Listen to the interview here!
Tell me a little about yourself and your writing.
I'm an award-winning writer of historical fiction set in the Middle Ages and just about to have my seventeenth novel, THE TIME OF SINGING, published in the UK. In the USA I have recently agreed a deal to have two of my novels published – THE GREATEST KNIGHT and LORDS OF THE WHITE CASTLE.
I began by writing near the historical romance end of the genre and have gradually moved along the line to mainstream historical fiction, telling the life stories of people who actually lived in the Middle Ages. I guess I'd be on the same author page list as Sharon Kay Penman, Philippa Gregory, and Anya Seton.
As far as my personal writer's journey goes, I have been telling stories since I was old enough to talk. My earliest memory is of being three years old and making up a story one light summer evening when I'd been put to bed. I wasn't sleepy, so I opened out my handkerchief and I made up a story about the fairies printed on it. It's quite a vivid memory. I loved adventure stories as a child, both the historical kind and the ones that covered myth and legend. I loved folk tales from around the world and the ancient stories such as the Illiad, the Odyssey, and the Aeneid. If I hadn't taken to writing historical fiction (after falling in love with a tall, dark handsome knight on a TV programme when I was fifteen), then I'd probably have taken to fantasy writing instead. Indeed, I still have a slight yen to rework some of the Scottish Border Ballads into new branches!
Tell me about the story for which you’ve created a soundtrack.
I create soundtracks for all my stories; it's an integral part of the writing process, so I guess I'll go with my most recently completed novel, THE TIME OF SINGING. This is about a twelfth-century lord called Roger Bigod whose father, through treachery, lost the trust of King Henry II. The latter razed the family castle at Framlingham and took away many of their lands. After his father died, Roger had to work his way back up fortune's ladder. While at court doing this, he met Ida de Tosney. She was King Henry's young mistress (reluctantly so) and had borne him a son. She and Roger got together after a few hiccups and married, but that didn't mean they left their problems behind. Far from it. Roger was still struggling to regain his inheritance and Ida was grief stricken over some things in her past (not to give the plot away). Her sorrow, combined with Roger's long absences on business for the Crown meant that their relationship was in danger of foundering. Both had to fight battles on several fronts - physical, political, emotional. The history of England at this period is woven into the story of Roger's and Ida's struggle.
What is your playlist?
1. NOTHING ELSE MATTERS - Apocalyptica
This is an instrumental that runs as a general theme throughout the novel. The bittersweetness of the tune and arrangement are perfect for starting out Roger and Ida's story.
2. THE PROMISED LAND - Bruce Springsteen.
This is the hero's viewpoint as he faces up to his father. His feelings of desperation and anger. His grit to do something about the situation, especially the last verse. 'Gonna be a twister to blow everything down, that ain't got the faith to stand its ground.'
3. PRAYER OF THE REFUGEE - Rise Against.
Roger burns his bridges on the eve of a battle.
4. THE MONSTER IS LOOSE - Meat Loaf.
The battle of Fornham.
5. BEAUTIFUL GIRL - INXS
King Henry sets eyes on Ida de Tosney and her vulnerable innocence is irresistible to him.
6. THE MAN WITH THE CHILD IN HIS EYES - Kate Bush
Ida encounters Roger at court for the first time.
7. A GOOD HEART - Feargal Sharkey
Roger is attracted to Ida but wary because she is the King's m...
Tell me a little about yourself and your writing.
I'm an award-winning writer of historical fiction set in the Middle Ages and just about to have my seventeenth novel, THE TIME OF SINGING, published in the UK. In the USA I have recently agreed a deal to have two of my novels published – THE GREATEST KNIGHT and LORDS OF THE WHITE CASTLE.
I began by writing near the historical romance end of the genre and have gradually moved along the line to mainstream historical fiction, telling the life stories of people who actually lived in the Middle Ages. I guess I'd be on the same author page list as Sharon Kay Penman, Philippa Gregory, and Anya Seton.
As far as my personal writer's journey goes, I have been telling stories since I was old enough to talk. My earliest memory is of being three years old and making up a story one light summer evening when I'd been put to bed. I wasn't sleepy, so I opened out my handkerchief and I made up a story about the fairies printed on it. It's quite a vivid memory. I loved adventure stories as a child, both the historical kind and the ones that covered myth and legend. I loved folk tales from around the world and the ancient stories such as the Illiad, the Odyssey, and the Aeneid. If I hadn't taken to writing historical fiction (after falling in love with a tall, dark handsome knight on a TV programme when I was fifteen), then I'd probably have taken to fantasy writing instead. Indeed, I still have a slight yen to rework some of the Scottish Border Ballads into new branches!
Tell me about the story for which you’ve created a soundtrack.
I create soundtracks for all my stories; it's an integral part of the writing process, so I guess I'll go with my most recently completed novel, THE TIME OF SINGING. This is about a twelfth-century lord called Roger Bigod whose father, through treachery, lost the trust of King Henry II. The latter razed the family castle at Framlingham and took away many of their lands. After his father died, Roger had to work his way back up fortune's ladder. While at court doing this, he met Ida de Tosney. She was King Henry's young mistress (reluctantly so) and had borne him a son. She and Roger got together after a few hiccups and married, but that didn't mean they left their problems behind. Far from it. Roger was still struggling to regain his inheritance and Ida was grief stricken over some things in her past (not to give the plot away). Her sorrow, combined with Roger's long absences on business for the Crown meant that their relationship was in danger of foundering. Both had to fight battles on several fronts - physical, political, emotional. The history of England at this period is woven into the story of Roger's and Ida's struggle.
What is your playlist?
1. NOTHING ELSE MATTERS - Apocalyptica
This is an instrumental that runs as a general theme throughout the novel. The bittersweetness of the tune and arrangement are perfect for starting out Roger and Ida's story.
2. THE PROMISED LAND - Bruce Springsteen.
This is the hero's viewpoint as he faces up to his father. His feelings of desperation and anger. His grit to do something about the situation, especially the last verse. 'Gonna be a twister to blow everything down, that ain't got the faith to stand its ground.'
3. PRAYER OF THE REFUGEE - Rise Against.
Roger burns his bridges on the eve of a battle.
4. THE MONSTER IS LOOSE - Meat Loaf.
The battle of Fornham.
5. BEAUTIFUL GIRL - INXS
King Henry sets eyes on Ida de Tosney and her vulnerable innocence is irresistible to him.
6. THE MAN WITH THE CHILD IN HIS EYES - Kate Bush
Ida encounters Roger at court for the first time.
7. A GOOD HEART - Feargal Sharkey
Roger is attracted to Ida but wary because she is the King's m...
11/04/08 • -1 min
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