The Visual Past

with Karen Pintohosted by Nir ShafirIn the latest addition to our series on history of science, Nir Shafir talks to Karen Pinto about her research on Islamic cartography and mapping.This episode is part of an ongoing series entitled History of Science, Ottoman or Otherwise. Download the series
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Hundreds of cartographic images of the world and its regions exist scattered throughout collections of medieval and early modern Arabic, Persian, and Turkish manuscripts. The sheer number of these extant maps tells us that from the thirteenth century onward, when these map-manuscripts began to proliferate, visually depicting the world became a major preoccupation of medieval Muslim scholars. However, these cartographers did not strive for mimesis, that is, representation or imitation of the real world. These schematic, geometric, and often symmetrical images of the world are iconographic representations—‘carto-ideographs’—of how medieval Muslim cartographic artists and their patrons perceived their world and chose to represent and disseminate this perception. In this podcast, we sit down with Karen Pinto to discuss the maps found in the cartographically illustrated Kitāb al-Masālik wa-al-Mamālik (Book of Routes and Realms) tradition, which is the first known geographic atlas of maps, its influence on Ottoman cartography, and how basic versions of these carto-ideographs were transported back to villages and far-flung areas of the Islamic empire.
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Episode 400
with Nir Shafir hosted by Suzie Ferguson
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In this episode, Nir Shafir talks about the problem of "fake minatures" of Islamic science: small paintings that look old, but are actually contemporary productions. As these images circulate in museums, on book covers, and on the internet, they tell us more about what we want "Islamic science" to be than what it actually was. That, Nir tells us, is a lost opportunity.
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Episode 399
with Zeynep Çelik hosted by Zeinab Azarbadegan and Matthew Ghazarian
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How did the Ottomans react to European attitudes and depictions of their own lands? Pondering on the groundbreaking book 'Orientalism' by Edward Said forty years after its publication, our guest Zeynep Çelik discusses the ways in which urban, art, and architectural historians have grappled with representations of the Ottomans by Europeans and representations of Ottomans by Ottomans themselves. Telling us about a number of paintings, monuments, scholarly writings and stories, she argues that Orientalism is still relevant and with us wherever we go.
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with Gwendolyn Collaço
hosted by Chris Gratien, Nir Shafir, and Huma Gupta Download the podcast Feed | iTunes | GooglePlay | SoundCloud
The illustrated account of the festivals surrounding the circumcision of Sultan Ahmed III's sons in 1720 is one of the most iconic and celebrated depictions of urban life in Ottoman Istanbul. With its detailed text written by Vehbi, accompanied by the vibrant miniature paintings of Levni, this work has been used as a source for understanding the cast of professions and personalities that occupied the public space of the Ottoman capital. In this episode, we focus not on the colorful characters of Levni's paintings but rather the backdrop for the celebrations: the Golden Horn and the waterfront of 18th-century Istanbul. As our guest Gwendolyn Collaço explains, the accounts of festivals in early modern Istanbul reflect the transformation of the city and an orientation towards the waterfront not only in the Ottoman Empire but also neighboring states of the Mediterranean.
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