Weird Studies

Scholar, journalist and author Erik Davis joins Phil and JF for a freewheeling conversation on the permutations of the weird, Burning Man, speculative realism, the uncanny, the H. P. Lovecraft/Philip K. Dick syzygy, and how the world has gotten weirder (and less weird) since Erik’s groundbreaking Techgnosis was published twenty years ago.

WORKS DISCUSSED IN THIS EPISODE:

Erik Davis’s Techgnosis website

Erik Davis's podcast, Expanding Mind

Erik Davis, Techgnosis: Myth, Magic, and Mysticism in the Age of Information

Erik Davis, Nomad Codes: Adventures in Modern Esoterica

Erik Davis, Led Zeppelin IV

Mark Fisher, The Weird and the Eerie

Philip K. Dick, Exegesis

Goop Magazine, no. 2

Hakim Bey and the Temporary Autonomous Zone

The Burning Man Festival

Ian Hacking, The Taming of Chance

Erik Davis, “Weird Shit”

JF Martel, “How Symbols Matter”

Henri Bergson, Introduction to Metaphysics

Charles Baudelaire, “Correspondances” from Fleurs du mal

Sigmund Freud, “The Uncanny”

Deleuze and Guattari, Anti-Oedipus

The Onion, “Lovecraftian School Board Member Wants Madness Added to Curriculum”

Special Guest: Erik Davis.

In 1977, Philip K. Dick read an essay in France entitled, "If You Find this World Bad, You Should See Some of the Others." In it, he laid out one of the dominant tropes of his fictional oeuvre, the idea of parallel universes. It became clear in the course of the lecture that Dick didn't intend this to be a talk about science fiction, but about real life - indeed, about his life. In this episode, Phil and JF seriously consider the speculations which, depending on whom you ask, make PKD either a genius or a madman. This distinction may not matter in the end. As Dick himself wrote in his 8,000-page Exegesis: "The madman speaks the moral of the piece."

REFERENCES

Philip K. Dick, excerpts from “If You Find This World Bad You Should See Some Of The Others”
R. Crumb, The Religious Experience of Philip K. Dick
Emmanuel Carrère, I Am Alive and You Are Dead: A Journey into the Mind of Philip K. Dick
“20 Examples of the Mandela Effect That’ll Make You Believe You’re In A Parallel Universe”
Philip K. Dick, The Man in the High Castle
Weird Studies, "Episode 9: On Aleister Crowley and the Idea of Magick"
Weird Studies, "Episode 4: Exploring the Weird with Erik Davis"
William Shakespeare, The Tempest
Sun Ra, Space is the Place
Zebrapedia (crowdsourced online transcribing/editing of the Exegesis)
Ramsey Dukes (Lionel Snell), Words Made Flesh
Daniel Dennett, Consciousness Explained
Bernado Kastrup, Why Materialism is Baloney
Gordon White, Star.Ships: A Prehistory of the Spirits
Nick Bostrom, “Are You Living in a Computer Simulation?”

Somebody once said, "No prophet is welcome in his own country." Whether this was true in the case of jazz musician and composer Sun Ra depends on whom you ask. With most, the dictum probably bears out. But there are those who can make out certain patterns in Ra's life and work, patterns that place him among the true mystics and prophets. Of course, these people already believe in mysticism and prophecy, but Sun Ra's total devotion to his myth does not leave much wiggle room on this front. He is asking us to choose: believe or disbelieve. And if you go with disbelief, you'll need to explain the sustained coherence and lucidity of his message, and the transformative power of his music. In this episode, Phil and JF take a look at Sun Ra's unforgettable film Space is the Place, interpreting it as a document in the history of esotericism, using gnostic thought and the tarotology as instruments to bring some of his secrets to light.

REFERENCES

Sun Ra, Space is the Place
Sun Ra: Brother from Another Planet_
Deleuze and Guattari, A Thousand Plateaus and [Kafka](https://en.wikipedia.org/wiki/Minority(philosophy))_ (for the concept of minority)
Antoine Faivre, French historian of esotericism
Michel Foucault, The Order of Things: An Archaeology of the Human Sciences
Eliphas Lévi, French occultist
Edward O. Bland (director) The Cry of Jazz
Mircea Eliade, The Myth of the Eternal Return, or, Cosmos and History
Ingmar Bergman, The Seventh Seal
Stanley Kubrick, Dr Strangelove, or, How I Learned to Stop Worrying and Love the Bomb
Aleister Crowley, Magick in Theory and Practice
Jackson Lears, Something for Nothing: Luck in America

Every once in a while, JF and Phil like to do a “song swap.” Each picks a song, and the ensuing conversation locates linkages and correspondences where none was previously thought to exist. In this episode, they are joined by the music scholar Meredith Michael – Weird Studies assistant, and co-host of Cosmophonia, a podcast about music and outer space – to discuss songs by Lili Boulanger, Vienna Teng, and Iron & Wine. Before long, this disparate assortment personal favourites occasions a weirdly focused dialogue on time, impermanence, control, (mis)recognition, and the affinity of art and synchronicity.

Support us on Patreon.
Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES
Iron and Wine, “Passing Afternoon”
Vienna Teng, “The Hymn of Acxiom”, (and here is the live version)
Lili Boulanger, Vieille Priére Bouddhique
Star Trek: Deep Space Nine
Karol Berger, Bach’s Cycle Mozart’s Arrow
William Shakespeare, Hamlet
Charles Darwin, The Origin of Species
Immanuel Kant, Critique of Pure Reason
Vladimir Jankelevitch, Music and the Ineffable
Hector Berlioz, Fugue on “amen” from La Damnation du Faust
Slavoj Zizek, A Pervert’s Guide to Idiology
Federico Campagna, Technic and Magic
Shepard Tone
Rudolf Steiner, The Influces of Lucifer and Ahriman

Special Guest: Meredith Michael.

Most people know Glenn Gould as a brilliant pianist who forever changed how we receive and interpret the works of Europe's great composers: Bach, Beethoven, Schoenberg... But Gould was also an aesthetic theorist who saw a new horizon for the arts in the age of recording technology. In the future, he said, the superstitious cult of history, performance, and authorship would disappear, and the arts would retrieve a "neo-medieval anonymity" that would allow us to see them for what they really are: scarcely human at all. This episode interprets Gould's prophecy with the help of the Canadian media theorist Marshall McLuhan, the Chinese Daoist sage Zhuang Zhou, and the German philosopher Martin Heidegger, among others.

SHOW NOTES

Glenn Gould, "The Prospects of Recording"
Marshall McLuhan's Tetrad of media effects
Ludwig van Beethoven, Concerto no. 3 in C minor
Glenn Gould, "Glenn Gould Interviews Glenn Gould about Glenn Gould"
Glenn Gould and Yehudi Menuhin, dialogue on The Music of Man
Jean-Luc Godard, A Married Woman (A Married Woman)
Heidegger, Der Spiegel interview (1966)
Daoist sage Zhuang Zhou
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction"
Stanley Kubrick, A Clockwork Orange
Marshall McLuhan, The Playboy interview
Marshall McLuhan, The Mechanical Bride
Marshall McLuhan, Understanding Media
Douglas Rushkoff and Michael Avon Oeming, Aleister and Adolph
Joyce Hatto
Lionel Snell, My Years of Magical Thinking
Kevin Bazzana, Glenn Gould: The Performer in the Work
Phil Ford, “Blogging and the Van Meegeren Syndrome”
David Thompson, Have You Seen...?: A Personal Introduction to 1,000 Films