Towards Vivencia in Conversation with
Jorge Crecis, PhD
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Vicky Hoyland. I take risk, when I feel safe.
Towards Vivencia in Conversation with
02/25/21 • 42 min
I am sure many of you can connect and identify, as I did, with what Vicky describes in this podcast about how she was struggling with her lack of confidence, how that got in the way of many opportunities that were presented to her and how she managed to overcome those obstacles in very concrete ways with very specific tools.
In this 8th episode of the 2nd season, we talk with Victoria Hoyland (UK) . Vicky has collaborated and worked with numerous companies including Hofesh Shechter Company, Barebones, James Wilton Dance Company, Robert Clark and Riccardo Buscarini. Since 2013 she has been working in Switzerland with Cie 7273 and as assistant and dancer with Cie Alias.
From 22' 40" you can hear what her class will be like in detail. But before that, do not miss the other themes we talked about in this very insightful conversation:
- how to serve the work you are performing by not forgetting who you are but by choosing what it needs each time
- how a professional dance career and studying for a degree in Ostepathy, can complement each other.
- Why dancers can continue dancing for longer
- And what the role of dance and dance artists will be in the future
A few quotes from our conversation:
"Although I did well in the work and I love the work, and they really appreciated me as a performer... I think my lack of confidence in the studio was probably one of the reasons why I wasn’t able to continue with the company"
"I couldn’t hide behind my dancing , I had to be really exposed in a completely different way that I was used to"
"You allow the piece to work through you and you have some control over or in it. Your own live experience and emotions will arise but it is allowing them to filter through in a way that serves the piece"
"Dance serves the osteopathy as a very useful way to embody your patience... you are so used to your body and sensations that when people describe things or how things happen, it is so easy to put yourself in their position. That really helps with the empathy and the understanding and already that kind of connection can help with the treatment approach."
Join her classes the w/c 1st of March 2021 as part of the TWV Academy
https://twvonline.academy/
Victoria graduated with a BA Hons degree in 2008 from NSCD. Upon graduation she joined the Hofesh Shechter Company as an apprentice touring “ In Your Rooms” and went on to join the company for the creation of “The Art of Not Looking Back” in 2009. She has since collaborated with choreographers and company’s balletLORENT, VanHuyhn Company, Barebones, James Wilton Dance Company, Jorge Crecis, James Finnemore and Robert Clark. In 2012 she was a creative dancer in The Place Prize winning piece “Athletes” by Riccardo Buscarini. Since 2013 she has worked in Geneva Switzerland with Cie 7273 and as assistant and dancer for Cie Alias. Alongside her dance career Victoria trained as an Osteopath at the British School of Osteopathy graduating in 2017.
Support the show HERE
Bridging the Gap with Ian Garside. Rigorous, not Rigid
Towards Vivencia in Conversation with
02/17/21 • 46 min
In this 7th episode of the 2nd season we have talked with Ian Garside (UK/ES) . Ian has performed with the likes of Punchdrunk (Shanghai), Liquid Loft/ Chris Haring (Vienna) & the seminal DV8 Physical Theatre (London). Ian's passion for pedagogy is fed by the variety of experiences and approaches that people bring to the encounter.
From 26' 00" onwards you can hear in detail what his class look like, but before that do not miss the other themes we talked about mainly the very insightful conversation about:
- Resilience, determination to carry on despite hardship
- Dancing as a way to provide a great sense or achievement to the people
- Where and how we can use our skills as dancers for the greater good
A few quotes from our conversation:
"How do we reflect upon the value of our dancing, when there are people in large parts of the world who the biggest concern is if they are going to have fresh water to drink in five years time?"
"Maybe is not about instantly solving the problem, but considering where we can put our skills to use that will bring some kind of greatest consciousness about the problems that faces us all, rather than just what is the best way to get more power for myself individually and put myself in a better situation"
[Dance] "encourages that kind of creative consciousness around the problems we are facing more than just focusing on myself"
"The difficulty of working at a very very high level the pressure is that you can easily break... emotionally, psychologically and physically. So the rigorous practice allows us to persevere through all those difficulties and come out they other side saying: 'you know what, I am still ok and I even have a little bit of energy to put into the next thing' "
Join her classes the w/c 22th of February 2021 as part of the TWV Academy
https://twvonline.academy/
Ian Garside (UK/ES) discovered contemporary dance through classical theatre. He completed his vocational training at Laban (UK) & P.A.R.T.S. (BE).
