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Audio Branding

Audio Branding

Jodi Krangle

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Keeping a consistent sound in how you present your company really is the "hidden gem" of marketing. But audio or sonic branding influences us in many different ways and in many different places within our lives. Education is key! I explore that here, both with my own observations and by interviewing knowledgeable professionals in the field of advertising, marketing, music, technology and science. Want to be a guest on Audio Branding? Do you contribute something unique to the world of sound? Send me a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/jodikrangle and we'll talk. This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy
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Top 10 Audio Branding Episodes

Goodpods has curated a list of the 10 best Audio Branding episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Audio Branding for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Audio Branding episode by adding your comments to the episode page.

Five years ago, the first stories broke about a mysterious syndrome affecting American and Canadian diplomats in Cuba. Each case began with the victim hearing inexplicable grating sounds that people around them couldn’t detect, which then developed into headaches, hearing loss, vertigo, and even brain damage. New cases began to appear in embassies all around the world, with the most recent reports occurring just last year, and the phenomenon came to be known as Havana syndrome.

To this day, we still don't know what might be causing it. Theories range from secret government weapons to the power of mass suggestion, from exposure to harmful pesticides to the sounds of noisy tropical crickets. One of the earliest speculations was that it might be a sonic weapon, since we know that sound can be directed to a single listener without anyone else noticing, and that sound can do just as much harm as it can good. The secret behind Havana syndrome, whether it's an acoustic attack or something else, is still waiting to be uncovered, but sound's potential as a weapon is nothing new. Animals have been shaping soundscapes to their advantage for millions of years and we've used sound as a wartime strategy for just about as long as we've had wartime strategies.

This episode’s the first of a three-part series where I’ll be taking a look at how sonic tactics are used by everything from sperm whales to tiger moths, from Bronze Age battles to the now-famous “Ghost Army” of World War II, and just what the future of sonic warfare might hold.

We’re all familiar with the roar of a tiger, the howl of a wolf, or the hiss of a snake: animals use sound to not only communicate with each other but with their natural enemies, to warn them away and hopefully avoid a fight. But can animals use sound itself in a fight? The answer turns out to be yes, especially underwater where sound waves can be louder and more destructive than in the air. One such animal is the pistol or snapping shrimp, and I’ve talked about them before. Despite being barely an inch long, the pistol shrimp can create the loudest sound on Earth by snapping its claw to throw a literal bubble of sound at its prey, a bubble that’s as hot as the Sun and louder than a blue whale.

The title for the world's loudest animal arguably goes to the sperm whale, and it might also use sound as a weapon. Its clicks, which it uses for echolocation, are 230 decibels, so loud that they can be fatal to a diver who gets too close. Check out this link for a short video from author James Nestor about a diving team's awe-inspiring encounter with a pod of sperm whales, and how one diver found his left hand paralyzed for several hours after reaching too close to one of the clicking whales.

https://www.youtube.com/watch?v=zsDwFGz0Okg

Being around a sperm whale who's blasting away at full volume can be deadly for humans, but are their sounds also a weapon that they can aim and fire to stun giant squid? Biologists still aren't sure. For a long time, the answer seemed to be yes, but some more recent studies suggest that might not be the case: perhaps sperm whales are just loud because they're so big. Regardless, as one of the biggest and loudest animals to have ever lived, keeping our distance is probably a good idea.

Another cetacean (seh-tay-shan) that definitely uses sound to attack its prey is the killer whale, which hunts just about everything it can eat, from sharks to seals to other whales. When it comes to feeding on large schools of fish, a pod of orcas will often surround them and use slaps of their flukes, and the shock wave the sound makes, to stun the fish and keep them from swimming away. While the fish are left reeling from the blasts, the whales are free to eat as many as they like.

Here's a link to a rare underwater recording of such a feeding event, called “carousel feeding,” so you can see – and hear – their tail slaps for yourself.

https://www.youtube.com/watch?v=ETL1fwcDUQ4

On the land, animals use colors and shapes to camouflage themselves: leaf insects look like leaves at a glance, and owl butterflies have wings that look like owl eyes. It turns out that some animals also use sound to disguise themselves. Certain palp-footed spider species don't just look like velvet ants at a glance, they actually mimic the sounds of a velvet ant to trick geckos that'd normally prey on them into letting them go. A recent study also found that some species of clearwing moths not only look like stingless honey bees, but they buzz exactly the same way as a buzzing bee.

