
Glenn Iseger-Pilkington on being a conduit
10/04/18 • 27 min
Glenn Iseger-Pilkington likes to joke that he’s an “arts handyman”. Yet the phrase does have merit: he’s an artist and writer and has held various curatorial roles at the South Australian Museum, Western Australian Museum and the Art Gallery of Western Australia. Nowadays, he’s the lead consultant at Gee Consultancy, where he works with Aboriginal and Torres Strait Islander artists and arts workers.
In this podcast Glenn, a Yamatji Nyoongar man from Western Australia with Dutch and Scottish migrant history, talks about his curatorial and consultancy roles, discussing how he sees himself less as a voice of authority and more as a conduit. He also talks about the experience of judging the 2018 National Aboriginal & Torres Strait Islander Art Awards and, finally, tells us what changes he’s noticed in the arts in Australia over the last 15 years — both for better and worse.
See more at Art Guide online: https://artguide.com.au/podcast-glenn-iseger-pilkington-on-being-a-conduit.
This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual National Aboriginal and Torres Straight Islander Art Awards.
Produced by Tiarney Miekus. Engineered by Mino Peric.
Glenn Iseger-Pilkington likes to joke that he’s an “arts handyman”. Yet the phrase does have merit: he’s an artist and writer and has held various curatorial roles at the South Australian Museum, Western Australian Museum and the Art Gallery of Western Australia. Nowadays, he’s the lead consultant at Gee Consultancy, where he works with Aboriginal and Torres Strait Islander artists and arts workers.
In this podcast Glenn, a Yamatji Nyoongar man from Western Australia with Dutch and Scottish migrant history, talks about his curatorial and consultancy roles, discussing how he sees himself less as a voice of authority and more as a conduit. He also talks about the experience of judging the 2018 National Aboriginal & Torres Strait Islander Art Awards and, finally, tells us what changes he’s noticed in the arts in Australia over the last 15 years — both for better and worse.
See more at Art Guide online: https://artguide.com.au/podcast-glenn-iseger-pilkington-on-being-a-conduit.
This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual National Aboriginal and Torres Straight Islander Art Awards.
Produced by Tiarney Miekus. Engineered by Mino Peric.
Previous Episode

Interview: Georgina Cue on reality, fantasy and imagery
“I think the challenge with all of the disparate references is not that it’s difficult for all of them to come together. I think that the challenge is not to make the photograph too derivative of one reference, because then I’m just recreating something that already exists."
Georgina Cue’s large-scale, staged photographs bring together many disparate references ranging from film noir, German Expressionism, femme fatales, graffiti, classical Greek aesthetics and contemporary sportswear. In this podcast Cue unpacks the stories, associations and symbolism behind the imagery, as well as her current show 'Scenes' at Neon Parc.
See more at Art Guide online: www.artguide.com.au/podcasts
Podcast produced by Tiarney Miekus and engineered by Mino Peric.
Next Episode

Luke Scholes on curating, caring and collaborating
When Luke Scholes talks about being a curator, he turns toward the origins of his role: he discusses how curating means to be ‘a carer of things’. For Scholes, this largely involves caring for art collections, through his role as Curator of Aboriginal Art at the Museum and Art Gallery of the Northern Territory (MAGNT).
In this podcast Scholes unpacks his curatorial work, revealing how his position falls across three broad areas: facilitating the annual National Aboriginal and Torres Strait Islander Awards, curating exhibitions, and maintaining and developing MAGNT’s Aboriginal art collection. It’s this third responsibility that Scholes particularly delves into. “It’s not just about acquiring more examples, it’s about acquiring the right examples,” he explains. “What a curator should seek to do is develop a really strong and historical record of art movements.”
This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual National Aboriginal and Torres Strait Islander Art Awards.
See more at Art Guide online: https://artguide.com.au/podcast-luke-scholes-on-curating-caring-and-collaborating
Podcast produced by Tiarney Miekus. Engineered Mino Peric.
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