
021. Susan Skarsgard: On Calligraphy, Cars, and Designing Your Career
10/15/24 • 56 min
Hear how Susan Skarsgard built her career from calligraphy to founding the GM Design Archive, blending art, design, and education to leave her mark on both the art and automotive worlds.
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About Susan
Susan Skarsgard (b. 1954) is a designer, artist, and author whose career bridges the worlds of fine art and industrial design. With roots in Detroit, Susan’s passion for calligraphy led her to study under Austrian master calligrapher Friedrich Neugebauer and to apprentice with legendary Detroit lettering master Jerry Campbell. Under Campbells' tutelage, she designed logos and lettering for advertising and automotive clients before ultimately joining General Motors Design in 1995. She earned her MFA from the University of Michigan in 2004.
At GM, she initially applied her skills to emblem and nameplate design for cars and trucks, but her most lasting legacy was founding the department GM Design Archive & Special Collections, which is the official repository for the history of design at General Motors. Susan is also the author of Where Today Meets Tomorrow, the definitive book on the history of the iconic GM Technical Center designed by Eero Saarinen.
Her journey as a woman navigating a male-dominated industry, along with her stunning work in calligraphy and book arts, is truly inspiring.
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View all the visually rich 1-min reels of each woman on IG below:
Instagram: Amber Asay
Instagram: Women Designers Pod
Hear how Susan Skarsgard built her career from calligraphy to founding the GM Design Archive, blending art, design, and education to leave her mark on both the art and automotive worlds.
_______
Support this podcast with a small donation: Buy Me A Coffee
This show is powered by Nice People
Join this podcast and the Patreon community: patreon.com/womendesignersyoushouldknow
Have a 1:1 mentor call with Amber Asay: intro.co/amberasay
About Susan
Susan Skarsgard (b. 1954) is a designer, artist, and author whose career bridges the worlds of fine art and industrial design. With roots in Detroit, Susan’s passion for calligraphy led her to study under Austrian master calligrapher Friedrich Neugebauer and to apprentice with legendary Detroit lettering master Jerry Campbell. Under Campbells' tutelage, she designed logos and lettering for advertising and automotive clients before ultimately joining General Motors Design in 1995. She earned her MFA from the University of Michigan in 2004.
At GM, she initially applied her skills to emblem and nameplate design for cars and trucks, but her most lasting legacy was founding the department GM Design Archive & Special Collections, which is the official repository for the history of design at General Motors. Susan is also the author of Where Today Meets Tomorrow, the definitive book on the history of the iconic GM Technical Center designed by Eero Saarinen.
Her journey as a woman navigating a male-dominated industry, along with her stunning work in calligraphy and book arts, is truly inspiring.
____
View all the visually rich 1-min reels of each woman on IG below:
Instagram: Amber Asay
Instagram: Women Designers Pod
Previous Episode

020. Elaine Lustig Cohen and Steven Heller: Rewriting Design History
This dual feature episode highlights Elaine Lustig Cohen’s self-taught rise to modernist graphic design and fine art, alongside Steven Heller’s efforts to rewrite design history by amplifying the contributions of women like Elaine.
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This show is powered by Nice People
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Sources:
- elainelustigcohen.com
- The Daily Heller: Elaine Lustig Cohen’s New Website by Steven Heller
- The New York Times Article by Anita Gates
About Elaine
Elaine Lustig Cohen (1927–2016) was a pioneering modernist designer and artist, known for her bold, abstract book covers and museum catalogs that helped shape mid-century American graphic design.
After the sudden passing of her husband, renowned designer Alvin Lustig, Elaine—without any formal training—took over his studio in the 1950s, working with high-profile clients like Philip Johnson, Richard Meier, General Motors, and the Jewish Museum.
What set her design style apart was her ability to merge avant-garde European influences, like Constructivism and Bauhaus principles, with the clean, functionalist aesthetics of American modernism. She brought typography to the forefront, often treating it as a visual and emotional narrative element, while incorporating geometric abstraction to create a sense of movement and rhythm. Her work is now part of the permanent collections at MoMA, LACMA, and Cooper Hewitt.