But the most dramatic use of sonic tactics among insects might be the tiger moth. They're eaten by bats who hunt them using echolocation, and many moths use their own clicking sounds to warn each other that they've heard a bat so they can scatter. One species in particular, though, takes it further. Their clicks disrupt the bat's sonar so that it essentially go...

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“What’s great about podcasting is there's that intimacy there. It’s just audio. It’s really fun when I listen to a podcast or I edit a podcast and I don’t know what the guest looks like, I don’t know anything about a guest, and I’m trying to imagine what type of personality that guest has. And through voice you get personality, but it’s kind of like shaped in a different way.” -- Nicolae Bogdan Bratis

This episode continues my interview with musician, composer, and podcast producer Nicolae Bogdan Bratis as we talk about his process for creating distinctive jingles, how to make sure you’re getting the most out of your microphone, and podcasting’s expanding role in social media.

As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.

Your Whole Mind

The second half of our interview starts with a look at Nicolae’s process for creating commercial jingles and sonic brands, a challenge he takes seriously. “You need to have the inspiration there because it's literally a creative work,” he says. “You have to be there with your whole mind.” One trick he relies on to create unique compositions is to start by playing truly random notes on a keyboard or guitar and then build on them. “It comes from randomness,” he tells us, “if that makes sense. It's not coming from your mind. And then from that randomness, you can really develop something that sounds original."

Sounding Your Best

We then talk about microphones, audio environments, and all the hidden obstacles that might get in the way of his clients’ recording sessions. “Until they get a professional to help them,” Nicolae explains, "they can’t really nail it down because there are so many things that can play a role in destroying your recording.” We discuss different microphone brands, the difference between side-address and top-address mics, and whether he recommends a condenser or dynamic microphone for podcasting. “Microphones nowadays,” he assured us, “are so good even the one-hundred-dollar microphone will sound good enough. Your audio will not suffer at the end of the day.”

Better and Better

“I think it's going to get better and better,” Nicolae says as he considers the future of podcasting. One recent trend is for podcast episodes to include visual elements, blurring the lines between audio-first content and video clips. “I have to cut quite a lot of content,” he says as we talk about the process of producing and editing visual podcasts, “just because there are so many visual references in the podcast that people may not understand because it's just audio.” He reminds us again of the power and understated importance of sound when it comes to presentation, and offers a humorous example of just how much the audio can change what we’re seeing on the screen. “If you have a horror movie with a funny track in the background,” he notes, “that horror movie may not be horror anymore.”

Episode Summary

  • Nicolae’s process for crafting jingles and composing original melodies
  • How everything from website colors to ambient sounds can shape an audio brand
  • The best microphones and sound setups for both studio and remote podcasting
  • The future of podcasting and challenges of producing visual podcasts

Connect with the Guest

Website: https://sawandsine.co.uk/

Follow Nicolae Bogdan Bratis on Facebook: https://www.linkedin.com/in/bratis/

Connect with Nicolae Bogdan Bratis on LinkedIn: https://www.linkedin.com/in/bratis/

Follow Nicolae Bogdan Bratis on Twitter: https://twitter.com/sawandsine/

Connect with the Audio Branding Podcast:

Book your project with Voice Overs and Vocals https://voiceoversandvocals.com

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“They often have a suite of sounds. Now you still have to follow all regulations that have to do with safety and that kind of thing, but now the sound inside the car can be reflected in the marketing communications around it, so that’s a very big use of sound.” -- Colleen Fahey

This episode’s the second half of my interview with author, creative executive, and sonic branding expert Colleen Fahey as we talk about her role in creating innovative sound strategies, the signs of a well-managed audio brand, and some of Colleen’s favorite brand voices.

As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available. And if you’d consider it, I’d love to hear what you think of the podcast! You can leave a review (that I’d love to feature on future podcasts!), either in written or in voice format from the podcast’s main page.

