
Audio Branding
Jodi Krangle
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Goodpods has curated a list of the 10 best Audio Branding episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Audio Branding for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Audio Branding episode by adding your comments to the episode page.

11/16/22 • 6 min
Five years ago, the first stories broke about a mysterious syndrome affecting American and Canadian diplomats in Cuba. Each case began with the victim hearing inexplicable grating sounds that people around them couldn’t detect, which then developed into headaches, hearing loss, vertigo, and even brain damage. New cases began to appear in embassies all around the world, with the most recent reports occurring just last year, and the phenomenon came to be known as Havana syndrome.
To this day, we still don't know what might be causing it. Theories range from secret government weapons to the power of mass suggestion, from exposure to harmful pesticides to the sounds of noisy tropical crickets. One of the earliest speculations was that it might be a sonic weapon, since we know that sound can be directed to a single listener without anyone else noticing, and that sound can do just as much harm as it can good. The secret behind Havana syndrome, whether it's an acoustic attack or something else, is still waiting to be uncovered, but sound's potential as a weapon is nothing new. Animals have been shaping soundscapes to their advantage for millions of years and we've used sound as a wartime strategy for just about as long as we've had wartime strategies.
This episode’s the first of a three-part series where I’ll be taking a look at how sonic tactics are used by everything from sperm whales to tiger moths, from Bronze Age battles to the now-famous “Ghost Army” of World War II, and just what the future of sonic warfare might hold.
We’re all familiar with the roar of a tiger, the howl of a wolf, or the hiss of a snake: animals use sound to not only communicate with each other but with their natural enemies, to warn them away and hopefully avoid a fight. But can animals use sound itself in a fight? The answer turns out to be yes, especially underwater where sound waves can be louder and more destructive than in the air. One such animal is the pistol or snapping shrimp, and I’ve talked about them before. Despite being barely an inch long, the pistol shrimp can create the loudest sound on Earth by snapping its claw to throw a literal bubble of sound at its prey, a bubble that’s as hot as the Sun and louder than a blue whale.
The title for the world's loudest animal arguably goes to the sperm whale, and it might also use sound as a weapon. Its clicks, which it uses for echolocation, are 230 decibels, so loud that they can be fatal to a diver who gets too close. Check out this link for a short video from author James Nestor about a diving team's awe-inspiring encounter with a pod of sperm whales, and how one diver found his left hand paralyzed for several hours after reaching too close to one of the clicking whales.
https://www.youtube.com/watch?v=zsDwFGz0Okg
Being around a sperm whale who's blasting away at full volume can be deadly for humans, but are their sounds also a weapon that they can aim and fire to stun giant squid? Biologists still aren't sure. For a long time, the answer seemed to be yes, but some more recent studies suggest that might not be the case: perhaps sperm whales are just loud because they're so big. Regardless, as one of the biggest and loudest animals to have ever lived, keeping our distance is probably a good idea.
Another cetacean (seh-tay-shan) that definitely uses sound to attack its prey is the killer whale, which hunts just about everything it can eat, from sharks to seals to other whales. When it comes to feeding on large schools of fish, a pod of orcas will often surround them and use slaps of their flukes, and the shock wave the sound makes, to stun the fish and keep them from swimming away. While the fish are left reeling from the blasts, the whales are free to eat as many as they like.
Here's a link to a rare underwater recording of such a feeding event, called “carousel feeding,” so you can see – and hear – their tail slaps for yourself.
https://www.youtube.com/watch?v=ETL1fwcDUQ4
On the land, animals use colors and shapes to camouflage themselves: leaf insects look like leaves at a glance, and owl butterflies have wings that look like owl eyes. It turns out that some animals also use sound to disguise themselves. Certain palp-footed spider species don't just look like velvet ants at a glance, they actually mimic the sounds of a velvet ant to trick geckos that'd normally prey on them into letting them go. A recent study also found that some species of clearwing moths not only look like stingless honey bees, but they buzz exactly the same way as a buzzing bee.
