TRILLOQUY

Brittany J. Green is a North Carolina-based composer, creative, and educator whose works engage everything from Black feminist theory to the rupture of systems. She joins Garrett in this week's third movement to talk about her music, her studies of Julius Eastman, and how differing queer perspectives played a role in 20th century instrumental music. Scott returns to this year's "classical" Grammy conversation, highlights the music of Odetta, and offers his thoughts concerning the conflict in Ukraine. Garrett offers words from Mamie Till, celebrates the "Afro-harping" of Brandee Younger, and digs into the nuances of racism as seen in recent news media. Playlist: Bohdana Frolyak - Clarinet Concerto Miles Davis - "So What" Odetta - "Woke Up This Morning (With My Mind Stayed On Freedom)" Odetta - "Water Boy" Dorothy Ashby - "Games" (perf. Brandee Younger Quartet: https://www.youtube.com/watch?v=gY9ghgmH_r0&t=1119s) Julius Eastman - "Stay On It" (perf. San Francisco Conservatory: https://www.youtube.com/watch?v=61pfXwQ1OgI&t=86s) Brittany J. Green - "bluedream" Brittany J. Green - "Portraits for Piano" More: Brittany J. Green: http://www.brittanyjgreen.com Downbeat (30th Anniversary of Emmett Till's Death NBC 1985): https://www.youtube.com/watch?v=4l4droR9W8E Metropolitan Opera says it will sever ties with Putin-allied artists: https://www.npr.org/sections/deceptivecadence/2022/02/27/1083387627/metropolitan-opera-sever-ties-putin-ukraine-gergiev-netrebko Women Composers from Ukraine: https://ukrainianinstitutenyc.wordpress.com/2016/11/06/women-composers-from-ukraine/ How Being Inclusive Can Be Insulting: https://www.nytimes.com/2022/02/25/opinion/black-classical-music.html How Odetta Revolutionized Folk Music: https://www.newyorker.com/culture/culture-desk/how-odetta-revolutionized-folk-music Transphobia in Texas: https://www.texastribune.org/2022/02/28/texas-transgender-child-abuse/ Reporters Show Racism: https://www.youtube.com/watch?v=vLYYm7GSA-I Florida Don't Say Gay Bill: https://thehill.com/changing-america/respect/equality/596178-florida-dont-say-gay-bill-passes-final-senate-committee Anti-Black Sentiments in Ukraine: https://www.washingtonpost.com/posteverything/wp/2015/01/02/a-cop-in-ukraine-said-he-was-detaining-me-because-i-was-black-i-appreciated-it/

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Inspired by the viscerally provocative poem, "Here, Bullet" by Brian Turner, the art song of the same name by composer Kurt Erickson is, among many things, a plea for western classical arts spaces to directly address gun violence. This composition inspired multi-disciplinary artist Will Chase to write a screenplay, which will be the foundation for an upcoming short film. Both Kurt and Will join Garrett (1:02:00) to unpack the inspirations and challenges of this work, along with its context within the framework of "classical" music. Scott highlights a work by Phillip Glass and cites excerpts from "Stuff White People Like", Garrett addresses opera's latest use of blackface, and the guys talk "big steps" in the finale. Playlist: Jackson 5 - "Never Can Say Goodbye" Gil Scott-Heron - "Whitey On the Moon" The Church - "Under The Milky Way" Abel Selaocoe - "Qhawe" (Performance Excerpt: https://www.youtube.com/watch?v=zhFgeNW6D1g) perf. Angel Blue - "Peculiar Grace" (from "Fire Shut Up In My Bones": https://www.youtube.com/watch?v=fsmXYt9C4UA) Phillip Glass - "Sons Of The Silent Age" Supaman - Improv Freestyle (https://www.youtube.com/watch?v=8PTuf2E8hl8) Kurt Erickson - "Here, Bullet" John Coltrane - "Giant Steps" More: Kurt Erickson/"Here, Bullet": https://www.kurterickson.com/catalogue/here-bullet "Here, Bullet", by Brian Turner: https://www.poetryinternational.com/en/poets-poems/poems/poem/103-14245_HERE-BULLET "How the murder of George Floyd impacted music-making in Minneapolis and across the globe": https://www.classicfm.com/music-news/george-floyd-murder-music-making-minneapolis/ "Soprano Withdraws From Opera, Citing ‘Blackface’ in Netrebko’s ‘Aida’": https://www.nytimes.com/2022/07/15/arts/music/angel-blue-anna-netrebko-blackface.html "Stuff White People Like": https://stuffwhitepeoplelike.com

Karen Slack is not only one of the nation's most celebrated sopranos, but a leading voice in changing-making spaces in classical music, as well as the host of one of the industry's most popular digital talk shows: #KikiKonvos. She joins Garrett (59:00) to offer her ideas and opinions on arts activism, what it takes to traverse a predominantly white industry as a person of color, and fostering unity across generational lines. Scott honors Irma Thomas and shares his experiences presenting at the Public Radio Program Director's National Conference, Garrett highlights musical arrangements by Hubert Laws and shines a light on the newly formed San Antonio Philharmonic, and the guys "connect the dots" between Schubert and the rest of the world. Support for TRILLOQUY comes from Schubert Club: https://schubert.org Playlist: Beyoncé - "Ave Maria" Beyoncé - "Sorry" arr. L. Zepeda - "Besame Mucho" (https://www.youtube.com/watch?v=tiOfdp0hATw) arr. Hubert Laws - "The Rite of Spring" arr. Hubert Laws - "Brandenburg Concerto No. 3" Irma Thomas - "Anyone Who Knows What Love Is" perf. Karen Slack - "Prayer" (https://www.youtube.com/watch?v=LDk1e9Cv4Pk) perf. Karen Slack - "You Can Tell the World" (https://www.youtube.com/watch?v=-Fs85DyLei8) Concrete Blonde - "Bloodletting" (The Vampire Song) More: Karen Slack: https://www.sopranokarenslack.com/about Orchestral Musician Job Board: https://www.musicalchairs.info/jobs San Antonio Symphony Returns As San Antonio Philharmonic: https://www.sanantoniomag.com/san-antonio-symphony-musicians-will-return-as-san-antonio-philharmonic/ San Antonio Philharmonic: https://saphil.org Actors Ensure 'Litany of Misery' in Auditions: https://www.theguardian.com/stage/2022/aug/21/actors-endure-litany-misery-auditions-former-rsc-director-adrian-noble