The Sound of Innovation

As the second half of our interview begins, Colleen tells us how she helps clients innovate and find their own sonic DNA, their own audio brand identity. “We have done sounds to communicate innovation,” she explains, “but our goal is not to be innovative in our use of sound. Our goal is to help people tell their story by using sound.” We also talk about how audio branding is becoming more accessible to small businesses. “It doesn't always have to be big fat advertising budgets. It can be in your app, it can be in your hold music, it can be in your TikTok videos, your Instagram posts, your brand video on your website. This isn't just for big fancy brands with lots of advertising money.”

An Authentic Voice

Colleen tells us about her work with a small industrial company, and how creating a sense of sonic consistency in their internal videos helped them establish their own audio brand. “They're extremely disciplined about using their audio brand,” she says, “and it’s a beautiful one” We talk about the role of voices and audio slogans in modern sonic branding, as well as some of the most memorable brand voices in the past, from Motel Six television ads to Tony the Tiger. “People have been using voices with strong characters,” she tells us, “but not everybody, and not enough. Often, they just want the voice to sit back instead of having the voice be somebody that you can picture in your mind.”

The Universal Language

As our interview ends, Colleen talks about an auto campaign that required a creative approach to stand out from the competition. “Everybody was using metallic sounds,” she recalls, “sounds like motors and engines, essentially functional sounds, but not emotional sounds.” We talk about some of her favorite advertising campaigns, from financial institutions to snack foods, and the integral part audio plays in connecting businesses all over the world with their customers. “As you can imagine,” she relates, talking about her experience with clients from around the world, “many international companies opt to have a fully musical sound because music is a universal language”

Episode Summary

  • Helping companies innovate and find their own sonic DNA
  • How small businesses are embracing audio branding and advertising
  • The evolving role of voice and music in sonic marketing
  • Creating inventive sound campaigns and distinctive audio brands

Connect with the Guest

Website: https://www.sixiemeson.com/

Connect with Colleen Fahey on LinkedIn: https://www.linkedin.com/in/colleenfahey/

Follow Colleen Fahey on Twitter: https://twitter.com/SixiemeSon/

Connect with the Audio Branding Podcast:

Book your project with Voice Overs and Vocals https://voiceoversandvocals.com

Tweet with me on Twitter - https://twitter.com/JodiKrangle

Wa...

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“Do you know what I think makes a compelling podcast? It’s a podcast that doesn’t sound like a podcast. And I know that’s a really goofy answer, but if it sounds like two people talking or three people talking and they’re having this conversation, that there’s a genuine back and forth of information, that’s what makes the best podcast.” -- Joe Pardavila

This episode’s the second half of my interview with radio personality, producer, podcaster, and author Joe Pardavila, as we talk about unexpected interview answers, how improv training helped him learn how to live in the moment, and what makes a compelling podcast in his experience.

As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.

A Polarized World

As the second half of the interview starts, we continue our talk about some of the most surprising interview answers Joe's received, including an offhand but revealing inside look at Chris Martin's family life. The key, he says, is to care about what people have to say, and to give them an opportunity to share their stories. “A lot of people like to hear themselves talk,” he explains, “but they need the opportunity.” And, he humorously adds, “that's why I'm here Jodi, just to hear myself talk. Just that.” We also discuss how polarized the world’s become these days and how much extra effort it can sometimes take to empathize with each other’s perspectives. “We can at least try to get to know each other better,” Joe tells us, “and that just means putting ourselves in the other person's shoes.”

Getting Out of Your Head

Joe goes on to tell us how he ended up learning improv from the Upright Citizens Brigade and joining a sketch comedy group, and the most valuable skill he learned from those experiences. “I was always on,” he recalls, “and just needed something to turn off, because the one thing you learn from improv is it's important to live in the moment and get out of your head.” We discuss how modern technology and social networks have made concentrating on the moment more of a challenge than ever, and the discipline it can take to keep ourselves focused and resist the urge to try and multitask. “It's so easy to be distracted,” he adds, “that we have to be really focused on not being distracted.”