But the most dramatic use of sonic tactics among insects might be the tiger moth. They're eaten by bats who hunt them using echolocation, and many moths use their own clicking sounds to warn each other that they've heard a bat so they can scatter. One species in particular, though, takes it further. Their clicks disrupt the bat's sonar so that it essentially go...

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08/17/22 • 33 min
“What’s great about podcasting is there's that intimacy there. It’s just audio. It’s really fun when I listen to a podcast or I edit a podcast and I don’t know what the guest looks like, I don’t know anything about a guest, and I’m trying to imagine what type of personality that guest has. And through voice you get personality, but it’s kind of like shaped in a different way.” -- Nicolae Bogdan Bratis
This episode continues my interview with musician, composer, and podcast producer Nicolae Bogdan Bratis as we talk about his process for creating distinctive jingles, how to make sure you’re getting the most out of your microphone, and podcasting’s expanding role in social media.
As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.
Your Whole Mind
The second half of our interview starts with a look at Nicolae’s process for creating commercial jingles and sonic brands, a challenge he takes seriously. “You need to have the inspiration there because it's literally a creative work,” he says. “You have to be there with your whole mind.” One trick he relies on to create unique compositions is to start by playing truly random notes on a keyboard or guitar and then build on them. “It comes from randomness,” he tells us, “if that makes sense. It's not coming from your mind. And then from that randomness, you can really develop something that sounds original."
Sounding Your Best
We then talk about microphones, audio environments, and all the hidden obstacles that might get in the way of his clients’ recording sessions. “Until they get a professional to help them,” Nicolae explains, "they can’t really nail it down because there are so many things that can play a role in destroying your recording.” We discuss different microphone brands, the difference between side-address and top-address mics, and whether he recommends a condenser or dynamic microphone for podcasting. “Microphones nowadays,” he assured us, “are so good even the one-hundred-dollar microphone will sound good enough. Your audio will not suffer at the end of the day.”
Better and Better
“I think it's going to get better and better,” Nicolae says as he considers the future of podcasting. One recent trend is for podcast episodes to include visual elements, blurring the lines between audio-first content and video clips. “I have to cut quite a lot of content,” he says as we talk about the process of producing and editing visual podcasts, “just because there are so many visual references in the podcast that people may not understand because it's just audio.” He reminds us again of the power and understated importance of sound when it comes to presentation, and offers a humorous example of just how much the audio can change what we’re seeing on the screen. “If you have a horror movie with a funny track in the background,” he notes, “that horror movie may not be horror anymore.”
Episode Summary
- Nicolae’s process for crafting jingles and composing original melodies
- How everything from website colors to ambient sounds can shape an audio brand
- The best microphones and sound setups for both studio and remote podcasting
- The future of podcasting and challenges of producing visual podcasts
Connect with the Guest
Website: https://sawandsine.co.uk/
Follow Nicolae Bogdan Bratis on Facebook: https://www.linkedin.com/in/bratis/
Connect with Nicolae Bogdan Bratis on LinkedIn: https://www.linkedin.com/in/bratis/
Follow Nicolae Bogdan Bratis on Twitter: https://twitter.com/sawandsine/
Connect with the Audio Branding Podcast:
Book your project with Voice Overs and Vocals https://voiceoversandvocals.com
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08/31/22 • 31 min
“They often have a suite of sounds. Now you still have to follow all regulations that have to do with safety and that kind of thing, but now the sound inside the car can be reflected in the marketing communications around it, so that’s a very big use of sound.” -- Colleen Fahey
This episode’s the second half of my interview with author, creative executive, and sonic branding expert Colleen Fahey as we talk about her role in creating innovative sound strategies, the signs of a well-managed audio brand, and some of Colleen’s favorite brand voices.
As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available. And if you’d consider it, I’d love to hear what you think of the podcast! You can leave a review (that I’d love to feature on future podcasts!), either in written or in voice format from the podcast’s main page.
