29 Saki Mafundikwa and Sadie Red Wing on Decolonializing Design

10/23/19 • 49 min

Sadie Red Wing and Saki Mafundikwa grew up a world and two generations apart. Sadie was born into the Lakota tribe and also considers herself a citizen of the Spirt Lake Nation of Fort Totten, South Dakota—two longstanding American indigenous communities. Saki, on the other hand, didn’t set foot in the United States until he left his native Zimbabwe at age 24 in 1979, almost twenty years before Sadie was born.

Despite their different points of origin, their approach to their chosen profession is strikingly similar. They’re both pioneering designers who focus their practices on giving voice and context to underrepresented communities whose rich visual languages have often been subsumed or ignored by mainstream design’s bias toward Western modes of communication.

Saki and Sadie joined forces for the first time in a joint workshop at ArtCenter entitled: Finding Our Way Home. The four-hour workshop created a space for students of all backgrounds to visually identify themselves, exhibit pride in representation and come away inspired to allow their heritage to inform their design work. We’ve also included a first-hand perspective on the workshop from participant, Amina Maya, a photographer and designer who works as a Junior Creative Director at Black Girl in Om, and Founder of Naturaliste Apothecary.

This thought-provoking episode of Change Lab explores some of the most vital issues facing both design and academia through the lens of Sadie and Saki’s unique but parallel journeys toward better representing their own cultures in their work and encouraging diversity and inclusivity throughout the arts.

https://www.aiga.org/design-journeys-saki-mafundikwa

https://www.sadieredwing.com

http://www.aminamaya.com

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https://www.aiga.org/design-journeys-saki-mafundikwa

https://www.sadieredwing.com

http://www.aminamaya.com

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28 Recent Alum Vicente Magaña on Solving the Riddle of Mass Transit in California

ArtCenter’s Transportation Design program has a type and, at first glance, Vicente Magaña seems to fit it perfectly.

A lifelong obsession with cars? Check.

A childhood spent sketching every type of vehicle his imagination could conjure? Check.

An insatiable desire to land a job designing supercars and road testing them at top speed?

Well...that’s where Vicente, a Summer 2019 ArtCenter alum, separates himself from the pack. Vicente is the rare car guy whose driving passion is not to design the ultimate driving machine. Instead, Magaña dreams of designing a public transportation system that turns cars into more of a luxury for weekend joy rides than a necessity for getting from Point A to B. We were particularly intrigued to learn more about the motivating factors guiding Vicente’s unique spin on a quintessential ArtCenter career-path, which is why we selected him for this season’s recent interview.

As the son of Mexican immigrants (and the first person in his family to attend college), Vicente’s upbringing instilled a desire to use his education to improve the quality of life for those who need it most. While attending ArtCenter, Vicente seized every opportunity he could to apply his seasoned problem-solving skills toward the greater good. Nothing illustrates this more than his thesis project, Incog-NEATO, a modular system designed to convert most sedans into a discrete space for living and working out of a vehicle.

Intrigued and impressed by Vicente’s unique combination of courage, empathy, and humility, Lorne dedicated this episode of Change Lab to tracking the journey that brought him to ArtCenter and where he hopes to go from here.

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30 Documentary Filmmaker Ivy Meeropol on the Active Pursuit of Empathy

Ivy Meeropol is a documentary filmmaker whose emotionally and politically charged films explore social and cultural injustice from the inside out. Her work in TV and film ranges from an exploration of the threat posed by the nuclear power industry to the good, bad and ugly of the American political system, particularly as it relates to her family (more on that in a moment). But what distinguishes her work most is her disarming refusal to judge the characters in her films as heroes or villains– a process Ivy describes as an “active pursuit of empathy.” The result is a deeply nuanced body of work that reverberates with wisdom, intimacy and socio-political nuance.

That empathy infuses every scene of her latest film, Bully, Coward, Victim: The Story of Roy Cohn, which recently premiered at the New York Film Festival. Combining archival footage with original reporting, the HBO film explores the complicated, controversial, and enduring legacy of Cohn, the closeted right-wing political attack-dog who was an early mentor to Donald Trump. Cohn launched his notorious career as the young prosecutor who convicted Ivy’s grandparents, Julius and Ethel Rosenberg, of spying for the Soviet Union at the height of the Red Scare. Cohn succeeded in his quest to send both of them to the electric chair, leaving their two young sons (one of whom was Ivy’s father) orphaned.

Over the course of an intimate and animated Change Lab interview, she explored the personal and political forces at play in her work, her willingness to allow her films the freedom to dwell in ambiguity and her sense of responsibility to ask questions previous generations never could.