Episode 28: The Empire Strikes Back - Part 2

08/31/19 • -1 min

In Episode 28, we conclude our time with The Empire Strikes Back, and our exploration of perhaps the best Star Wars film and score ever made. In this episode, we make our way through some remaining themes and motifs, as well as the major action setpieces of the film, and ask the biggest question of all: is this the best film score ever written? Episode notes: 2:41 – The Days of Han and Leia 6:37 – Tchaikovsky’s Star Wars 11:51 – Han’s Soli 14:21 – Williams’ melodic patterns 15:27 – A polite argument (for strings) 20:14 – Melodus interruptus 24:22 – Bespin Cellos 25:51 – I love cue (I know) 30:48 – Resolving Solo and the Princess 36:32 – Bassoon Fett 43:36 – The droids dance 52:43 – The droids return in Solo 54:18 – Hyperspace strings 58:28 – Empire’s action ostinati 1:05:24 – Lando’s palace, where all your dreams come true 1:07:42 – A choir in the clouds 1:11:34 – The magic tree 1:15:10 – The synth side of the force 1:17:52 – John Williams’ best action cue, ever? 1:25:08 – The space tritone 1:28:31 – Looping the woodwinds 1:29:43 – The battle in the snow 1:34:29 – The Carbonite Procession, and John Williams’ greatest finale ever? 1:40:32 – The end credits 1:45:43 – The greatest score ever written? We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

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Episode 27: The Empire Strikes Back - Part 1

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Episode 29: The Film Music of Nick Cave & Warren Ellis

Episode 29 marks Art of the Score’s first ever live episode, recorded in August at the Melbourne International Film Festival. Exploring the film music of Nick Cave and Warren Ellis (The Proposition, The Assassination of Jesse James by the Coward Robert Ford, and The Road), the live talk also preluded a concert later that week where the Melbourne Symphony Orchestra played Cave and Ellis’s music as arranged by our very own Nicholas Buc. Join us for a very special live episode as we try and find out what makes the film music of Cave and Ellis so good. Episode notes: 0:54 – A very special live episode 5:27 – The Nick Cave and Warren Ellis sound 6:26 – Alice Wading 7:58 – A band process for film music 10:34 – The Proposition 12:41 – The meat pie western 14:05 – The drone, the voice, the piano 18:05 – Nick’s singing (The Rider) 21:11 – Martha’s Dream 22:55 – The Cave Waltz 26:38 – The Rider Song 29:20 – The Assassination of Jesse James 31:26 – The celeste 35:14 – A Rather Lovely Thing 37:17 – An arresting chord progression 39:45 – The Assassination lullaby 41:54 – Song for Bob 45:14 – The Road 49:35 – The Mother 52:09 – The Far Road 54:49 – The House 58:07 – The ray of hope 59:49 – The Ellis Cave DNA We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.