The Sound of Innovation
As the second half of our interview begins, Colleen tells us how she helps clients innovate and find their own sonic DNA, their own audio brand identity. “We have done sounds to communicate innovation,” she explains, “but our goal is not to be innovative in our use of sound. Our goal is to help people tell their story by using sound.” We also talk about how audio branding is becoming more accessible to small businesses. “It doesn't always have to be big fat advertising budgets. It can be in your app, it can be in your hold music, it can be in your TikTok videos, your Instagram posts, your brand video on your website. This isn't just for big fancy brands with lots of advertising money.”
An Authentic Voice
Colleen tells us about her work with a small industrial company, and how creating a sense of sonic consistency in their internal videos helped them establish their own audio brand. “They're extremely disciplined about using their audio brand,” she says, “and it’s a beautiful one” We talk about the role of voices and audio slogans in modern sonic branding, as well as some of the most memorable brand voices in the past, from Motel Six television ads to Tony the Tiger. “People have been using voices with strong characters,” she tells us, “but not everybody, and not enough. Often, they just want the voice to sit back instead of having the voice be somebody that you can picture in your mind.”
The Universal Language
As our interview ends, Colleen talks about an auto campaign that required a creative approach to stand out from the competition. “Everybody was using metallic sounds,” she recalls, “sounds like motors and engines, essentially functional sounds, but not emotional sounds.” We talk about some of her favorite advertising campaigns, from financial institutions to snack foods, and the integral part audio plays in connecting businesses all over the world with their customers. “As you can imagine,” she relates, talking about her experience with clients from around the world, “many international companies opt to have a fully musical sound because music is a universal language”
Episode Summary
- Helping companies innovate and find their own sonic DNA
- How small businesses are embracing audio branding and advertising
- The evolving role of voice and music in sonic marketing
- Creating inventive sound campaigns and distinctive audio brands
Connect with the Guest
Website: https://www.sixiemeson.com/
Connect with Colleen Fahey on LinkedIn: https://www.linkedin.com/in/colleenfahey/
Follow Colleen Fahey on Twitter: https://twitter.com/SixiemeSon/
Connect with the Audio Branding Podcast:
Book your project with Voice Overs and Vocals https://voiceoversandvocals.com
Tweet with me on Twitter - https://twitter.com/JodiKrangle
Wa...

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11/09/22 • 32 min
“Do you know what I think makes a compelling podcast? It’s a podcast that doesn’t sound like a podcast. And I know that’s a really goofy answer, but if it sounds like two people talking or three people talking and they’re having this conversation, that there’s a genuine back and forth of information, that’s what makes the best podcast.” -- Joe Pardavila
This episode’s the second half of my interview with radio personality, producer, podcaster, and author Joe Pardavila, as we talk about unexpected interview answers, how improv training helped him learn how to live in the moment, and what makes a compelling podcast in his experience.
As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.
A Polarized World
As the second half of the interview starts, we continue our talk about some of the most surprising interview answers Joe's received, including an offhand but revealing inside look at Chris Martin's family life. The key, he says, is to care about what people have to say, and to give them an opportunity to share their stories. “A lot of people like to hear themselves talk,” he explains, “but they need the opportunity.” And, he humorously adds, “that's why I'm here Jodi, just to hear myself talk. Just that.” We also discuss how polarized the world’s become these days and how much extra effort it can sometimes take to empathize with each other’s perspectives. “We can at least try to get to know each other better,” Joe tells us, “and that just means putting ourselves in the other person's shoes.”
Getting Out of Your Head
Joe goes on to tell us how he ended up learning improv from the Upright Citizens Brigade and joining a sketch comedy group, and the most valuable skill he learned from those experiences. “I was always on,” he recalls, “and just needed something to turn off, because the one thing you learn from improv is it's important to live in the moment and get out of your head.” We discuss how modern technology and social networks have made concentrating on the moment more of a challenge than ever, and the discipline it can take to keep ourselves focused and resist the urge to try and multitask. “It's so easy to be distracted,” he adds, “that we have to be really focused on not being distracted.”
