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As Told To - Episode 41: Tara Trudel
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Episode 41: Tara Trudel

05/23/23 • 57 min

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As Told To

“Songwriting is kind of where my heart is,” says former Second City music director Tara Trudel, a versatile songwriter and composer based in Los Angeles. Tara’s unique talents popped on podcast host Daniel Paisner’s admittedly limited radar during the launch of Post in Fall 2022, when she created a mini-musical based on the early days and growing pains of the new social media site. Tara started her career teaching early childhood and elementary school music for Chicago’s The Merit School of Music and the city’s public school system, before pivoting to comedy and theater—a natural extension of her work with children, she says.

These days, Tara makes her principal living writing music for comedy shorts and theme songs for children’s books—a collaborative niche she seems to have all to herself. Her work has been featured at SXSW, on Amazon Prime, Sony’s Voces Nuevas, and Vulture’s “Best Comedy Shorts of the Year.” Tara’s score for Chelsea Devantez’s short film “Basic” was named “Best Score” at the LA Film Awards and the Festigious International Film Festival. Her debut album, “Fractured: Fairy Tales Remixed,” offers listener’s Tara’s modern take on the classic stories we think we know, featuring guest appearances by her collaborating partners from the Chicago improv scene, including Ashley Nicole Black, Eddie Mujica, and Mary Sohn.

Learn more about Tara Trudel:

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“Songwriting is kind of where my heart is,” says former Second City music director Tara Trudel, a versatile songwriter and composer based in Los Angeles. Tara’s unique talents popped on podcast host Daniel Paisner’s admittedly limited radar during the launch of Post in Fall 2022, when she created a mini-musical based on the early days and growing pains of the new social media site. Tara started her career teaching early childhood and elementary school music for Chicago’s The Merit School of Music and the city’s public school system, before pivoting to comedy and theater—a natural extension of her work with children, she says.

These days, Tara makes her principal living writing music for comedy shorts and theme songs for children’s books—a collaborative niche she seems to have all to herself. Her work has been featured at SXSW, on Amazon Prime, Sony’s Voces Nuevas, and Vulture’s “Best Comedy Shorts of the Year.” Tara’s score for Chelsea Devantez’s short film “Basic” was named “Best Score” at the LA Film Awards and the Festigious International Film Festival. Her debut album, “Fractured: Fairy Tales Remixed,” offers listener’s Tara’s modern take on the classic stories we think we know, featuring guest appearances by her collaborating partners from the Chicago improv scene, including Ashley Nicole Black, Eddie Mujica, and Mary Sohn.

Learn more about Tara Trudel:

Please support the sponsors who support our show.

Previous Episode

undefined - Episode 40: Gregory Collins & Carolyn Pfeiffer

Episode 40: Gregory Collins & Carolyn Pfeiffer

“The idea of ‘chasing the panther’ is that the panther serves as this metaphor for art, and so it’s something that you chase after even thought it is in some ways very, very dangerous, and I think Carolyn would say that is one hundred percent the story of her life, chasing art.”

That’s writer and filmmaker Gregory Collins explaining the title to his very first collaboration, Chasing the Panther: Adventures & Misadventures of a Cinematic Life, written with the noted independent film producer Carolyn Pfeiffer, who as a young woman found herself swept up in the roiling waters of the French New Wave and Italian film scenes of the '60s and '70s. Together, Gregory and Carolyn have written a vibrant coming-of-age memoir telling the origin story of one of the film industry’s first female executives—a woman once dubbed a Hollywood “mini-mogul” by The Wall Street Journal.

As the head of Alive Films and Island Alive, Carolyn produced a number of influential films, including “Stop Making Sense,” “Koyaanisqatsi”, “Kiss of the Spider Woman,” “Trouble in Mind,” “Far North,” and “The Whales of August.”

An accomplished screenwriter and producer in his own right, Gregory’s films have premiered at the Malawi International Film Festival, and at the Sarasota and Seattle film festivals. He has taught producing and screenwriting at Penn State University and has served as the director of development of Burnt Orange Productions, at the University of Texas at Austin.

Join us at the front end of this episode, as Carolyn and Gregory discuss how they worked together, and share some wild stories about Carolyn’s experience on the frontlines of French New Wave cinema, Fellini’s Rome, and Swinging London—and then stay with us after the break, as we visit with Gregory and examine the ways he has shifted his focus as a writer from the screen to the page.

Learn more about our guests:

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Next Episode

undefined - Episode 42: Madeleine Morel

Episode 42: Madeleine Morel

Literary agent Madeleine Morel has made a career out of representing ghostwriters and collaborators—and only ghostwriters and collaborators. Through her Manhattan-based agency 2M Communications, she has successfully paired her clients with top celebrities, thought leaders, health and fitness experts, business executives and change agents on hundreds of book projects, including more than 60 New York Times bestsellers. She sees herself as a kind of “literary matchmaker,” and publishers are inclined to agree. They regularly seek her out when they’re looking for the “right” writer to capture a celebrity author’s voice or vision.

“It’s the best of times and the worst of times,” Madeleine says of the current climate for her clients. “It’s the best because there’s more collaborative work out there than ever, and it’s the worst because there are more collaborators out there than ever.” Join us for a fun, freewheeling conversation on what it takes to write in service of someone else, and how publishers go about putting the famous and infamous together with talented storytellers in pursuit of the next bestseller.

Learn more about Madeleine Morel:

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