About Steven
Steven Heller is one of the most prolific design historians and writers in the field, having authored, co-authored, or edited over 200 books on design, illustration, and popular culture. He is best known for his long-running column, The Daily Heller, published by Print magazine, which offers daily insights on visual culture, design history, and current events. In addition to his writing, Heller is the co-chair of the School of Visual Arts MFA Design/Designer as Author + Entrepreneur program, where he continues to shape future generations of designers.
Throughout his career, Heller has been a steadfast advocate for women in design. His work has consistently featured and celebrated the contributions of women who have been overlooked in design history. He has worked to bring attention to underrepresented figures in the industry, often calling for a rewriting of design history to include more women. As early as the 1990s, Heller began amplifying the work of female designers, championing their influence on design movements across modernism, typography, and visual communication. He has been vocal about the importance of gender equality in the design industry and has pushed for more inclusive recognition of the women whose innovations have shaped the field.
In 2011, Heller was awarded the AIGA Medal for his outstanding contributions to design journalism, education, and history. His ongoing commitment to uncovering the stories of women in design has made him not only a key figure in documenting design history but also an advocate for equity in the industry. Through his work, he has inspired a more inclusive and accurate portrayal of the design world, one that reflects the achievements of all its contributors.
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View all the visually rich 1-min reels of each woman on IG below:
Instagram: Amber Asay
Instagram: Women Designers Pod
Next Episode

022. Charlotte Perriand and Adi Goodrich: Redefining Spaces Through Design
Learn the untold story of architect and furniture designer, Charlotte Perriand, whose innovative designs and fearless independence reshaped modern interiors and how she escaped Le Corbusier's shadow, with insights from special guest Adi Goodrich, spatial designer, who reflects on how Charlotte's legacy continues to inspire today's designers.
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Support this podcast with a small donation: Buy Me A Coffee
This show is powered by Nice People
Join this podcast and the Patreon community: patreon.com/womendesignersyoushouldknow
Have a 1:1 mentor call with Amber Asay: intro.co/amberasay
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Sources:
- The Guardian Article
- Charlotte Perriand Autobiography “A Life of Creation”
- Book: Living with Charlotte Perriand by Francois Laffanour and Cynthia Fleury
- Book: Charlotte Perriand: The Modern Life by Justin McGuirk
- Book: Charlotte Perriand: Inventing a New World (Published by the Foundation of Louis Vuitton)
About Charlotte
Charlotte Perriand was a visionary French designer and architect whose contributions to modernist design reshaped how we think about furniture and interior spaces. In 1927, after famously being dismissed by Le Corbusier with the remark, "We don’t embroider cushions here," she eventually joined his studio and co-designed iconic pieces like the LC4 Chaise Longue and LC2 armchair.
Though these collaborations are what she is most known for, Perriand’s career extended far beyond them. She designed the modular Nuage Bookshelf and minimalist Tokyo Bench, blending functionality with clean, modernist aesthetics. Perriand was also integral to larger architectural projects like the Unité d'Habitation, where she introduced multifunctional interiors, and the Les Arcs Ski Resort, where her modular furniture designs embraced the natural environment.
About Adi
Adi Goodrich is a Los Angeles-based multidisciplinary designer known for her vibrant and imaginative approach to Environmental design, Interiors, and furniture. Growing up in Chicago, she was heavily influenced by her father’s work in architectural and furniture restoration, which fostered her love for craftsmanship from a young age. Adi studied at the School of the Art Institute of Chicago and La Sorbonne in Paris, where she explored various disciplines including painting and art history.
Goodrich first gained attention working on window displays for Barneys New York and Anthropologie, which led to a flourishing career in set design for films, commercials, and photoshoots. Adi is Co-founder of Sing-Sing Studio, a creative practice she shares with her partner, filmmaker, Sean Pecknold where they have worked with major brands such as Apple, Google, Nike, Target, and more, bringing a unique blend of storytelling and design to each project. Adi also launched her own furniture line, in 2022 called "Sing-Thing." Her work is characterized by a bold use of color, materials, and a focus on creating spaces that are narratively driven. Learn more about Adi's design approach and career on Episode 22 of the podcast.
Follow Adi
adigoodrich.com
@adigoodrich
sing-sing.co
@singsingstudio
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View all the visually rich 1-min reels of each woman on IG below:
Instagram: Amber Asay
Instagram: Women Designers Pod
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