Caravaggio Ep 5 of 8: What'd You Call Me?!

Explicit content warning

06/25/19 • 64 min

Baglione, Mao, The Nooch... As adversaries emerge, lines are drawn, and words are exchanged. Really, really, ridiculous words with unimaginable fallout.
Caravaggio finds a brother figure in Onorio Longhi, even though his actual brother also lives in Rome. Onorio finds his merengue needs unfulfilled, but his hunger for violence satiated. And, Fillide finds out that some moms are checked out a bit early, while some co-workers check in behind your back.
Let your porny paintings become more violent, your devotional paintings become more public, and never, EVER let anybody disrespect your Cecco without a reckless attempt at retribution. After all, omnia vincit amore, right?

@artholespodcast

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@artholespodcast

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Previous Episode

Caravaggio Ep 4 of 8: Hitting the High Notes

The new Counter-Reformation mix tape dropped...ya heard? It’s a music-heavy episode, not all of which is appropriate for work. Maybe not everybody’s work, but, most people’s work. Cardinal Del Monte has quite a few guests at the house and people have thoughts. Also, Caravaggio creates some paintings inspired by music, a guy named Francis, and Mario Minitti’s sultry gaze. And, I lash out at more Popes. Take a listen and learn about some terrible surgeries, a lazy investigation by the sbirri, and some memory problems. We also learn that it’s hard to say goodbye, especially when you know you have to. Because, violence.

Next Episode

Caravaggio Ep 6 of 8: Tennis Balls

Greg Rotolanti, butter, Fillide, sex-wrinkles, a resolute and purposeful “Jenis,” The Nooch, a magic flying house, and tennis. I honestly don’t know what else to say. I for sure lost it on this one.

@artholespodcast

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