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Warm Classic Rock Interviews with Famous Music Legends of the '60s '70s '80s - A BREATH OF FRESH AIR - STATUS QUO: Boogie Rock Brilliance with Drummer JOHN COGHLAN
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STATUS QUO: Boogie Rock Brilliance with Drummer JOHN COGHLAN

11/15/23 • 52 min

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Warm Classic Rock Interviews with Famous Music Legends of the '60s '70s '80s - A BREATH OF FRESH AIR

Status Quo are one of Britain's longest-running bands, staying together for over six decades. During much of that time, the group was only successful in the U.K., where they racked up a string of Top Ten singles over the decades. In America, the Quo were ignored after they abandoned psychedelia for heavy boogie rock in the early '70s. Before that, the band managed to reach number 12 in the U.S. with the psychedelic classic "Pictures of Matchstick Men"

Following that single, the group suffered a lean period for the next few years before the band members decided to refashion themselves as a hard rock boogie band in 1970. The Quo have basically recycled the same simple boogie on each successive album and single, yet their popularity has never waned. If anything, their very predictability ensured the group a large following.

The guys started out as The Spectres with Francis Rossi (vocals, guitar) Alan Lancaster (bass) drummer John Coghlan and organist Roy Lynes. The group added Rick Parfitt (guitar, vocals) and changed its name to Status Quo.

Throughout the '70s, each album Status Quo released went into the Top Five, while their singles -- including the number one "Down Down" (1974), "Roll Over Lay Down" (1975), "Rain" (1976), "Wild Side of Life" (1976), and a cover of John Fogerty’s "Rockin' All Over the World" (1977) - consistently hit the Top Ten. Since they were experiencing a great deal of success, they didn't change their sound at all, they just kept churning out the same heavy boogie.

John Coghlan left Status Quo in 1981 – during rehearsals for the band’s 20th Anniversary album in Switzerland. Tensions had developed and John left to form his own band. By 1983 his own band featured a selection of respected musicians, comprising; guitarist Ray Majors (ex-Mott and British Lions), bass player Ian Ellis (ex-Savoy Brown and Steamhammer), and keyboard player Jeff Banister.

That same year John Coghlan teamed up with a trio of other well-known musicians called the Rockers. The four man line up boasted John on drums, Phil Lynott (Thin Lizzy’s frontman) on bass, guitar and vocals, Chas Hodges (from Chas ‘n’ Dave) on keyboards and Roy Wood (ex Wizzard, ELO and The Move) on guitar and vocals.

Coghlan continued to tour regularly playing with various musicians. He began working with Alan Lancaster in Australia who was putting together a band with Australian guitarist John Brewster, called the Bombers. John worked with The Bombers for a year but returned to the UK in 1990.

John Coghlan started working with his own band, John Coghlan’s Quo, during the late 1990s. By that time, Status Quo had scored 50 British hit singles, which was more than any other band in rock & roll history at the time.

This week John Coghlan joins us to explain what those heady days were like, why he left the band in 1981and what life holds for him today.

If you'd like to learn more about John Coghlan follow these links: http://www.johncoghlan.com/ and check out his new book SPUD https://www.amazon.co.uk/Coghlan-Quo-Steven-Myatt/dp/1899750479

To check out what Status Quo are doing these days head for https://www.statusquo.co.uk/

If you have any feedback, comments or suggestions for future guests on this show, please contact me https://abreathoffreshair.com.au/

plus icon
bookmark

Status Quo are one of Britain's longest-running bands, staying together for over six decades. During much of that time, the group was only successful in the U.K., where they racked up a string of Top Ten singles over the decades. In America, the Quo were ignored after they abandoned psychedelia for heavy boogie rock in the early '70s. Before that, the band managed to reach number 12 in the U.S. with the psychedelic classic "Pictures of Matchstick Men"

Following that single, the group suffered a lean period for the next few years before the band members decided to refashion themselves as a hard rock boogie band in 1970. The Quo have basically recycled the same simple boogie on each successive album and single, yet their popularity has never waned. If anything, their very predictability ensured the group a large following.

The guys started out as The Spectres with Francis Rossi (vocals, guitar) Alan Lancaster (bass) drummer John Coghlan and organist Roy Lynes. The group added Rick Parfitt (guitar, vocals) and changed its name to Status Quo.

Throughout the '70s, each album Status Quo released went into the Top Five, while their singles -- including the number one "Down Down" (1974), "Roll Over Lay Down" (1975), "Rain" (1976), "Wild Side of Life" (1976), and a cover of John Fogerty’s "Rockin' All Over the World" (1977) - consistently hit the Top Ten. Since they were experiencing a great deal of success, they didn't change their sound at all, they just kept churning out the same heavy boogie.

John Coghlan left Status Quo in 1981 – during rehearsals for the band’s 20th Anniversary album in Switzerland. Tensions had developed and John left to form his own band. By 1983 his own band featured a selection of respected musicians, comprising; guitarist Ray Majors (ex-Mott and British Lions), bass player Ian Ellis (ex-Savoy Brown and Steamhammer), and keyboard player Jeff Banister.

