
Family Matters: Ivan the Terrible and His Son Ivan
11/23/22 • 49 min
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Ilya Repin (1844-1930) was one of Russia’s leading realist painters, known for his evocative portrayals of 19th-century working conditions. He was also known for his charged depictions of episodes from Russia’s past - such as an 1885 canvas showing Ivan the Terrible moments after striking his son and heir with a deadly blow.
We’ll dive deep into this...unique father-son bond, and explore the motivations that led Repin to put this controversial image on display 300 years after the event in question took place.
Today's Image: Ilya Repin, Ivan the Terrible and his Son Ivan (1883-1885). Oil on Canvas, 78.5” x 100”. Tretyakov Gallery, Moscow.
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Ilya Repin (1844-1930) was one of Russia’s leading realist painters, known for his evocative portrayals of 19th-century working conditions. He was also known for his charged depictions of episodes from Russia’s past - such as an 1885 canvas showing Ivan the Terrible moments after striking his son and heir with a deadly blow.
We’ll dive deep into this...unique father-son bond, and explore the motivations that led Repin to put this controversial image on display 300 years after the event in question took place.
Today's Image: Ilya Repin, Ivan the Terrible and his Son Ivan (1883-1885). Oil on Canvas, 78.5” x 100”. Tretyakov Gallery, Moscow.
______
New episodes every month. Let's keep in touch!
Email: [email protected]
Patreon: https://www.patreon.com/matta_of_fact
Instagram: @artofhistorypodcast
TikTok: @artofhistorypod // @matta_of_fact
Previous Episode

Ghosts at the Palace
Two things are true of history podcasts: Everyone loves a bit of Tudor History, and everyone loves a good ghost story. Today, we explore a bit of both!
When visiting Henry VIII’s magnificent Hampton Court Palace, it’s often the darker episodes from its past that get the best reactions. Using Tudor portraiture as our guide, let’s explore the origin of some of the Palace’s ghostly tales and the lives at the center of them.
Today's images:
Jane Seymour (unfinished), after Hans Holbein the Younger (1537). Oil on panel. National Portrait Gallery, London.
Jane Seymour, by Hans Holbein the Younger (1536/37). Kunsthistorisches Museum, Vienna.
Portrait of a Lady, perhaps Katherine Howard, by Hans Holbein the Younger. (ca. 1540). Watercolor on vellum laid on playing card (the 4 of Diamonds). Royal Collection Trust.
Effigy of Dame Sybil Penn, from Hampton Church
British School, The Family of Henry VIII (c.1545). Oil on canvas. Hampton Court Palace, Royal Collection Trust.
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New episodes every month. Let's keep in touch!
Email: [email protected]
Patreon: https://www.patreon.com/matta_of_fact
Instagram: @artofhistorypodcast
Twitter: @ArtHistoricPod
TikTok: @artofhistorypod // @matta_of_fact
Next Episode

Forever Free - Edmonia Lewis, Pt. 1
Edmonia Lewis (1844-1907) was history’s first internationally recognized sculptor of African American and Native American descent, and (as you might expect!) a woman with a multifaceted life story.
Today's Image: Edmonia Lewis, Forever Free (The Morning of Liberty) (1867). Marble, 41.25 x 22 x 17 in. Howard University Gallery of Art, Washington, D.C.
______
New episodes every month. Let's keep in touch!
Email: [email protected]
Patreon: https://www.patreon.com/matta_of_fact
Instagram: @artofhistorypodcast
TikTok: @artofhistorypod // @matta_of_fact
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