Make Sure You’re Proud

When asked about the most common issues facing podcasters, Joe has a ready answer: editing and overlooking the sound quality. “Someone's dog starts barking like crazy,” he answers, “and they just keep going with the podcast... you can press pause, stop, let things pass, and then continue.” We talk about the limitations of Zoom when it comes to podcasting, ways to work around a limited audio budget, and his latest work on everything from recording audiobooks to interviewing CEOs and business leaders. As the episode comes to a close, he reflects on the staying power of podcasting, something that's often easily overlooked “The great thing about podcasts,” Joe says, “you put your podcast out there, it's going to be out there for eternity. So make sure you're proud of it.”

Episode Summary

  • Joe’s most surprising interview answers and how to plan for a conversation
  • How learning improv and comedy helped teach Joe to focus on the present
  • Why the best podcasts are the ones that don’t sound like podcasts
  • Podcasting’s most common issues and Joe’s upcoming projects

Connect with the Guest

Connect with Joe Pardavila on LinkedIn: https://www.linkedin.com/in/joepardavila/

Follow Joe Pardavila on Twitter: https://twitter.com/joepardavila/

Connect with the Audio Branding Podcast:

Book your project with Voice Overs and Vocals https://voiceoversandvocals.com

Tweet with me on Twitter - https://twitter.com/JodiKrangle

Watch the ...

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“You have to create this environment that the person’s comfortable in, that’s a big part of it. And I don’t actually like to use the word interview, especially when I coach people or advise people who are starting podcasts. You don't ever want to use the word ‘interview’ because interview implies question answer, question answer, question answer, whereas a conversation is a back and forth, it’s people sharing ideas.”-- Joe Pardavila

My next guest has produced over ten thousand hours of audio content over the course of his career in podcasting and terrestrial radio. He was a radio personality and producer on the legendary New York City radio station, 95.5 PLJ, where he was part of the iconic Scott & Todd in the Morning. He studied Sketch & Improv Comedy at the Upright Citizens Brigade and was a founding member and actor in the New York-based sketch comedy group Clip Show. The group performed at the Upright Citizens Brigade Theater and the People’s Improv Theater, and their video sketches have been featured on Funny or Die and the Huffington Post. He’s also the co-director, writer, and producer of the award-winning horror satire The Witches of Bushwick and currently serves as the director of podcasts for Advantage Media Group/ForbesBooks.

His name is Joe Pardavila and, as you can probably tell, he’s spent much of his life understanding good audio and good conversation. His book Good Listen talks about the secrets behind creating compelling conversations and powerful podcasts. Sounds like he’ll fit right in here, so let’s get to it!

As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.

In Love with Radio

As the interview starts, we talk about Joe's early memories of sound and how he used to stay up late at night as a child to secretly listen to sports news on the radio, "I would be in my bedroom underneath my blankets," he recalls, "listening to my little radio till 3 o'clock in the morning to see what the Mets had done." That radio under the blankets, he says, was a lifeline in the days before the internet and news on demand, and it changed the way he thought about sound, media, and particularly the power of radio. "That was sort of my connection," Joe says, "to the way I fell in love with radio."

Opening Up the World

Joe goes on to tell us how he came to work for WPLJ and Scott & Todd in the Morning, as a college internship turned into a surprise job offer. "I didn't have to think twice about it," he says. "I was like 'sure, who needs school?' And then that sort of opened my world up." He quickly progressed in his newfound career and, as he explains, "I ended up running the morning show by the time the morning show was blowing up in 2019." We talk about his mentors and how they influenced his career, and how a mentor can sometimes be just as valuable for the mistakes they teach you to avoid as the advice they offer. "One thing people don't realize about mentors and mentorship," he notes, "is it's not only the good things you can learn from your mentors. It's also the bad things."

Good Listening

Next, we talk about his foray into podcasting and writing his first book. "I was like 'I want to do podcasting,'" Joe reflects, "'but I don't want to do the same thing I'm doing on the air.'" His first podcast ended up being a collaboration with renowned sex researcher Zhana Vrangalova in part, he says, "because that's something I would never be able to discuss on the radio." Podcasting soon led him to an unexpected new creative venture, his new book Good Listen. “It turns out as I was teaching folks to be podcasters,” he explains, “I was like ‘this could be useful for other people.’”

