
Lost (Part 2)
Explicit content warning
03/04/24 • 65 min
1 Listener
What took a fake wedding, a real knife, and a willingness to literally die for the shot to pull off? The end... of LOST! This week, Chris & Lizzie close the books on the divisive series, exploring how it could have gone on much longer, recent allegations of a toxic work environment, and how even President Obama knew not to mess with the LOST fan base.
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*CORRECTIONS: Chris mispronounced writer/producer Monica Owusu-Breen's name.
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What took a fake wedding, a real knife, and a willingness to literally die for the shot to pull off? The end... of LOST! This week, Chris & Lizzie close the books on the divisive series, exploring how it could have gone on much longer, recent allegations of a toxic work environment, and how even President Obama knew not to mess with the LOST fan base.
Go Ad-Free - Join Our Patreon!
*CORRECTIONS: Chris mispronounced writer/producer Monica Owusu-Breen's name.
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Previous Episode

Below The Line - Script Supervisor (Killers of the Flower Moon)
This week, Chris and Lizzie chat with legendary script supervisor Jessica Lichtner. Ms. Lichtner's credits include a long-running collaboration with Martin Scorsese (most recently Killers of the Flower Moon), West Side Story, Knives Out, John Wick, The Twilight Saga: Breaking Dawn Parts 1 & 2, and many many more. Join us as we discuss what a script supervisor does in each phase of production, how to effectively communicate on set, and some great advice on working in the industry from a bonafide pro.
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Next Episode

The Fifth Element
An on-set love triangle, a mid-shoot divorce, and costumes even Prince wouldn’t wear. This week producer David Boman takes Chris & Lizzie on a voyage through The Fifth Element: a movie conceived by a 16-year-old only to become the most expensive European film ever made and put the then-unknown Milla Jovovich on the map.
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