
Ep. 24 - The Beach Boys and The Grateful Dead Part 1 or Are You Kind? I Know They Must Be Kind
Explicit content warning
11/01/20 • 121 min
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Ep. 23 A Conversation with Michael Nesmith on The Prison
Episode 23 of WTSCF has been a long time coming, basically due to life getting a bit derailed. But I hope you'll agree that it was worth the wait. What we have here is not your average interview with Michael Nesmith. This is sort of grad-level Nez. Spirituality. Metaphysics. Creativity. Psychedelics. Turning away from the darkness of that era. Not a word about The Monkees. No MTV. No Country Rock Pioneer. No Liquid Paper. Have you noticed that most bios and interviews with Nez seem to gloss over The Prison (1974) and his life at the time? As a long time fan of Nez, The Prison for a long time was this mysterious work that I kept trying and failing to get into. Eventually I realized I wasn’t hearing the original work-I was hearing the touched up version Nez released in the 90’s. A few years ago I finally heard the 1974 original, and it all came together. Plus, I sensed a psychedelic infliuence which turned out to be accurate. In this podcast, my long-winded intro is followed by Nez onstage in 1975 telling the plot of The Prison, and finally, the main course: my conversation, recorded in April 2019. Stuff gets very deep, very spiritual, puzzling, funny and always fascinating. Enjoy.
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Ep. 25 - The Beach Boys and the Grateful Dead Pt.2: R(h)onda, 1974 and Pregaming for the FillmoreEast
So it looks like there’s going to be a Part 3 to this madness, since we haven’t arrived at the Fillmore East yet. My apologetic tone is facetious, of course, because this has been nothing but fun for me. I hope my self-indulgence is slightly more entertaining/enlightening than annoying? Anyway, this episode takes a look at the evolution of the song “Help Me, Rhonda” through all its changes between 1965-80, from its spelling to its instrumental and vocal arrangement to the lyrics to who sings lead which year. I use its evolution as a metaphor for the changes in pop music, its artists and its fans during that time period. Then we take a brief look at the bill the two featured bands were on together on June 8, 1974 (didn’t play with each other though). Finally, as a “pregaming” exercise for the Fillmore East show, we take a look at some other versions of the songs the two bands played together. Both bands sure loved The Coasters! An oddly paced, oddly weighted episode, but imagine that we hit traffic on the way to the Fillmore East and took a strange alternate route.
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