Since 2010 he has performed with the likes of Punchdrunk (Shanghai), Liquid Loft/ Chris Haring (Vienna) & the seminal DV8 Physical Theatre (London).
Alongside performing Ian teaches extensively. His passion for pedagogy is fed by the variety of experiences and approaches that people bring to the encounter.
His passion for performing comes from a desire to engage people in an experienced process of reception and reflection.
Support the show HERE
Bridging the Gap with Joy Alpuerto Ritter. Presence & Rhythmical Strength
Towards Vivencia in Conversation with
02/10/21 • 36 min
In this 6th episode of the 2nd season we have talked with Joy Alpuerto Ritter. Former performer and associate choreographer with Akram Khan (UK) and many others (see below for full biog)
From 19' 20" onwards you can hear in detail what her class look like, but before that do not miss the other themes we talked about mainly the very insightful conversation about:
What is the difference between a dancer and a good performer
How spiritual practices can help to train performance presence
How Joy describes those rare moments on stage.
A few quotes from our conversation:
“[When I perform] it is almost like an outer force that is leading me, but I am also open to it”
“When I dance, when i move, I like to connect to nature. To element of fire, water, wind, animals... Animals, their intuition is so pure... I use that quality in my body”
“We all crave for those moments... after time, when you look back it is a strong memory, and it feels very extreme. Your body is so exhausted and tired that your mind just accepts what is happening to you... so you kind of transcend”
“You get into a state of TRUTH. You cannot pretend... you are just there. Even though it is really tough and you think, I am going to faint on stage, and your life has been poured time... those are the moments you think: this is quite a spiritual moment”
Join her classes the w/c 15th of February 2021 as part of the TWV Academy
https://twvonline.academy/
Joy Alpuerto Ritter was born in Los Angeles and grew up in Freiburg im Breisgau, Germany. In her youth she was trained at the balletschool Armin Krain and learned Philippine Folk Dance in the cultural dance group led by her mother. In 2004 Joy graduated at the Palucca School in Dresden, Germany with a dance diploma. She started working as a freelance dancer with choreographers like Christoph Winkler, Heike Hennig, Wangramirez and Yui Kawaguchi. After expanding her repertory in urban dance styles, she became part of the Hip Hop and Voguing Ballroom culture scene in Berlin. In 2011 she joined Cirque du Soleil as a dancer and aerial artist for the Michael Jackson Immortal World Tour. Since 2013 she has been a dancer and rehearsal director of the Akram Khan Company where she continues her touring life all around the world. In 2016 she has been nominated as "outstanding female dancer" (modern) in the Performance "Until the Lions" by the UK National Dance Awards.
With her own solo work „Babae“, she has found international response as a Choreographer and is one of the Aerowaves artists 2020. Since then Joy has been creating her own work and has been collaborating as a (an associate) choreographer with Akram Khan (UK), Ballett Black (UK), Chen Shi-Zheng (New York), Riz Ahmed (UK), Viviana Durante (UK), Yang Liping (China), Florence and the machine (UK).
As a teacher Joy has been sharing her knowledge and created works at SEAD - Salzburg Experimental Dance Academy, DAF- Dance Arts Faculty in Rome, Motions Berlin, Marameo Berlin and Beijing Dance Academy in China.
Support the show HERE
Bridging the Gap with Michalis Theophanous. IMMOVABILITY IS PART OF MOVEMENT
Towards Vivencia in Conversation with
02/03/21 • 46 min
In this 5th episode of the 2nd season we have talked with Michalis Theophanous. Current performer with Dimitris Papaioannou and Bob Wilson
Together we talked about:
- What is for Michalis performance presence
- Training in vocational schools
- Stillness in performance
- His own work as a performer, director and workshop teacher
Some quotes from our conversation with Michalis:
"Having a premiere is not the end of the process... it is the begining of it. It is about finding a reason to do it again and again and stepping a bit further each performance than what you did last time"
"Nobody told me on school how to cover 25 metres in 12 minute in a fluent movement without pausing at anytime, or how to sweat without even moving, or how to face the audience, how to take off your jacket... how to be present on stage without overtrying, without over exposing yourself and scream: 'look at me' "
"During the rehearsals of Primal Matter, the duet with Dimitri, there is a moment in the piece, where I am naked and I need to stay there for three minutes. During the rehearsals, I was: this is a good moment for me to rest. But when I was in the theatre and I hundreds of eyes looking at me, that was and endless nightmare (...) I could’t shit my pants because I had no pants"
" After the 5th rehearsal, I was so excited because I was failing (...) so I found a way to make it happen and to be extremely precise"
"I am not here to teach, I don’t like the word teach, I am just here to share, very basic and very boring exercises that you might use or might never use in their career... they will be free to keep [the exercises} or to throw them away... but you never know when will be the moment to use them...
