
280. How Good is Good Enough?
09/25/23 • 25 min
I thought wanting to make money made me sound greedy or less than other artists. But after a while, I just said, “heck with it” and leaned into my business-minded artistic side. I’m really good at making money with a paintbrush, and I make a lot of it in not very many hours. I teach it because that’s what I’m passionate about, so if you’re at all interested in making money with a paintbrush and not just doing it for fun, then I have a big tip for you.
See, I don’t mind painting something random if someone pays me enough and I don’t mind stopping a project and walking away when it’s at the good enough stage. If a customer doesn’t have an amazing budget, then I don’t make an amazingly realistic best-of-my-ability painting. I’m okay with doing a good job, but not an amazing one if the situation calls for it. And I take that theory into the rest of my work life...
If I spent just a couple more months on my book it would be that much better. I could’ve added more humor, less rambling, and more whimsical words to help paint a picture of every story I told within the pages. But I didn’t. I called it done and moved on.
Every single time I record a solo podcast episode, I seriously consider lighting it on fire and starting over. I’m tempted to spend another hour going back over the subject I just talked about, but this time make it so much smoother.
Almost every mural design I create, at one point or another, I look at it and think why didn’t I stretch my creativity a little further to make it look just a bit better?
In the middle of painting, I’ll often want to add a small detail or change a small part, but I make myself move on and come back to it in the end. “If it still bothers me when everything is complete then I’ll add/change that part.”
But 90% of the time nothing gets changed, because the overall look of the mural isn’t reliant on a small detail.
My art business won’t crumble if a small detail is incorrect or out of place. I’ll get to it eventually, or not.
Currently, everything runs comfortably. Not perfect, but comfortable.
So, when can you call it good enough?
If the customer is happy, then it’s good enough.
If I can say that I gave at least an 80% effort, then that’s good enough for me. Because I know adding that extra 20% often takes waaaaay longer than necessary.
Let’s chat about the idea of leaving perfectionism behind and putting things out there that are good enough on this week's episode of the Artist Academy Podcast.
Andrea
www.ArtistAcademy.co
I thought wanting to make money made me sound greedy or less than other artists. But after a while, I just said, “heck with it” and leaned into my business-minded artistic side. I’m really good at making money with a paintbrush, and I make a lot of it in not very many hours. I teach it because that’s what I’m passionate about, so if you’re at all interested in making money with a paintbrush and not just doing it for fun, then I have a big tip for you.
See, I don’t mind painting something random if someone pays me enough and I don’t mind stopping a project and walking away when it’s at the good enough stage. If a customer doesn’t have an amazing budget, then I don’t make an amazingly realistic best-of-my-ability painting. I’m okay with doing a good job, but not an amazing one if the situation calls for it. And I take that theory into the rest of my work life...
If I spent just a couple more months on my book it would be that much better. I could’ve added more humor, less rambling, and more whimsical words to help paint a picture of every story I told within the pages. But I didn’t. I called it done and moved on.
Every single time I record a solo podcast episode, I seriously consider lighting it on fire and starting over. I’m tempted to spend another hour going back over the subject I just talked about, but this time make it so much smoother.
Almost every mural design I create, at one point or another, I look at it and think why didn’t I stretch my creativity a little further to make it look just a bit better?
In the middle of painting, I’ll often want to add a small detail or change a small part, but I make myself move on and come back to it in the end. “If it still bothers me when everything is complete then I’ll add/change that part.”
But 90% of the time nothing gets changed, because the overall look of the mural isn’t reliant on a small detail.
My art business won’t crumble if a small detail is incorrect or out of place. I’ll get to it eventually, or not.
Currently, everything runs comfortably. Not perfect, but comfortable.
So, when can you call it good enough?
If the customer is happy, then it’s good enough.
If I can say that I gave at least an 80% effort, then that’s good enough for me. Because I know adding that extra 20% often takes waaaaay longer than necessary.
Let’s chat about the idea of leaving perfectionism behind and putting things out there that are good enough on this week's episode of the Artist Academy Podcast.
Andrea
www.ArtistAcademy.co
Previous Episode

279. Creating Haunted Dioramas with Cody Meacham of Radley Relics
This week’s episode features Florida-based visual artist Cody Meacham of Radley Relics. Cody crafts nostalgic miniatures inspired by beloved theme park attractions and horror films. Each piece is meticulously designed, reflecting his passion for capturing the essence of iconic haunted experiences.
Cody has worked on projects for Universal Studios and has lately nestled into his own business of collaborating with collectors to create custom pieces. He leans into the fact that his work is extremely niche and has a very unique, nailed down audience. Cody interacts with his collectors to gain insight from them as to what they might be looking for in his work.
Having that one-on-one communication with people who have already bought into his work helps him customize each piece to the liking of his fan base. Instead of starting completely from scratch every time and not knowing how it will be perceived, by getting upfront feedback from collectors he already knows each creation will be a hit. It’s genius!
There’s a fine line between doing what you love and taking outside advice to dictate what you do, and Cody is walking that line brilliantly. Let me know what you think of this week’s episode with Cody Meacham of Radley Relics.
www.ArtistAcademy.co
https://www.instagram.com/radleyrelics/
Next Episode

281. Quit Your Day Job with Michelle Ricalde
Michelle is a muralist based in New Jersey and has recently had her world turned upside down - in a good way.
I know we all have these excuses as to why we are not making the moves we know we need to make with our careers, but let me tell you, Michelle’s story was not one that was easily made. But she took a leap of faith, worked hard, and now has a painting career she enjoys along with an encouraging support system to back her.
Let me know what you think of this week’s episode with Michelle Ricalde.
www.ArtistAcademy.co
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