A Guest in Your House

As the first half of our interview comes to a close, Joe tells us about a "magic moment," as he calls them in his book, that happened in his own life while running a marathon to help raise awareness of Huntington's disease. We talk about his unforgettable run through the five boroughs of New York, and he tells us how an awkward interview question with Taylor Swift early in his career taught him a valuable lesson when it comes to helping turn interviews into genuine conversations. "Create the safest place for your guest," Joe advises, "because you want them to be able to feel like they're a guest in your own hou...

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“All news music doesn't have to have trumpets and trombones, and all trains don't have to just ring, you know, or honk. And all appliances shouldn't always sound like ‘beep beep beep,’ you know, chip sounds instead of having a tune that would make people remember them better and maybe like them better.” -- Colleen Fahey

This week’s guest is a creative executive with deep experience in branding and marketing at multiple touchpoints. When she learned of Sixième Son, a sonic branding agency that had created over four hundred brands, she approached them about expanding to North America. She opened a sonic branding agency in Chicago at the end of 2012 and, in 2017, co-authored the book Audio Branding: Using Sound to Build Your Brand. Since those days, her team has led Sixième Son's sonic branding initiatives for Atlanta, Michelin, Huggies, Merrell Footwear, USAA Insurance, Sparkling Ice drinks, a hospital, a news network, an AIDS treatment, and many more. The North American business now operates out of New York, Toronto, and Cleveland, as well as Chicago. Throughout her career, she's been a creative director for leading brands in the US, Europe, Latin America, and Asia. Raised in Madrid, she speaks fluent Spanish, conversational French, and a courageous-but-embarrassing Portuguese.

Her name is Colleen Fahey, and if you’ve always wanted to ask questions about audio branding from one of the oldest premier companies in the business, you’ll want to hear this interview. I have no doubt Colleen will blow our minds with her observations about the audio branding landscape.

As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available. And if you’d consider it, I’d love to hear what you think of the podcast! You can leave a review (that I’d love to feature on future podcasts!), either in written or in voice format from the podcast’s main page.

An Elegant Idea

The episode begins with Colleen’s earliest memories of sound: she tells us about leaving the U.S. at the age of four to live in Spain, and how the sound of the ocean liner’s horn as they departed literally shook her from head to toe. “It somehow also got into my psyche too,” she tells us, “because it was almost like a book had closed with that sound.” We then talk about a pivotal moment in 2011 when she first learned about sonic branding, as she attended the Audio Branding Congress at Columbia University. “I was struck by how elegant the idea was that these people were so excited about,” Colleen explains, “how elegant the idea of having a sound that repped the brand from every angle.”

The Value of Your Brand

Next Colleen tells us about writing her first book, and the importance of, as she puts it, “an audio brand that fits your brand, that communicates your values, that gets attention and really becomes a brand asset that lasts for years.” We talk about the power of early audio marketing in transforming Hawaii from a little-known territory into a tourist destination, and about avoiding the cliches and sonic codes that commercials have created. “A brand needs to stand out,” she says, “be recognized and differentiate, and the music has to help you differentiate in a way that's appropriate to the value of the brand.”

Using Your Ears

We go on to talk about mood boards, what exactly they are, and how they helped inspire her team at Sixième Son while creating a sonic brand for Atlanta’s tourism board. “The music,” she recalls about one brainstorming session, “instead of coming together, was layered. Everyone sounded good, but they didn't sound like they were all playing the same thing, and that was just a big a-ha moment.” There’s inspiration all around us, she explains, and she tells us about the importance of listening for it and keeping our ears open. “I'm talking about people having to really sit and use their ears,” she says. “Everyone loves doing it, and they're amazed at how exhausted they are at the end.”

Hearing Without Listening

“The thing that an audio brand can do,” Colleen tells us, “is access people at a very immediate level, and almost without their knowing that they're being influenced.” We talk about audio cues and sonic logos that have become an almost invisible part of our lives, and how brands have replaced intrusive advertising with a more subtle and widespread presence. As we close the first half of...

