The Golden Age of Hip Hop

03/12/23 • 58 min

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This Week in Black History, Society, and Culture

In this episode, Hettie V. Williams discusses the Golden Age of Hip Hop in the 1980s and 1990s with Professor Claude Taylor. Williams is Associate Professor of African American history at Monmouth University. Taylor is Director for Academic Transition and Inclusion and Professor of communication and media at Monmouth University. Taylor also works with the First To Fly program at Monmouth that focuses on the development and support of first generation college students. He is a popular professor and his area of teaching interests include race, rhetoric, and discourse. This episode is one of a series of episodes this season to commemorate the 50th Anniversary of Hip Hop now a global phenomenon.

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Fear of a Black Republic

In this episode, Hettie V. Williams discusses Haiti and Black internationalism with Leslie M. Alexander. Williams is Associate Professor of African American history at Monmouth University. Alexander is the Dr. Martin Luther King, Jr. Professor of history at Rutgers University, New Brunswick. She is the author of several essays, articles, book chapters, and books about the African Diaspora including her latest text Fear of a Black Republic: Haiti and the Birth of Black Internationalism in the United States recently published by the University of Illinois Press. The groundbreaking text is the subject of our conversation as Alexander elaborate on the centrality of Haiti to Black consciousness and Black activism across the African Diaspora in the nineteenth century.

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The African Presence in Latin American Culture

In this episode Hettie V. Williams discusses the African Presence in Latin America with Luis Mora-Ballesteros. Williams is Associate Professor of African American history at Monmouth University. Mora-Ballesteros is Lecturer of Spanish and Literatures of Latin America and the Caribbean in the Department of World Languages and Cultures at Monmouth University. This conversation focuses primarily on the African influences on Latin American dance, literature, and culture including some discussion on how these influences also represent connections to the afterlives of slavery. This is particularly evident in the song, dance, and music culture of the African descended communities of Latin America and the Caribbean.