"At the end of the day we train our body, we sharp our knife, it is not necessarily that we are going to use all of them in our career, but it is our choice what we want to keep using"
Support the show HERE
Bridging the Gap with Scott Jennings. Dancing, devising and playing
Towards Vivencia in Conversation with
01/25/21 • 38 min
In this 4th episode of the 2nd season we have talked with Scott Jennings. Former dancer (but still collaborator) of Pina Bausch Dance Company.
Together we talked about:
- The healthiest way to approach auditions
- Adding the humanity to the act of performing
- What does it mean to exist in the space as a dancer
Some quotes from our conversation with Scott:
"in terms of skill or what I learned (from auditions): there is this thing of saying - this is me and this is what I have to offer, can we make that work, do you wanna work with me? "
Reflection about the challenges of working for the Pina Bausch co: "It was pretty intense but fascinating" /
"It was a new way for me to face that fear of going on stage with a different sense of uncertainty as it always was this strange thing of the first time of doing a piece (on the general rehearsal) it was facing all the elements for the first time and many times in front of people as well"
"I had to find a way of just being able to exist in those pieces (Pina ́s) so I suddenly became fascinated with what it means to exist in a space, on how to connect to these very human things or personal stories and how do they sit in this role of performance, how do I exist there"
Support the show HERE
Bridging the Gap with Lucy Balfour. Classical and contemporary technique
Towards Vivencia in Conversation with
01/19/21 • 27 min
In this 3rd episode of the 2nd season we have talked about:
Which gaps Lucy found in her training as a professional dancer
How we build the bridge between chapters in our careers and how we go over those bridges
The hardest mental challenge a dancer has to endure
- And how you can be in control of your happiness
“Your career is not going to come in a neat little package of what you think this is”
“I have definitely had to push for my position in the dance world”
“I was so passionate that I had to share what I have”
Support the show HERE
Hayley J S Matthews. About the Dance of Being
Towards Vivencia in Conversation with
01/14/23 • 67 min
Welcome to "TWV in conversation with...” today’s guest: Hayley J S Matthews.
Before we introduce this episode, we would like to thank the people who have recently donated to keep this podcast alive... If you can contribute, any little help is a lot of help: Support the show HERE
In this episode, we will be discussing Hayley's upcoming event, "The Dance of Being", which will be taking place both in person and online. We will also be delving into some of the more difficult concepts related to dance, such as consciousness and emotions, and how Hayley approaches these topics in her work.
Another important topic that we will be covering is funding and the question of whether dancing is just a passion or a remunerated job.
We will also be discussing some of the current feminist figures in the dance world to look out as references for the future 22nd century and how their contributions will shape the industry.
Finally, we will also be discussing the importance of in-person and online-but-in-person remote events in the current climate and why 100-year-old choreography is still relevant in today's world.
So join us as we explore the world of dance and all its complexities with Hayley J S Matthews.
Instagram: @hayleymatthewsdancer
Website: https://www.ensembledance.org/the-dance-of-being
Support the show HERE
TWV to Takeaway by Bridget Lappin: The Big Corp and the Dance Industry.
Towards Vivencia in Conversation with
01/02/23 • 17 min
One Last Exercise of 2022... for 2023
Finishing the year with reflection and preparation, Bridget offers the last “TWV to Takeaway” exercise. Inspired by our recent episode with Graham Alexander, this exercise will:
-identify your soft skills
-employ your soft skills towards taking your 2023 to the next level
-help you take 2023 to the next level for someone else
It’s a big one, but why not end the year with a bang? And start 2023 strong and soft.
From all of us at Towards Vivencia, we wish you a Happy New Year.
This season is brought to you by:
Choreography Online (https://choreography.online)
and
Ground Grooves (https://www.groundgrooves.tv)
Support the show HERE
The Big Corp and the Dance Industry: Synergies, Differences and Futures
Towards Vivencia in Conversation with
12/21/22 • 89 min
Hello beautiful people!
Buckle up because today's episode is a real lesson in business ethics, pricing our services as dance artists, making a difference in the world, and how the performing arts can benefit corporates and vice versa.
Our guest today is Graham Alexander.