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Audio Branding - Interview With Vocal Coach, Judy Rodman – Part 1
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06/24/20 • 20 min

Judy Rodman has spent over 50 years in the music industry. She’s been a top session singer, recording artist, stage and TV performer, songwriter, studio producer, public speaker, and coach. Judy teaches singers and speakers globally both from her office and online. She’s a published author, hosts the podcast All Things Vocal, and is currently working on a 12-module course in vocal training.

In the first part of our conversation, we spoke about a variety of topics, including:

  • How Nashville is doing amidst the COVID-19 shutdowns (during which time this episode was recorded)
  • Judy’s recommendations for how Nashvillians can proactively live through the challenges of the circumstances surrounding COVID-19
  • How Judy first developed a love for voice
  • Judy’s background in music growing up
  • Judy’s first paid gig
  • How Judy transitioned into being a vocal coach
  • Recording jingles as a staff member of the Pepper Tanner organization
  • Making up copy for a funeral home
  • How Judy started doing work writing longer copy
  • How taking voice lessons and learning to sing helps songwriters
  • The importance of silence and pauses when reading copy
  • The one question we have to ask ourselves when we communicate
  • Using our imaginations to anticipate others’ responses to our communication
  • Different ways of articulating in varying contexts

You can find out more about Judy and access all she has to offer at www.judyrodman.com. Check out her podcast All Things Vocal on your favorite podcast app.

You can also find Judy on social media:


This episode was very skillfully made to sound beautiful by the talented Humberto Franco (http://www.humbertofranco.com/).

Would you consider reviewing the Audio Branding Podcast? If so, here's the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453 And if you like what you hear (and read!) - please do share it with anyone you think might be interested. Thanks so much!


This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
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Audio Branding - Listening On The Go

Listening On The Go

Audio Branding

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03/17/21 • 5 min

How are you listening to this podcast right now? Maybe you're sitting at your computer or hearing it on a smart speaker, which probably means that you're listening with one app while keeping busy with a few other things. You might also be using a tablet or an MP3 player, which lets you stay on the move while you're hearing the show. But what's really become popular over the past few years is listening on your phone. Just this past month, almost 24 million podcast listeners used their smartphones, compared to 17 million for everything else put together. One thing all these choices have in common is that they let you keep busy while you're listening. And in today's fast-paced world, digital audio, particularly podcasts and audiobooks, is becoming a cornerstone of our daily lives.

Multitasking isn't always a good thing. We might feel like we're being more productive when we multitask, but over the years studies have shown that we really do better when we're focusing on just one task at a time. If you're curious to find out just how well you multitask, here's a link to a short test:

https://www.youtube.com/watch?v=z-8JdsNWZiM

At the same time, audio does have some advantages of its own. Our brains are finely tuned to listening to each other, to hearing a speaker's tone and pace, their inflections and the mood they're expressing beneath their words. Reading is still a pretty new trick when it comes to our brains, which means written words might not connect as quickly or deeply as hearing them spoken aloud. And while reading lets us consider the words more carefully and go back over them more easily, digital audio leaves us free to keep working, to go running or driving, to live our lives while we’re listening.

Just recently I had Summurai founder Tal Florentin on the show, and his company is at the forefront of this digital audio revolution. Summurai is a content management service that takes written articles and condenses them into short audio snippets for people on the go. Here's a link to a video with more information:

https://www.youtube.com/watch?v=RG8dn9K71mU

Even so, digital audio doesn’t leave much room for distraction. If you’re listening to a podcast on your way to work, that means you’re probably not listening to anything else right at that moment. This can make audio branding and advertising much more effective than other forms of online marketing; nearly 70% of podcast listeners report that podcast ads made them aware of new products and services. And that audience is quickly growing in the US: more than a hundred million Americans now listen to at least one podcast a month.

Audiobooks are also becoming more popular, with one in five Americans having listened to one within the past year. While the first vinyl book recordings were made in 1932, and the first books on tape released in 1975, the industry’s grown in ways that could hardly have been imagined back then. George Saunders’ 2017 novel Lincoln in the Bardo, for instance, has been adapted into an audiobook with a cast of 166 Hollywood actors, and last year an Audible adaptation of Neil Gaiman’s Sandman featured its own all-star cast. Audio dramas have also experienced a revival over the past few years, with authors penning exclusive works meant to be heard instead of read.

