
What will culture be like in the next decade?
07/24/20 • 61 min
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We explore the Serpentine Galleries’ new report into Future Art Ecosystems: with existing art industry models under threat, can new ones emerge in the post-coronavirus era? We talk to Ben Vickers, the Serpentine Galleries’ chief technology officer, about art and advanced technologies. As his BBC radio series Great Gallery Tours continues, we hear from a Simon Schama, who is marooned in Trump’s America yet yearns for a sunlit morning on the Thames in London: his choice for our Work of the Week is J.M.W. Turner’s Mortlake Terrace: Early Summer Morning in the Frick in New York. And as unemployment in the US surges past Great Depression-era levels, we look at a historic cultural programme that may have pointers for this moment: the Comprehensive Employment and Training Act or CETA, a response to the economic crisis of the 1970s.
Links:
The Art Newspaper: theartnewspaper.com
The Serpentine Galleries' Future Art Ecosystems report: https://www.serpentinegalleries.org/whats-on/future-art-ecosystems/
Simon Schama's BBC radio series Great Gallery Tours: https://www.bbc.co.uk/programmes/m000kw4t
Turner's Mortlake Terrace: Early Summer Morning: https://collections.frick.org/objects/267/mortlake-terrace-early-summer-morning
CETA: ceta-arts.com
Hosted on Acast. See acast.com/privacy for more information.
We explore the Serpentine Galleries’ new report into Future Art Ecosystems: with existing art industry models under threat, can new ones emerge in the post-coronavirus era? We talk to Ben Vickers, the Serpentine Galleries’ chief technology officer, about art and advanced technologies. As his BBC radio series Great Gallery Tours continues, we hear from a Simon Schama, who is marooned in Trump’s America yet yearns for a sunlit morning on the Thames in London: his choice for our Work of the Week is J.M.W. Turner’s Mortlake Terrace: Early Summer Morning in the Frick in New York. And as unemployment in the US surges past Great Depression-era levels, we look at a historic cultural programme that may have pointers for this moment: the Comprehensive Employment and Training Act or CETA, a response to the economic crisis of the 1970s.
Links:
The Art Newspaper: theartnewspaper.com
The Serpentine Galleries' Future Art Ecosystems report: https://www.serpentinegalleries.org/whats-on/future-art-ecosystems/
Simon Schama's BBC radio series Great Gallery Tours: https://www.bbc.co.uk/programmes/m000kw4t
Turner's Mortlake Terrace: Early Summer Morning: https://collections.frick.org/objects/267/mortlake-terrace-early-summer-morning
CETA: ceta-arts.com
Hosted on Acast. See acast.com/privacy for more information.
Previous Episode

Staff cuts: are museums protecting their workers?
This week, as the effects of the coronavirus pandemic and the lockdown hit museums, we’re seeing unprecedented layoffs on both sides of the Atlantic. We ask: are museums doing all they can to save their staff? We look at the latest developments in the UK and US, where hundreds of museum workers are losing their jobs.
Our museums editor, Hannah McGivern sets the scene in the US and Europe, our senior editor Margaret Carrigan speaks to Dana Kopel, the New Museum Union’s unit chair, and Frankie Altamura, one of the union’s stewards, both of whom lost their jobs at the museum this week, about the growing movement for museum workers’ rights across the US and whether institutions can care for their workers. And we speak to Steven Warwick of the Public and Commercial Services union about the effect of the job cuts in UK museums on his members.
This week’s Work of the Week is chosen by Emily Butler, a curator at the Whitechapel Gallery in London, about Rhea Storr’s film Junkanoo Talk (2017). You can see the full film here.
Hosted on Acast. See acast.com/privacy for more information.
Next Episode

Ready to see some art? The top exhibitions of the summer
This week, in our last episode of this series, we look at the top exhibitions you can see this summer in the UK, Europe and the US, with Anna Brady and Gareth Harris joining Ben Luke in London, and Helen Stoilas, Nancy Kenney and Jillian Steinhauer in New York. We also reflect on the anxieties and ethics of visiting galleries as Covid-19 remains widespread.
And we have our usual Work of the Week, this time chosen by the artist Hassan Hajjaj, who looks at an album cover, Doctor Alimantado’s 1978 debut The Best Dressed Chicken in Town, and discusses how it influenced his own photography.
Hosted on Acast. See acast.com/privacy for more information.
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