
Black or White / Russ Alsobrook, ASC, Episode #66
02/09/15 • 28 min
Russ Alsobrook, ASC, discusses his approach to the drama Black or White, in which a grieving widower struggles to retain custody of his young granddaughter in the wake of his wife’s death. Alsobrook explains why the filmmakers made last-minute decisions to go digital and to shoot widescreen, how they made the most of the 2.40:1 frame, and how he used lighting to illuminate the story’s complicated emotional terrain.
Russ Alsobrook, ASC, discusses his approach to the drama Black or White, in which a grieving widower struggles to retain custody of his young granddaughter in the wake of his wife’s death. Alsobrook explains why the filmmakers made last-minute decisions to go digital and to shoot widescreen, how they made the most of the 2.40:1 frame, and how he used lighting to illuminate the story’s complicated emotional terrain.
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Ordinary People (1980) / John Bailey, ASC, Episode #65
Cinematographer John Bailey, ASC discusses his work on the acclaimed drama Ordinary People, which marked Robert Redford’s directorial debut and was one of Bailey’s earliest feature credits.
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’71 / Tat Radcliffe, Episode #67
Cinematographer Tat Radcliffe connects with AC via Skype to discuss the gritty period thriller ’71, which he calls “a political piece, a documentary piece and a psychodrama.”
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