While the freedom to listen and multitask all at once might be a selling point for audio content, sound can create a more powerful connection than just one of convenience. The act of learning something new triggers the reward center in our brains, much the same way as eating our favorite food or winning a game. And storytelling isn’t just part of our history, it’s how most of us learned to read: we grew up listening to our parents and teachers read to us. Audio content can combine both these things together, teaching us new things in a way that connects with our deepest experiences.

Printed books and traditional radio certainly aren’t going away anytime soon, but digital audio has become the fastest growing sector in the publishing industry. Twenty million people started to listen to podcasts for the first time last year, and that number’s only going to keep growing. And as more and more people find themselves listening on the go, the opportunities to reach out to and engage with that emerging audience will keep growing with it.

Would you consider reviewing the Audio Branding Podcast? If so, here’s the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453 And if you like what you hear (and read!) – please do share it with any...

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"In tone therapy, we've created a space which is both safe and intriguing so we can solve some of the discomfort problem with mindfulness meditation and we can also solve some of the boredom aspects of it."

Michael Joly

This episode’s guest is the founder of solu®, maker of n.o.w. Tone TherapyTM, a sound meditation device. Before solu®, he designed a range of professional and consumer audio products for motion picture sound, home theater, and recording studio use. He has a background as a musician, an on-air announcer and radio business development executive, and he's also been immersed in the study of metaphysics, focusing on the intersection of sound, listening, and consciousness.

His name is Michael Joly and you can find the n.o.w. Tone TherapyTM System at nowbysolu.com. There’s a lot to unpack here, but Michael’s enthusiasm for audio and its proper use is something I really think you’re going to enjoy hearing. If you’re one of those people who are extremely sensitive to sound, I think this episode will validate and soothe you. I know Michael understands your pain!

Sounds in the Fog

Michael tells us about his first memorable experience with sound at the age of five when he heard the sound of distant foghorns on a misty morning in New Hampshire. That early memory not only sparked his interest in such experimental sound projects as Brian Eno's Music for Airports but also paved the way for his own work with ambient audio and tone therapy. "I realized," Michael explains, "I heard something like what Brian Eno is doing when I was a kid, that is, quasi-random overlapping of simple sounds to make new compositions. And that's what eventually led to tone therapy."

Listening to Nothing

We also talk about Michael’s early professional work, a career in cinematic audio technology that introduced him to a surprising new way of considering sound. “I spent a lot of time listening to the noise floor of optical soundtracks and the noise floor of magnetic tape, so I got really, really experienced at listening to nothing.” Listening to nothing became a big part of his approach to tone therapy, and turns out to be harder than we might expect. As he puts it, “I realized that you can't be thinking and listening attentively at the same time. It's just not possible to do. You're either giving your full attention to what you're hearing or you're thinking about it, or you're asking a question, or you're judging it.”

The Power of Now

Michael admits that when he first read the book The Power of Now, by Eckhart Tolle, he wasn’t impressed. But a series of changes in his life several years ago, including his struggle with depression, helped him see it in a new light. We discuss how the name of his n.o.w. tone therapy system is an homage to the book and its role in shaping his approach to sound healing, and how the sound of church bells in Frankfurt, Germany inspired the distinctive sounds of tone therapy. “I remember hearing two bells ringing, then one bell ringing, then no bells, just the foot traffic on the street,” he says. “And then, like out of the movies, the clouds parted and this beam came down.”

Surprising Yet Familiar

Tone therapy can be a challenge at first, he explains, because so many of us simply aren’t used to sitting still and turning off all our thoughts and worries. That’s why he’s worked to create a sound therapy system that, as he describes it, is both safe and intriguing, and incorporates the harmonic sequence to create an instinctively soothing quality. We also take a look at his upcoming tone therapy software service, including a brand new sonic logo.

Next week we'll continue with a discussion of the best quality microphones, share helpful recording tips to try at home, and a look at what the future might bring when it comes to tone therapy.