I had the pleasure to be one of Graham’s teachers at London Contemporary Dance School (The Place) where he studied dance after having graduated in Physics from Oxford University... is a vice president at the De Beers Group, one of the biggest mining diamond companies in the world, with over 20,000 employees working in 28 different nations.
Prior to that, he worked for nine years in various consultancies such as PwC, Javelin Group, OC&C Strategy Consultants, primarily working with clients in the retail and consumer goods industry, such as Superdry, Selfridges, and Heineken, as well as in a number of other industries, like the cabinet office, Brussels Airport, or First Group.
After that, he was employed by the Lego Group to implement their marketing plans.
In this episode, we discussed:
- The relationship between major corporations and the performing arts.
- How one of the largest mining diamond companies in the world's vice president was once a dance student
- The benefits and drawbacks of working in the business world
- The big corporation's bias as the cause of all evil.
- Enhancing physical health and mental performance
- Cons of the dance business
- A set of principles, a way of life, and deeds to improve the world
- The dance industry's model of scarcity and the going rate for working with corporations
A very pragmatic, profound and useful episode.
Enjoy it!!!
This season is brought to you by:
Choreography Online (https://choreography.online)
and
Ground Grooves (https://www.groundgrooves.tv)
Support the show HERE
Rob Hayden. Experiencing endings as gifts, and making a practice of that.
Towards Vivencia in Conversation with
03/04/21 • 52 min
I was re-listening the conversation while editing and cleaning the audio for this podcast and immediately it brought back the warmth, vulnerability, and shared empathy that I felt while talking to Rob. I am still deeply touched by the profound humanity he displayed throughout this conversation, by the amazing performing artists that by how, someone that I barely knew personally, I now consider a dear friend who I hope to have the chance to share a tea and a chessboard in not so distant future...
In this 9th episode of the 2nd season, we talk with Rob Hayden (USA/BE). Rob was a competitive gymnast for 13 years and in 1989 enrolled in the BFA curriculum for theatre and dance at the University of New Mexico. He joined Ultima Vez in 2002, performing in the creations Blush, Sonic Boom, PUUR, Spiegel and the revivals of What the Body Does Not Remember and In Spite of Wishing and Wanting. Since 2009, he has collaborated as director, choreographer, performer, and composer with various artists from both Belgium and abroad. His own work combines over 20 years of practical and theoretical research and experience into performance, dance, theatre, sound/music, voice and movement.
From 10' 09" you can hear what his class will be like in detail. Do not miss the other themes we talked about in this very insightful conversation, mainly towards the end of the conversation where we dig deeper into how endings can be considered gifts.
A few quotes from our conversation:
“Through online interactions and conversations with different people, it reinforced, for me personally, the need to really stay connected to myself and what is important to me, and to be able to clearly communicated that and articulate it in a way that was reaching the other somehow”
“by simply opening the door to myself and to the other to come it, it creates already a complicit between people involved in the conversation.... it gets very simple, very real, very fast”
“by failing or making a mistake that’s where the trigger for the solution appears”
“by nature of the fact that I started as a gymnast... and did that for 13 years, I began to understand there is a certain aspect of discipline and rigor that is necessary for any creative endeavor or in life in general”
“Who are we serving in this practice? is it self-serving? or is it self-gratifying? or there is something more that we can be available for or open to in order to serve. We enter into a relationship with the work where we are serving the work rather than ourselves or somebody else"
“I experienced a lot of endings last year, and instead of being swallowed by the weight of it, I started to learn how, very slowly and still working on it, those things as gifts as opportunities for transformation, to recognise the natural order of things and try not to resist it”
Join his classes on the w/c 8th of March 2021 as part of the TWV Academy
https://twvonline.academy/
Support the show HERE
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FAQ
How many episodes does Towards Vivencia in Conversation with have?
Towards Vivencia in Conversation with currently has 27 episodes available.
What topics does Towards Vivencia in Conversation with cover?
The podcast is about Art, Artists, Podcasts, Education, Arts, Dance and Performing Arts.
What is the most popular episode on Towards Vivencia in Conversation with?
The episode title 'TWV to Takeaway by Bridget Lappin: The Big Corp and the Dance Industry.' is the most popular.
What is the average episode length on Towards Vivencia in Conversation with?
The average episode length on Towards Vivencia in Conversation with is 56 minutes.
How often are episodes of Towards Vivencia in Conversation with released?
Episodes of Towards Vivencia in Conversation with are typically released every 12 days, 2 hours.
When was the first episode of Towards Vivencia in Conversation with?
The first episode of Towards Vivencia in Conversation with was released on May 19, 2019.
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