Make Sure You’re Proud
When asked about the most common issues facing podcasters, Joe has a ready answer: editing and overlooking the sound quality. “Someone's dog starts barking like crazy,” he answers, “and they just keep going with the podcast... you can press pause, stop, let things pass, and then continue.” We talk about the limitations of Zoom when it comes to podcasting, ways to work around a limited audio budget, and his latest work on everything from recording audiobooks to interviewing CEOs and business leaders. As the episode comes to a close, he reflects on the staying power of podcasting, something that's often easily overlooked “The great thing about podcasts,” Joe says, “you put your podcast out there, it's going to be out there for eternity. So make sure you're proud of it.”
Episode Summary
- Joe’s most surprising interview answers and how to plan for a conversation
- How learning improv and comedy helped teach Joe to focus on the present
- Why the best podcasts are the ones that don’t sound like podcasts
- Podcasting’s most common issues and Joe’s upcoming projects
Connect with the Guest
Connect with Joe Pardavila on LinkedIn: https://www.linkedin.com/in/joepardavila/
Follow Joe Pardavila on Twitter: https://twitter.com/joepardavila/
Connect with the Audio Branding Podcast:
Book your project with Voice Overs and Vocals https://voiceoversandvocals.com
Tweet with me on Twitter - https://twitter.com/JodiKrangle
Watch the ...

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11/02/22 • 36 min
“You have to create this environment that the person’s comfortable in, that’s a big part of it. And I don’t actually like to use the word interview, especially when I coach people or advise people who are starting podcasts. You don't ever want to use the word ‘interview’ because interview implies question answer, question answer, question answer, whereas a conversation is a back and forth, it’s people sharing ideas.”-- Joe Pardavila
My next guest has produced over ten thousand hours of audio content over the course of his career in podcasting and terrestrial radio. He was a radio personality and producer on the legendary New York City radio station, 95.5 PLJ, where he was part of the iconic Scott & Todd in the Morning. He studied Sketch & Improv Comedy at the Upright Citizens Brigade and was a founding member and actor in the New York-based sketch comedy group Clip Show. The group performed at the Upright Citizens Brigade Theater and the People’s Improv Theater, and their video sketches have been featured on Funny or Die and the Huffington Post. He’s also the co-director, writer, and producer of the award-winning horror satire The Witches of Bushwick and currently serves as the director of podcasts for Advantage Media Group/ForbesBooks.
His name is Joe Pardavila and, as you can probably tell, he’s spent much of his life understanding good audio and good conversation. His book Good Listen talks about the secrets behind creating compelling conversations and powerful podcasts. Sounds like he’ll fit right in here, so let’s get to it!
As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.
In Love with Radio
As the interview starts, we talk about Joe's early memories of sound and how he used to stay up late at night as a child to secretly listen to sports news on the radio, "I would be in my bedroom underneath my blankets," he recalls, "listening to my little radio till 3 o'clock in the morning to see what the Mets had done." That radio under the blankets, he says, was a lifeline in the days before the internet and news on demand, and it changed the way he thought about sound, media, and particularly the power of radio. "That was sort of my connection," Joe says, "to the way I fell in love with radio."
Opening Up the World
Joe goes on to tell us how he came to work for WPLJ and Scott & Todd in the Morning, as a college internship turned into a surprise job offer. "I didn't have to think twice about it," he says. "I was like 'sure, who needs school?' And then that sort of opened my world up." He quickly progressed in his newfound career and, as he explains, "I ended up running the morning show by the time the morning show was blowing up in 2019." We talk about his mentors and how they influenced his career, and how a mentor can sometimes be just as valuable for the mistakes they teach you to avoid as the advice they offer. "One thing people don't realize about mentors and mentorship," he notes, "is it's not only the good things you can learn from your mentors. It's also the bad things."
Good Listening
Next, we talk about his foray into podcasting and writing his first book. "I was like 'I want to do podcasting,'" Joe reflects, "'but I don't want to do the same thing I'm doing on the air.'" His first podcast ended up being a collaboration with renowned sex researcher Zhana Vrangalova in part, he says, "because that's something I would never be able to discuss on the radio." Podcasting soon led him to an unexpected new creative venture, his new book Good Listen. “It turns out as I was teaching folks to be podcasters,” he explains, “I was like ‘this could be useful for other people.’”