Connect with the Guest

Website: https://www.nowbysolu.com/

Connect with Michael Joly on LinkedIn:

https://www.linkedin.com/in/michael-joly-043513144/

Connect with the Audio Branding Podcast

Book your project with Voice Overs and Vocals https://voiceoversandvocals.com

Tweet with me on Twitter - https://twitter.com/JodiKrangle

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“So it's really no surprise that, you know, it's back in the driver's seat now, when everyone is really fighting and yearning for how to capture attention, even a little bit of attention, from an exhausted and overwhelmed and overstimulated population base globally. So I think it applies itself to media, to what you're eating, in a restaurant experience, a shopping experience, really across the entire 360, or integrated marketing, if you want to speak like a marketer, that whole kind of overarching back row strategy from everywhere your brand is going to live. There are likely ways to embed audio into those instances in a meaningful way without adding more 'noise' to the world.” -- Shez Mehra

For those of you who don't know, I host regular weekly Clubhouse rooms on Wednesdays at 2 PM Eastern Time. We talk about all sorts of things related to sound, including voiceovers, public speaking, podcasting, music, and, of course, audio branding. We also cover things like Voice AI, Sound in Social Media, and even Audio NFTs. This particular recording, made with the permission of everyone who participated, is from a Clubhouse room called The Power of Audio Branding in my Power of Sound club. We had a number of stellar panelists, including Jeanna Isham, Shez Merha, Cornelius Ringe and Steve Keller, all of whom have also been guests on this podcast with episodes all their own. Lauri Domnick, from Bauer Media in Finland, and Jack Monson, from Social Geek Radio, also joined us.

The audio is presented as it was heard in the moment, so it won't be perfect, and there's a bit of a lag, so sometimes it might sound like people are taking a while to respond while other times it sounds like I'm talking over them. That isn't how it sounded at the time, and hopefully won't be too distracting for you as you listen. But this discussion should give you a good look at the fascinating world of audio branding from many different perspectives, and at why it's a topic and discipline that's becoming more important all the time. I also want to thank everyone that came up on stage to join in, ask questions, and make comments. Your participation made this discussion even better. The lesson is clear: if you aren't paying attention to the sound of your brand, you'll ultimately be missing out.

If you have any questions for the panelists, you’re welcome to reach out through the links in these show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.

What is Audio Branding?

We start off the discussion with a look at just what audio branding means for each of our panelists, and what makes it such a powerful marketing tool. Jeanna explains the subtle difference between audio and sonic branding while Lauri talks about its potential for stirring our deepest memories and feelings. Jack joins the conversation and agrees about the power of audio impressions. “There's something more magical about audio memories stimulating something from the back of your mind, from earlier in life, childhood, whatever, there's something more powerful about audio than anything visual.”

Filling the Gaps

Shez joins the group and talks about the insights his career as a DJ and musician have given him about the power of sound and how often it's neglected in the business world. “It could be a song,” as he puts it, “it could be your mother's voice, it could be the narrator from a show that you grew up on. There are so many ways in which we as human beings just inherently connect with sounds and audio.” Steve and Cornelius arrive and offer their perspectives on the untapped potential of audio branding. “Audio branding for me also is about filling the gap in brand communication,” Cornelius says. “There's a huge gap in the potential of brand communication, and that is audio.”

Sounds in the Brain

Alex, a researcher for Massive Music who specializes in neuroscience, takes the stage first to point out how intrinsic sound is to the human brain. As he explains, “I think that what's so powerful about music and branding, is that it's subconscious, it's innate response to how our brains process sound on a level that can't be reached by other sensory modalities.” Brad follows up to ask Jeanna about sonic branding, and how it goes beyond licensed music and jingles to the very heart of a company's sound, from the quality of a smart speaker to the pitch and tone of a phone prompt.

Musical Motivation

Joe, a voice-over artist and singer, takes the stag...

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Audio Branding currently has 279 episodes available.

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The podcast is about Design, Podcasts, Education and Arts.

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The episode title 'Tooth, Claw, and Clamor: How Animals Use the Power of Sound to Survive' is the most popular.

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The average episode length on Audio Branding is 27 minutes.

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Episodes of Audio Branding are typically released every 7 days.

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The first episode of Audio Branding was released on Nov 23, 2019.

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