
S2 Episode 14: Singing and Your Diet
02/02/22 • 32 min
This week Alex and Helen mythbust some of the common misconceptions surrounding diet and singing.
Caffeine
A huge topic in the vocal world, there are many conversations about caffeine being a vocal irritant, drying out the cords and preventing healthy singing.
Mythbust: It’s important to remember that nothing you eat or drink directly touches the vocal folds; that is a physical impossibility. Caffeine is a diuretic and therefore dehydrates the whole body. In understanding that we can combat the effects with caffeine by drinking a healthy amount of water throughout the day. It’s also worth considering how much caffeine you ingest a day. It’s unlikely that 1 or 2 coffees will have a major effect, however, 6 or 7 might!
Alcohol
Like caffeine, alcohol dehydrates the body (note we’re saying the body, not the larynx/voice). And again, like caffeine, you can take in enough water to offset the alcohol you drink. However, we know that there are times when we all have a little too much to drink and we need to be conscious of how alcohol affects our ability to sing.
For some, alcohol is no problem and they can sing on a hangover without any difficulty. For others, it’s not so easy. When it comes to alcohol we recommend getting to know your body and how your body copes when hungover. It might sound lame but if you’re unable to sing when hungover it might be helpful to plan nights when you know you can enjoy a few drinks because nothing is required of you the following day, allowing you enough time to rest, rehydrate and recuperate.
Dairy
For many, dairy is considered a big no-no. Whether it be milk, chocolate or cheese, dairy is often said to thicken the vocal folds and create more mucus which can obstruct healthy and efficient singing.
Mythbust: Dairy cannot thicken vocal folds as it has no contact with vocal folds. In addition, dairy does not increase the body’s mucus production, however, there is a reaction between the enzymes in dairy and the body’s saliva which can create a somewhat thick liquid that then coats the mouth. There are a number of ways to combat this affect such as steaming, gargling salt water and drinking warm liquids. Similar to alcohol, your diet is about knowing your body. If you struggle to sing after eating chocolate or drinking milk, perhaps avoid it before a rehearsal or performance.
Acid
Acid reflux is considered a major vocal fold irritant. Unlike caffeine, alcohol and dairy, acid reflux can directly affect the vocal folds. Stomach acid created by acid reflux can rise into the oesophagus and when the throat sphincters are not functioning well this acid can then flow into the throat and touch the larynx.
Acid reflux does not affect everyone but for those it does, it’s important to consider your diet. Foods such as bell peppers, tomatoes and onions can be major irritants alongside orange juice, citrus fruits and even chocolate. For acid reflux we would recommend using a food diary, writing down what you eat and making a brief note of how it affects you in the following 12 hours. You can then see which food groups and which recipes work well for you, and which ones you might need to avoid.
Our diet is something that can considerably affect the way we sing and so it’s worth taking it into account. Athletes know exactly what they put in their body before they train and compete, and singers should not be so different.
Episode edited and produced by Daisy Grant Productions.
Hosted on Acast. See acast.com/privacy for more information.
This week Alex and Helen mythbust some of the common misconceptions surrounding diet and singing.
Caffeine
A huge topic in the vocal world, there are many conversations about caffeine being a vocal irritant, drying out the cords and preventing healthy singing.
Mythbust: It’s important to remember that nothing you eat or drink directly touches the vocal folds; that is a physical impossibility. Caffeine is a diuretic and therefore dehydrates the whole body. In understanding that we can combat the effects with caffeine by drinking a healthy amount of water throughout the day. It’s also worth considering how much caffeine you ingest a day. It’s unlikely that 1 or 2 coffees will have a major effect, however, 6 or 7 might!
Alcohol
Like caffeine, alcohol dehydrates the body (note we’re saying the body, not the larynx/voice). And again, like caffeine, you can take in enough water to offset the alcohol you drink. However, we know that there are times when we all have a little too much to drink and we need to be conscious of how alcohol affects our ability to sing.
For some, alcohol is no problem and they can sing on a hangover without any difficulty. For others, it’s not so easy. When it comes to alcohol we recommend getting to know your body and how your body copes when hungover. It might sound lame but if you’re unable to sing when hungover it might be helpful to plan nights when you know you can enjoy a few drinks because nothing is required of you the following day, allowing you enough time to rest, rehydrate and recuperate.
Dairy
For many, dairy is considered a big no-no. Whether it be milk, chocolate or cheese, dairy is often said to thicken the vocal folds and create more mucus which can obstruct healthy and efficient singing.
Mythbust: Dairy cannot thicken vocal folds as it has no contact with vocal folds. In addition, dairy does not increase the body’s mucus production, however, there is a reaction between the enzymes in dairy and the body’s saliva which can create a somewhat thick liquid that then coats the mouth. There are a number of ways to combat this affect such as steaming, gargling salt water and drinking warm liquids. Similar to alcohol, your diet is about knowing your body. If you struggle to sing after eating chocolate or drinking milk, perhaps avoid it before a rehearsal or performance.
