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We Interrupt This Broadcast - L.A. Riots following the Rodney King verdict - “Can we all get along?” – (April 29, 1992)

L.A. Riots following the Rodney King verdict - “Can we all get along?” – (April 29, 1992)

07/20/21 • 38 min

We Interrupt This Broadcast

The first reports from Los Angeles had an all-too familiar ring - a black motorist who had been stopped by police for drunk driving was pulled out of his car and beaten by several white officers. But this time, the entire incident was captured on a bystander’s video camera, then broadcast via television around the world. When the offending officers went on trial, an all-white jury saw things differently. After announcing a deadlock on a single assault charge and acquitting the four police officers, the city erupted in an eerie replay of the Watts riots thirty years before which had left much of Los Angeles’ inner-city community in ruins. It all began with a hand-held video camera and ended with the whole world watching a great city going up in flames. And just how much had television’s wall-to-wall coverage fanned those flames.

Broadcast audio licensed from NBC Radio; KTLA/Nexstar, Inc.

Contributor:

  • Bob Brill, Former stringer radio reporter for NBC Radio
  • Carl Stein, Former KCBS video journalist
  • Mark Coogan, Former KABC-TV reporter
  • Warren Cereghino, Former News Director at KTLA TV Los Angeles
  • Tony Fote, Video editor at KTLA TV, Los Angeles
  • David Bohrman, Former executive producer of ABC’s World News Now

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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The first reports from Los Angeles had an all-too familiar ring - a black motorist who had been stopped by police for drunk driving was pulled out of his car and beaten by several white officers. But this time, the entire incident was captured on a bystander’s video camera, then broadcast via television around the world. When the offending officers went on trial, an all-white jury saw things differently. After announcing a deadlock on a single assault charge and acquitting the four police officers, the city erupted in an eerie replay of the Watts riots thirty years before which had left much of Los Angeles’ inner-city community in ruins. It all began with a hand-held video camera and ended with the whole world watching a great city going up in flames. And just how much had television’s wall-to-wall coverage fanned those flames.

Broadcast audio licensed from NBC Radio; KTLA/Nexstar, Inc.

Contributor:

  • Bob Brill, Former stringer radio reporter for NBC Radio
  • Carl Stein, Former KCBS video journalist
  • Mark Coogan, Former KABC-TV reporter
  • Warren Cereghino, Former News Director at KTLA TV Los Angeles
  • Tony Fote, Video editor at KTLA TV, Los Angeles
  • David Bohrman, Former executive producer of ABC’s World News Now

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Coming July 20th, 2021

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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undefined - The War of The Worlds: The original ‘deepfake’ of 1938

The War of The Worlds: The original ‘deepfake’ of 1938

“War of The Worlds” is a phenomenon of a bygone era, and of a medium a hundred years old, yet its lessons resonate to this day. It’s the original “deepfake of 1938.” A radio drama about an alien invasion but presented as “breaking news,” scared the daylights out the nation. On the evening of October 30, 1938, radio listeners across the U.S. heard a startling report of mysterious creatures and terrifying war machines moving toward New York City. But the hair-raising broadcast was not a real news bulletin—it was Orson Welles' adaptation of the H. G. Wells classic. This episode goes behind the scenes of the making of Welles' famed radio play and its impact. Welles's broadcast became a major scandal, prompting a different kind of mass panic as Americans debated the bewitching power of the radio and the country's vulnerability in a time of crisis. When the debate was over, American broadcasting had changed for good, but not for the better.

Written by Joe Garner and Brian Williams

Contributors:

A.Brad Schwartz, broadcast historian and author of BROADCAST HYSTERIA: Orson Welles’s War of the Worlds and the Art of Fake News (Hill & Wang, May 2015)

Orson Welles

Howard Koch

John Houseman

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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