A Guest in Your House
As the first half of our interview comes to a close, Joe tells us about a "magic moment," as he calls them in his book, that happened in his own life while running a marathon to help raise awareness of Huntington's disease. We talk about his unforgettable run through the five boroughs of New York, and he tells us how an awkward interview question with Taylor Swift early in his career taught him a valuable lesson when it comes to helping turn interviews into genuine conversations. "Create the safest place for your guest," Joe advises, "because you want them to be able to feel like they're a guest in your own hou...

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08/24/22 • 36 min
“All news music doesn't have to have trumpets and trombones, and all trains don't have to just ring, you know, or honk. And all appliances shouldn't always sound like ‘beep beep beep,’ you know, chip sounds instead of having a tune that would make people remember them better and maybe like them better.” -- Colleen Fahey
This week’s guest is a creative executive with deep experience in branding and marketing at multiple touchpoints. When she learned of Sixième Son, a sonic branding agency that had created over four hundred brands, she approached them about expanding to North America. She opened a sonic branding agency in Chicago at the end of 2012 and, in 2017, co-authored the book Audio Branding: Using Sound to Build Your Brand. Since those days, her team has led Sixième Son's sonic branding initiatives for Atlanta, Michelin, Huggies, Merrell Footwear, USAA Insurance, Sparkling Ice drinks, a hospital, a news network, an AIDS treatment, and many more. The North American business now operates out of New York, Toronto, and Cleveland, as well as Chicago. Throughout her career, she's been a creative director for leading brands in the US, Europe, Latin America, and Asia. Raised in Madrid, she speaks fluent Spanish, conversational French, and a courageous-but-embarrassing Portuguese.
Her name is Colleen Fahey, and if you’ve always wanted to ask questions about audio branding from one of the oldest premier companies in the business, you’ll want to hear this interview. I have no doubt Colleen will blow our minds with her observations about the audio branding landscape.
As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available. And if you’d consider it, I’d love to hear what you think of the podcast! You can leave a review (that I’d love to feature on future podcasts!), either in written or in voice format from the podcast’s main page.
An Elegant Idea
The episode begins with Colleen’s earliest memories of sound: she tells us about leaving the U.S. at the age of four to live in Spain, and how the sound of the ocean liner’s horn as they departed literally shook her from head to toe. “It somehow also got into my psyche too,” she tells us, “because it was almost like a book had closed with that sound.” We then talk about a pivotal moment in 2011 when she first learned about sonic branding, as she attended the Audio Branding Congress at Columbia University. “I was struck by how elegant the idea was that these people were so excited about,” Colleen explains, “how elegant the idea of having a sound that repped the brand from every angle.”
The Value of Your Brand
Next Colleen tells us about writing her first book, and the importance of, as she puts it, “an audio brand that fits your brand, that communicates your values, that gets attention and really becomes a brand asset that lasts for years.” We talk about the power of early audio marketing in transforming Hawaii from a little-known territory into a tourist destination, and about avoiding the cliches and sonic codes that commercials have created. “A brand needs to stand out,” she says, “be recognized and differentiate, and the music has to help you differentiate in a way that's appropriate to the value of the brand.”
Using Your Ears
We go on to talk about mood boards, what exactly they are, and how they helped inspire her team at Sixième Son while creating a sonic brand for Atlanta’s tourism board. “The music,” she recalls about one brainstorming session, “instead of coming together, was layered. Everyone sounded good, but they didn't sound like they were all playing the same thing, and that was just a big a-ha moment.” There’s inspiration all around us, she explains, and she tells us about the importance of listening for it and keeping our ears open. “I'm talking about people having to really sit and use their ears,” she says. “Everyone loves doing it, and they're amazed at how exhausted they are at the end.”
Hearing Without Listening
“The thing that an audio brand can do,” Colleen tells us, “is access people at a very immediate level, and almost without their knowing that they're being influenced.” We talk about audio cues and sonic logos that have become an almost invisible part of our lives, and how brands have replaced intrusive advertising with a more subtle and widespread presence. As we close the first half of...