Acid
Acid reflux is considered a major vocal fold irritant. Unlike caffeine, alcohol and dairy, acid reflux can directly affect the vocal folds. Stomach acid created by acid reflux can rise into the oesophagus and when the throat sphincters are not functioning well this acid can then flow into the throat and touch the larynx.
Acid reflux does not affect everyone but for those it does, it’s important to consider your diet. Foods such as bell peppers, tomatoes and onions can be major irritants alongside orange juice, citrus fruits and even chocolate. For acid reflux we would recommend using a food diary, writing down what you eat and making a brief note of how it affects you in the following 12 hours. You can then see which food groups and which recipes work well for you, and which ones you might need to avoid.
Our diet is something that can considerably affect the way we sing and so it’s worth taking it into account. Athletes know exactly what they put in their body before they train and compete, and singers should not be so different.
Episode edited and produced by Daisy Grant Productions.
Hosted on Acast. See acast.com/privacy for more information.
Previous Episode

S2 Episode 13: Money. There. We said it.
Nobody likes talking about it, Alex and Helen certainly don't like talking about it, but in this episode they get into the uncomfortable topic of money.
Money is hard to come by in the arts. From the start of education to attempting to make a stable living, we all know how it feels to worry about paying the next round of exam fees/audition fees/rent(!!!). Alex and Helen discuss how money affects every area of a singer's life and offer a range of ideas on how to create greater financial security in his industry:
- Ask. If there's a programme you want to take part in, or an audition you want to travel to, contact the organisation and ask if they have any ways of supporting those with less financial means. If you don't ask, you never know what they might be able to do in order to help you.
- Trusts and Foundations. The United Kingdom is blessed with a wealth of trusts and foundations, many of whose aim are to support those in the arts. To search for ones which might be able to help you there are a number of tools at your disposal:
The Alternative Guide to Postgraduate Funding
Directory of Social Change database - you can make an appointment to search their trust and foundation database in their Highbury offices.
- The Power of Zoom. Post-pandemic we're seeing many institutions and programmes carry out their first round auditions via Zoom which has the potential to save you numerous accommodation and travel costs. With more auditions happening via Zoom, might that encourage you as an artist to apply for an opportunity that you would never have considered before?
- Building Relationships. If an application to a scholarship, competition or trust and foundation is successful, build that relationship. Let the board of trustees know how the scholarship/competition/grant has helped you, update them on your progress and, when possible, invite them to a live performance. In building that relationship, this scholarship/competition/trust and foundation can be an immediate go-to should you need financial assistance in the future.
- The Portfolio Career. Pair the unpredictable nature of the creative career with something a little more stable which you also find fulfilling. Love this idea? Want to know more? Check out our episode on The Portfolio Career!
- Invoice Hack. We all know the feeling of chasing late invoices. To try and avoid that, make sure to include in your invoice, as stated on the Musicians Union website: ‘Strictly 30 days net. I/we reserve the right to claim statutory interest at 8% above the Bank of England base rate at the date the debt becomes overdue, in accordance with the Late Payment of Commercial Debts (Interest) Act 1998.’
- Let's talk about it. The more we don't talk about it, the harder it is to support one another and also, the easier it is for artists to be paid poorly.
Episode edited and produced by Daisy Grant Productions.
Hosted on Acast. See acast.com/privacy for more information.
Next Episode

S2 Episode 15: Image and the industry
Opera as an art form requires our imagination. Whether we be entering into the world of Die Walküre, The Cunning Little Vixen or Tosca, each opera asks us to leave behind the every day and suspend our belief.
Why is it, then, that singers often face visual discrimination? Time and again singers in auditions, rehearsals and even performances are criticised for their size, their age, and their 'beauty'.
This week Alex and Helen talk about image in the operatic industry. They discuss size, age and beauty in opera; asking the industry to do better but also highlighting companies and artists (such as Jamie Barton with the Lyric Opera of Chicago) who are championing body positivity and bucking this unfortunate trend. They note how most often the female leads face the greatest discrimination and they wish to remind the industry that ultimately, the voice is what matters.
They close the episode with a short discussion on race in relation to image in the industry. Contradicting their previous discussion, they argue that on the topic of race, we are not in a position to suspend belief. Given the power imbalance which exists for countless underrepresented voices in the operatic industry, roles written for people of colour should, in every case, be performed by people of colour and they stress the need to continue diversifying the art form.
Episode edited by and produced by Daisy Grant Productions.
Hosted on Acast. See acast.com/privacy for more information.
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