
Becoming Joan
10/08/21 • 42 min
Jules Bastien-Lepage's life-size depiction of Joan of Arc (1412-1431) shows her at the very beginning of her journey to sainthood. But a lot happened between her spiritual awakening in 1425 and her canonization as the patron saint of France in 1920. So, how did she get there? And how was her image molded by the national and spiritual needs of a nation?
Today's image: Jules Bastien-Lepage, Joan of Arc (1879). Oil on canvas. Metropolitan Museum of Art, New York.
New episodes every other Friday. Let's keep in touch! Email: [email protected] Instagram: @artofhistorypodcast Twitter: @ArtHistoricPod TikTok: @matta_of_fact
--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/amanda-matta/supportJules Bastien-Lepage's life-size depiction of Joan of Arc (1412-1431) shows her at the very beginning of her journey to sainthood. But a lot happened between her spiritual awakening in 1425 and her canonization as the patron saint of France in 1920. So, how did she get there? And how was her image molded by the national and spiritual needs of a nation?
Today's image: Jules Bastien-Lepage, Joan of Arc (1879). Oil on canvas. Metropolitan Museum of Art, New York.
New episodes every other Friday. Let's keep in touch! Email: [email protected] Instagram: @artofhistorypodcast Twitter: @ArtHistoricPod TikTok: @matta_of_fact
--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/amanda-matta/supportPrevious Episode

The Life of Dido
In the mid-1770s, the Earl of Mansfield (1705-1793) commissioned a portrait of his two great-nieces, Elizabeth Murray (1760-1825) and Dido Belle (1761-1804). But it was Elizabeth's name that would be remembered through history, and Dido's would only be rediscovered in the 1990s. In this episode, we discuss her origins, her position in her great-uncles stately home, and how she is portrayed in the only known Neoclassical portrait depicting a black woman and a white woman as equals.
Today's image: David Martin, Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray (ca. 1778). Oil on canvas. Scone Palace, Scotland.
New episodes every other Friday. Let's keep in touch!
Email: [email protected]
Instagram: @artofhistorypodcast
Twitter: @ArtHistoricPod
TikTok: @matta_of_fact
--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/amanda-matta/supportNext Episode

Mr. Lincoln, I Presume?
In 1872, Mary Todd Lincoln (1818-1882) visited the photography studio of one William H. Mumler (1832-1884), who claimed to be able to capture images of deceased loved ones on film. A byproduct of Mrs. Lincoln's spiritualist beliefs, the photograph on which today's episode centers offers us a glimpse at the strange practices which Civil War-era Americans would resort to in their efforts to find comfort and solace in the wake of death and tragedy.
Today's Image: William H. Mumler, “Mary Todd Lincoln,” (1872). Lincoln Financial Foundation Collection, Allen County Public Library. Fort Wayne, Indiana.
New episodes every month. Let's keep in touch!
Email: [email protected]
Support on Patreon: https://www.patreon.com/matta_of_fact
Instagram: @artofhistorypodcast
Twitter: @ArtHistoricPod
TikTok: @matta_of_fact
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