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Listening On The Go
Audio Branding
03/17/21 • 5 min
How are you listening to this podcast right now? Maybe you're sitting at your computer or hearing it on a smart speaker, which probably means that you're listening with one app while keeping busy with a few other things. You might also be using a tablet or an MP3 player, which lets you stay on the move while you're hearing the show. But what's really become popular over the past few years is listening on your phone. Just this past month, almost 24 million podcast listeners used their smartphones, compared to 17 million for everything else put together. One thing all these choices have in common is that they let you keep busy while you're listening. And in today's fast-paced world, digital audio, particularly podcasts and audiobooks, is becoming a cornerstone of our daily lives.
Multitasking isn't always a good thing. We might feel like we're being more productive when we multitask, but over the years studies have shown that we really do better when we're focusing on just one task at a time. If you're curious to find out just how well you multitask, here's a link to a short test:
https://www.youtube.com/watch?v=z-8JdsNWZiM
At the same time, audio does have some advantages of its own. Our brains are finely tuned to listening to each other, to hearing a speaker's tone and pace, their inflections and the mood they're expressing beneath their words. Reading is still a pretty new trick when it comes to our brains, which means written words might not connect as quickly or deeply as hearing them spoken aloud. And while reading lets us consider the words more carefully and go back over them more easily, digital audio leaves us free to keep working, to go running or driving, to live our lives while we’re listening.
Just recently I had Summurai founder Tal Florentin on the show, and his company is at the forefront of this digital audio revolution. Summurai is a content management service that takes written articles and condenses them into short audio snippets for people on the go. Here's a link to a video with more information:
https://www.youtube.com/watch?v=RG8dn9K71mU
Even so, digital audio doesn’t leave much room for distraction. If you’re listening to a podcast on your way to work, that means you’re probably not listening to anything else right at that moment. This can make audio branding and advertising much more effective than other forms of online marketing; nearly 70% of podcast listeners report that podcast ads made them aware of new products and services. And that audience is quickly growing in the US: more than a hundred million Americans now listen to at least one podcast a month.
Audiobooks are also becoming more popular, with one in five Americans having listened to one within the past year. While the first vinyl book recordings were made in 1932, and the first books on tape released in 1975, the industry’s grown in ways that could hardly have been imagined back then. George Saunders’ 2017 novel Lincoln in the Bardo, for instance, has been adapted into an audiobook with a cast of 166 Hollywood actors, and last year an Audible adaptation of Neil Gaiman’s Sandman featured its own all-star cast. Audio dramas have also experienced a revival over the past few years, with authors penning exclusive works meant to be heard instead of read.
While the freedom to listen and multitask all at once might be a selling point for audio content, sound can create a more powerful connection than just one of convenience. The act of learning something new triggers the reward center in our brains, much the same way as eating our favorite food or winning a game. And storytelling isn’t just part of our history, it’s how most of us learned to read: we grew up listening to our parents and teachers read to us. Audio content can combine both these things together, teaching us new things in a way that connects with our deepest experiences.
Printed books and traditional radio certainly aren’t going away anytime soon, but digital audio has become the fastest growing sector in the publishing industry. Twenty million people started to listen to podcasts for the first time last year, and that number’s only going to keep growing. And as more and more people find themselves listening on the go, the opportunities to reach out to and engage with that emerging audience will keep growing with it.
Would you consider reviewing the Audio Branding Podcast? If so, here’s the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453 And if you like what you hear (and read!) – please do share it with any...

Positive Vibes Only
Audio Branding
06/16/21 • 5 min
Most of us grew up learning that the human body has five senses: sight, sound, touch, taste and smell. Everything we know about the world around us comes to us through these senses. We see colors and we hear music. We taste whether our coffee has sugar in it and, especially now that we’re heading into summer, we smell the flowers and feel the warm air. But the world isn’t really divided up as neatly into those senses as it might seem. Depending on how you look at it, we might have anywhere from just three senses to thirty-three or more; they can mix together and split apart in ways that we don’t usually think about. Sound in particularly is really just vibrations filling the air around us, and that simple fact can lead to some fascinating discoveries if we look and listen closer.