That same year John Coghlan teamed up with a trio of other well-known musicians called the Rockers. The four man line up boasted John on drums, Phil Lynott (Thin Lizzy’s frontman) on bass, guitar and vocals, Chas Hodges (from Chas ‘n’ Dave) on keyboards and Roy Wood (ex Wizzard, ELO and The Move) on guitar and vocals.

Coghlan continued to tour regularly playing with various musicians. He began working with Alan Lancaster in Australia who was putting together a band with Australian guitarist John Brewster, called the Bombers. John worked with The Bombers for a year but returned to the UK in 1990.

John Coghlan started working with his own band, John Coghlan’s Quo, during the late 1990s. By that time, Status Quo had scored 50 British hit singles, which was more than any other band in rock & roll history at the time.

This week John Coghlan joins us to explain what those heady days were like, why he left the band in 1981and what life holds for him today.

If you'd like to learn more about John Coghlan follow these links: http://www.johncoghlan.com/ and check out his new book SPUD https://www.amazon.co.uk/Coghlan-Quo-Steven-Myatt/dp/1899750479

To check out what Status Quo are doing these days head for https://www.statusquo.co.uk/

If you have any feedback, comments or suggestions for future guests on this show, please contact me https://abreathoffreshair.com.au/

Previous Episode

undefined - Celebrating RICKIE LEE JONES: A Life in Song

Celebrating RICKIE LEE JONES: A Life in Song

Few singer/songwriters are as individual and eclectic as Rickie Lee Jones, a vocalist and composer who’s able to weave jazz, folk, and R&B into songs for decades.

Rickie Lee’s greatest commercial success came at the outset of her career with ‘Chuck E’s in Love’, but a restless creative spirit and a stubborn refusal to be pigeon holed into any one musical niche, ensured her on-going status as a cult hero. Her second LP, 1981's Pirates added rock and soul flavours. Others followed.

As the '90s gave way to the 2000s, Rickie Lee continued to explore new directions, experimenting with trip-hop on 1997's Ghostyhead, a personal take on faith with 2007's The Sermon on Exposition Boulevard, and taking an introspective look into her own life on 2009's Balm in Gilead.

Assuming full control of her music when she founded her own label to release 2015's The Other Side of Desire and 2019’s Kicks, her latest offering is Pieces of Treasure. It’s an incredible album that sees her paying tribute to the Golden Age of American Song writing with jazzy accents.

In this episode, Rickie Lee Jones tells us how she endured a stormy childhood that saw her moved around from state to state. Eventually as a teenager she fled to seek refuge in Los Angeles in the mid-'70s. There she slept on people's couches, worked a series of waitressing jobs and occasionally performing in area clubs.

She found a measure of success when Lowell George, the ex Little Feat frontman decided to record her song ‘Easy Money’. After that, fortune seemed to smile on her as she enlisted Russ Titleman to co-produce her self-titled 1979 debut LP which featured the hit 'Chuck E's in Love'. Have you ever wondered who Chuck E is? I have and she explains all.

With that album, Rickie Lee Jones became an overnight smash sensation. Her life was changed forever and a confident, self-assured young trend-setting artist emerged, leaving behind the shy girl who'd always resided in her cocoon.

Rickie Lee Jones joins me this week to tell her story and share some of her thoughts around her musical journey.

If you'd like to know more about her, head for her website https://rickieleejones.com/ and make sure you take a listen to her latest album. It's Rickie Lee Jones at her very best.

Any comments, feedback or suggestions for future guests? Simply send me a message through my website https://abreathoffreshair.com.au/

I hope you enjoy Rickie Lee Jones' story.

Next Episode

undefined - THE DELLTONES: Australia's Ian "Pee Wee" Wilson shares

THE DELLTONES: Australia's Ian "Pee Wee" Wilson shares

One of Australia’s longest surviving vocal groups, the Delltones were formed in 1959. Comprising Ian ‘Pee Wee’ Wilson, Noel Widerberg, Brian Perkins and Warren Lucas.

The band performed at dances, as part of backing bands for artists such as Johnny O’Keefe. Occasionally performing a cappella covers of songs they heard on the radio, the band was influenced by 50s doo-wop vocal groups. The accidental death of Noel Widerberg, in 1962, did not deter the group from continuing.

With replacement Col Loughlan, they proceeded to tour and record, with singles such as ‘You’re The Limit’, ‘Get A Little Dirt On Your Hands’, ‘Come A Little Bit Closer’ and ‘Hangin’ Five’, all reaching the Top 5 in Australia. Later, the band took responsibility for the instrumental side of their act, and when beat music became popular, they turned to the clubs and pubs where they appeared regularly.

The band went to the UK in the late 60s, where they performed on the club circuit and recorded an album. They returned to Australia to find that they no longer had an audience, and disbanded in 1971.

They re-formed in 1981 with only one original member; the band toured often and recorded several albums, but hit singles have eluded them. They finally disbanded in 2016.

Our guest today is founder Ian "Pee Wee" Wilson. Pee Wee shares a lifetime of stories and amazing music.

To learn more about The Delltones head for their website: https://www.delltones.com/

If you have feedback, comments or suggestions for future guests on A Breath of Fresh Air feel free to contact me through my website https://www.abreathoffreshair.com.au

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