series about pandas in China. We also ask Vitale how she bridges the gap (or perceived gap) between journalism and advocacy photography and about her commitment to long-term engagement with the stories she covers. Vitale also addresses the changing dynamics of print journalism and the need to find funding for her projects, and we briefly mention her work as a Nikon ambassador.

The dearth of tourism to many protected wildlife parks around the world due to the COVID-19 pandemic has brought conservation efforts to a crisis point and the Prints for Nature Sale, with images by Art Wolfe, Steve Winter, Pete McBride, Alison Wright (all past guests of the podcast) and many other great photographers, is a way that lovers of wildlife and of photography can help.

Guest: Ami Vitale

Photograph © Ami Vitale

According to food photographer Mica McCook, the secret sauce is more than simply visual appeal, it’s connecting to how the images make you feel. As McCook likes to say, she creates cravings, one photo at a time. McCook’s photos are dramatic like telenovelas, embracing the magic of a chef's palate, and delighting in the vibrant flavors that bring dishes to life. Her approach is theatrical and bold, akin to setting the stage for a grand performance. Each element, from the decadent chocolate drizzle to the vibrant pop of a fresh herb, contributes to the culinary drama. For McCook, food is not just about sustenance, it's an experience. In a world where fast food and quick meals are often the norm, McCook is here to remind us of the richness and pleasure of a well-composed dish, and to celebrate the chefs who create, the farmers who cultivate, and the diners who savor. As an extension of her photography business, McCook launched her biweekly podcast, The Savory Shot, in June 2022, because she is perpetually curious about the food industry and those who dwell within it.

Listen in to hear how a life-altering trip to the Reading Terminal Market, in Pennsylvania, laid the groundwork for McCook’s career transition from people to food, and even inspired her unique business name of Austin Food Guide. We also discuss how her background in theater influences her flavorful photographic approach, the dramatic lighting she favors, as well as her collaborative, community-oriented outlook. McCook was recently accepted into an innovative mentorship program for BIPOC photographers led by Apostrophe Reps. Don’t miss the juicy details about how to apply!

Above photograph © Mica McCook

Guest: Mica McCook of The Austin Food Guide

For more information on our guest and the gear she uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/finger-lickin-food-photography-with-mica-mccook-the-austin-food-guide

Stay Connected:

Mica McCook Website: https://micamccook.com Mica McCook Facebook: https://www.facebook.com/mica.mccook Mica McCook LinkedIn: https://www.linkedin.com/in/micamccook Austin Food Guide Website: https://austinfoodguide.com Austin Food Guide Instagram: https://www.instagram.com/austinfoodguide Austin Food Guide Pinterest: https://www.pinterest.com/austinfoodguide Austin Food Guide Twitter: https://twitter.com/ austinfoodguide Austin Food Guide TikTok: https://www.tiktok.com/@austinfoodguide The Savory Shot Podcast: https://podcasts.apple.com/us/podcast/savory-shot/id1618801583

For anyone familiar with the photo industry, the mammoth lawsuit between The Andy Warhol Foundation and renowned music photographer Lynn Goldsmith should be no secret. This complex battle over the rights to her 1981 portrait of the artist formerly known as Prince lasted seven years and went all the way to the Supreme Court.

But do you know the circumstances behind her original portrait session with the famously reserved musician, and were you aware of all the misinformation about this case that was disseminated in both legal documents and the press?

Lynn is a longtime friend of the show, and our 2017 episode about her extensive, long-term work with the band Kiss, among other crazy stories, was a fan favorite. We invited her back to discuss this case in 2022, when the Supreme Court first agreed to hear it, but heeding the advice of her legal counsel she wisely declined our offer at that time.

In May 2023, the Supreme Court ultimately ruled in Lynn’s favor in a 7-2 decision, which has already been shown to benefit others seeking remedies for the misuse of their creative works.

Yet, while this landmark decision happened last year, the case itself was not officially resolved until very recently—Friday, March 15, 2024, to be exact—a day some might recognize as the Ides of March.

Now that the final resolution has been signed, sealed, and delivered, we felt it was a perfect opportunity for Lynn to give us a recap of this David vs Goliath battle, with all its complexities and underlying bias.

From details about the Fair Use doctrine, to the matter of copyright registration, to her thoughts about the current photographer community, to the importance of standing up for one’s rights, Lynn provides a clear and insightful assessment of one of the most traumatic and threatening experiences that any independent artist can face, as only she can.

To her very core, Lynn believes creativity can make anything possible, an ideology she sums up aptly at the end of our chat.

“I felt like some higher power picked me for this,” she says. “And that I had to make myself feel like a 1940s film with Fred Astaire and Ginger Rogers, where there was going to be a happy ending, that everything would work out just fine, and that I was going to prevail.”

Guest: Lynn Goldsmith

Top shot © Lynn Goldsmith

Episode Timeline:

2:50: The backstory to Lynn Goldsmith’s 1981 photo session with Prince.

7:17: Shooting both color and black-and-white in the days of film, a separate camera for each option.

11:15: Vanity Fair’s 1984 use of Lynn’s black and white portrait for artist reference.

13:47: Lynn’s discovery of the original image use after Prince died in 2016.

19:50: The value of saving detailed records of licensing agreements for future reference.

23:14: The preemptive lawsuit the Andy Warhol Foundation filed against Lynn, and the misinformation contained in the Federal court filing.

32:15: Lynn discusses the Fair Use doctrine and the matter of copyright registration in relation to her case.

36:43: Episode Break

38:04: Meeting with the Andy Warhol Foundation and the deal on offer to resolve the lawsuit.

44:40: Lynn’s thoughts about the current photographer community and the importance of standing up for your rights.

48:09: The multiple rounds of the Prince portrait lawsuit, from the first Federal case to the Second Circuit Court of Appeals to the Supreme Court.

56:29: Uneven reporting about the lawsuit in the press, with the photo press being fearful to write anything, and the art press releasing misinformation without fact checks.

1:00:27: Behind the scenes at the Supreme Court hearing, the effects of the 7 – 2 decision, as well as Justice Kagan’s written opinion.

1:08:48: Lynn’s thoughts about generative AI.

Guest Bio: Lynn Goldsmith is a multi-awarded portrait photographer whose work has appeared on and in between the covers of top magazines worldwide. Her subjects have varied from entertainment to sports, film directors to authors, and from top celebrities to the ordinary man on the street. Her forty years of photography are both an investigation into the nature of the human spirit, as well as the natural wonders of our planet.

As the author of 12 major photo books, Lynn’s images are also featured in numerous museum collections, yet her professional achievements are in no way limited to the world of photography. She is the youngest member ever accepted into the Director's Guild of America (DGA), where she achieved several firsts—from the first rock show on network television to the first music documentary released as a theatrical short, and more. In the mid-seventies, Ly...