Can you see sound? It might seem like the answer is no, but if it’s loud enough, you may notice a window shaking or even feel the floor trembling under your feet. But the truth is that everything carries sound and vibrates with it, even if we can’t normally see it. A few years ago researchers at MIT developed an algorithm they call a “visual microphone,” that can scan video footage to observe the way sound causes everyday objects to invisibly vibrate and then reproduce those sounds. Check out this video for a video demonstration of how a houseplant vibrates with the song “Mary Had a Little Lamb,” and how that song can be recreated using those silent vibrations.
https://www.youtube.com/watch?v=FKXOucXB4a8
Everything around us is humming with sound, even if we don’t always notice it. If the frequency’s too low, we might sense the sound without actually hearing it. Such low, deep sounds are called infrasound and even though we can’t hear them, animals use them for everything from traveling in herds to migrating in the winter to sensing earthquakes and eruptions. And although we can’t directly hear infrasound, we can sense when it’s there, as a vague feeling that something’s making us uncomfortable. Researchers think it might be the reason some houses seem to be haunted, and horror movies have started using infrasound to create a more ghostly atmosphere.
I’ve linked to a video here of a 19Hz infrasound clip if you’d like to hear, or feel, it for yourself. You’ll need headphones to play back such a low frequency, and be careful: you might end up feeling nervous, dizzy or even a little sick to your stomach.
https://www.youtube.com/watch?v=F_O1m_QZll0
Most of us spend every moment of our lives surrounded by sound, so what happens when all of that sound’s taken away? The answer can be found in an anechoic chamber, a soundproof room that’s designed to absorb all sounds, both inside and out. Two such rooms, one at Orfield Labs in Minneapolis and the other at Microsoft’s headquarters in Redmond, hold the record as the quietest places on Earth. They’re so quiet that nobody’s ever stayed inside one for more than an hour. Even walking can be a challenge without any footsteps, and hearing nothing but the sound of your own heart, your stomach, even your bones, ends up being too much.
When you’re ready for some noise, though, there’s one animal that’s not only one of the loudest creatures in the ocean, but also one of the smallest. It’s called the snapping shrimp, and it measures just a few centimeters from head to tail. It uses sound as a weapon, launching superheated bubbles through the water that burst at over 200 decibels, louder than a blue whale. These bubbles are so loud that they can even drown out submarines and sonar equipment.
So, can we see sound? The sound of a snapping shrimp’s claw can be so loud that it literally creates a burst of light, but there’s a safer way to view sound waves for ourselves. It’s known as cymatics, the study of sound visualization, and it uses everything from flowing water to grains of sand to help reveal the invisible patterns that sound creates all around us. Be sure to check the video below for an exciting music video by electronic composer Nigel Stanford called “Cymatics” that shows just how many different forms music can take.
https://www.youtube.com/watch?v=Q3oItpVa9fs&t
Whether we’re walking along the beach or just stuck in traffic, listening to music or enjoying the peace and quiet, we’re immersed in a flowing sea of sound, a secret symphony of complex patterns and vibrations hidden just below the surface of what we hear.
Would you consider giving this podcast an honest review? You can do that here: https://lovethepodcast.com/audiobranding. And if you like what you hear (and read!) – please do share it with anyone you think might be interested. Thanks so much!
And if you’re interested in crafting an audio brand for your business, why not check out my FREE download – 5 Tips For Implementing An Intentional Audio Strategy at https://voiceoversandvocals.com/audio-branding-strategy/
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05/14/25 • 34 min
This week’s guest is the creator and host of the Your Message Received podcast, a groundbreaking platform with more than 125 episodes where he empowers executives, businesses, and individuals through impactful storytelling and strategic communication training. With over twenty-five years of experience in media, spanning broadcast, radio, digital, and streaming, his career has been driven by a passion for culture, content, and inclusion. As a live event announcer, marathoner, and dedicated Philadelphia sports fan, he infuses energy into every endeavor. Family is central to his life, inspired by his 95-year-old mother who began acting at age 74. At DuffinMedia, he champions authenticity, helping clients unlock their communication potential for life-changing results.
His name is John Duffin, and our conversation about having a good conversation turned out to be an essential education. Effective communication is so important, especially these days, so listen in for some tips and ideas to help you communicate more effectively in your own life.
As always, if you have questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com where you’ll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available and what the newest audio chats will be about. If you’re getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help – and I’d love to feature your review on future podcasts.
(0:00:01) - Early Sound Memory and Communication Journey
As our discussion starts, John shares his early memories of how sound moved him, from Jackson Five records to his mother singing while she did housework. “I can just remember the happiness in regards to the way that she sang,” he tells us. “So, yeah, absolutely, and that was, like I said, the first that I can easily recall it made me happy.” He tells us about his sales career in radio, and how questions about his role lead him into voiceover. “’You have a really good voice, are you on the radio?’” he recalls his clients asking. “I would brush that off, for I don’t know decades, just no, no, I’m in sales.... I remember thinking, well, if they were right and if I don’t find out, well then I’ll live to regret that.”
(0:15:00) - The Authentic Art of Communication
John tells us more about his career shift into voiceover and public speaking, and how, at first, he tried to keep his experience in sales separate. “I would only speak about voiceover and voice narration and all that sort of thing,” he says. “And a few years after that I came to the realization, one, that’s dumb. Your history is really important.” We discuss the importance of authenticity and a genuine connection, and how much easier communication is when it’s backed up by both experience and honest interest in your client. “All the training and overthinking and technical expertise,” he adds, “all that stuff, and that’s why I don’t dismiss it. It’s very meaningful. The training enables you to think less.”
Episode Summary
- John’s memories of his musical family, and how they led to his first career in radio.
- The key to connecting with clients and taking a genuine interest in their needs and goals.
Tune in for next week’s episode as John offers his advice for sharing bad news in a professional way, his AI tool recommendations, and tips on overcoming our tendency to assume the worst.
Connect with the Audio Branding Podcast:
Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.com
Connect with me on Instagram - https://www.instagram.com/jodikrangle/
Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVO
Connect with me on LinkedIn -

05/06/20 • 20 min
Here’s the second part of my interview with global brand strategist, Edward Farley. In it, we continued our conversation about the research going into artificial intelligence and how AI affects the brand experience.
In addition, we discussed:
- How KFC in Canada and the National Australia Bank are creating two unique brand voices using the same type of deep learning technology that powers the voice of Alexa
- How Mastercard uses a consistent track of chords that reflects the DNA of their brand but caters it to the culture in which their audio is being utilized
- The connection between audio and memory
- The importance of a brand matching its visual identity to its audio identity
- How brands use audio to build trust
- How audio is more than just a tool in a toolkit—it’s a tool to be invested in
- Jingles, NBC, and other audio branding that goes back many, many years
- What is included in a brand’s soundscape
- How Starbucks and others use audio to facilitate loyalty and improve how their customers feel
- Things to consider when choosing music to play at events in different countries
- The tactics businesses use to bring their audio strategy to life and the difference those tactics make in consumer experience
- Ed’s work with a product incubator accelerator that is engaged in startup products in the clean technology space
You can find out more about Ed by connecting with him on LinkedIn at https://www.linkedin.com/in/edward-farley-a08a839/ .
This episode was very skillfully made to sound beautiful by the talented Humberto Franco (http://www.humbertofranco.com/).
Would you consider reviewing the Audio Branding Podcast? If so, here's the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453 And if you like what you hear (and read!) - please do share it with anyone you think might be interested. Thanks so much!
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
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FAQ
How many episodes does Audio Branding have?
Audio Branding currently has 291 episodes available.
What topics does Audio Branding cover?
The podcast is about Design, Podcasts, Education and Arts.
What is the most popular episode on Audio Branding?
The episode title 'Tooth, Claw, and Clamor: How Animals Use the Power of Sound to Survive' is the most popular.
What is the average episode length on Audio Branding?
The average episode length on Audio Branding is 27 minutes.
How often are episodes of Audio Branding released?
Episodes of Audio Branding are typically released every 7 days.
When was the first episode of Audio Branding?
The first episode of Audio Branding was released on Nov 23, 2019.
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