The SpokenWeb Podcast

SpokenWeb

Every month The SpokenWeb Podcast brings you different stories that explore the intersections of sound, poetry, literature, and history, created by scholars, poets, students, and artists from across Canada.

All episodes

Best episodes

Seasons

Top 10 The SpokenWeb Podcast Episodes

Goodpods has curated a list of the 10 best The SpokenWeb Podcast episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to The SpokenWeb Podcast for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite The SpokenWeb Podcast episode by adding your comments to the episode page.

Getting Lit with Linda Presents: The Languages & Sounds That Are Home: Kaie Kellough's Magnetic Equator

The SpokenWeb Podcast

12/11/23 • 24 min

In this crossover episode (Episode 7, Season 2), Linda begins with the sound of her father's old espresso machine, to explain how she sees -- or hears -- sound working in Magnetic Equator (published by McClelland & Stewart) by international poet, novelist, and sound performer Kaie Kellough. You can hear a sample of his sound poetry here. This episode includes a small excerpt read by Kellough himself (with permission by Kellough). In the "take-away" section, Linda talks about a biography she recently read by Sherrill Grace, about Canadian author Timothy Findley (published by Wilfrid Laurier University Press). If you'd like to know more about sound poetry, and about Kaie Kellough as a sound poet, check out Adam Sol's blog post about Kellough on "How a Poem Moves."

Get this episode and more by following Getting Lit with Linda - The Canadian Literature Podcast on all major podcast platforms.

Linda Morra is Professor of Canadian and Indigenous literatures, a former Craig Dobbin Chair of Canadian Studies (2016-2017) at UCD, and the Farley Distinguished Visiting Scholar (2021-2022) at Simon Fraser University. Her book, Moving Archives, won the Gabrielle Roy Prize in English (2020) and her podcast, Getting Lit With Linda, won in the category of Outstanding Education Series in the 2022 Canadian Podcast awards. Getting Lit With Linda is entering its 5th season.

'The archive is messy and so are we': Decoding the Women and Words Collection

The SpokenWeb Podcast

04/04/22 • 46 min

Simon Fraser University's Special Collections and Rare Books holds the rich Women and Words Collection, which contains more than one hundred recordings from the Women and Words Conference in 1983, a decade of WestWord writing retreats and workshops, and a number of other readings, meetings, workshops, and events. Although the audio in this collection has a significant paper archive to accompany it, the absence of pre-existing metadata made it difficult to identify the recordings. This episode is framed by how two research assistants, Kandice Sharren and Kate Moffatt, encountered the collection—one physically, in the archive, and the other solely with digitized audio recordings and scanned print materials—and takes us behind the scenes of their work to make sense of both its depths and the Women and Words Society’s history.

Special thanks to Tony Power, librarian and curator of the Contemporary Literature Collection at Simon Fraser University, and to SFU's Special Collections and Rare Books.

SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.

Episode Producers:

Kate Moffatt is an incoming PhD student in English at Simon Fraser University. Her research interests lie primarily with women's book history and women's writing of the Romantic period. She brings a keen interest in the digital humanities, book and literary history, and archives and archival practices to her work as a Research Assistant for SpokenWeb.

Kandice Sharren is a postdoctoral research fellow at the National University of Ireland, Galway. Her research focuses on print culture of the Romantic period, and she brings her experience with digital humanities, archival research, and book history to the SpokenWeb project.

Citations:

Beverly, Andrea. “Traces of a Feminist Literary Event.” CanLit Across Media, MQUP, 2019, p. 221, https://doi.org/10.2307/j.ctvscxtkg.15.

"Castor Wheel Pivot." Blue Dot Sessions. Accessed 2 April 2022. https://app.sessions.blue/browse/track/100713

"Dust Digger." Blue Dot Sessions. Accessed 27 March 2022. https://app.sessions.blue/browse/track/99584.

"Flipping through a book." Free Sound. Accessed 2 April 2022. https://freesound.org/people/Zeinel/sounds/483364/

Heavenly choir singing sound, "Ahhh." Free Sound. Accessed 2 April 2022. https://freesound.org/people/random_intruder/sounds/392172/

"Palms Down." Blue Dot Sessions. Accessed 15 March 2022. https://app.sessions.blue/browse/track/96905

"Record Scratch." Free Sound. Accessed 2 April 2022. https://freesound.org/people/simkiott/sounds/43404/

Rooney, Frances. "activist; Gloria Greenfield." Section15, 22 May 1998. Accessed 31 March 2022. http://section15.ca/features/people/1998/05/22/gloria_greenfield/.

Academics on Air

The SpokenWeb Podcast

05/02/22 • 50 min

In the early 1980s, the University of Alberta funded a series of experimental literary radio programs, which were broadcast across the province on the CKUA community radio network. At the time, CKUA station had just been resurrected through a deal with ACCESS and was eager for educational programming. Enter host and producer Jars Balan – then a masters student in the English department with limited radio experience. For five years, Balan produced three radio series, Voiceprint, Celebrations, and Paper Tygers, which explored the intersection of language, literature, and culture, and he interviewed some of the biggest names in the Canadian literary scene, including Margaret Atwood, Maria Campbell, Robert Kroetsch, Robertson Davies, and many others.

This episode is framed as a “celebration” of those heady days of college radio in the early 80s. In it, clips from Jars’s radio programs, recovered from the University of Alberta Archives, supplement interviews with Balan and audio engineer Terri Wynnyk. Special tribute will be given to the recently departed Western Canadian poets Doug Barbour and Phyllis Webb through the inclusion of their in-studio performances recorded for Balan’s own Celebrations series. By looking back on the pioneering days of campus radio, this episode sheds light on the current moment in scholarly podcasting and how the genre is being resurrected and reimagined by a new generation of “academics on air.”

Special thanks to Arianne Smith-Piquette from CKUA and Marissa Fraser from UAlberta's Archives and Special Collections, and to SpokenWeb Alberta researcher Zachary Morrison, who worked behind the scenes on this episode.

Episode Producers:

Ariel Kroon is a recent graduate of U of A. Her PhD thesis studied narratives of crisis in Canadian post-apocalyptic science fiction from 1948-1989, and what contemporary Canadians can learn from them. She is interested in the ways that the attitudes of the past shape our future-oriented imaginaries and actions in the present. She has published in SFRA Review and The Goose, and is currently a non-fiction editor at Solarpunk Magazine. Research interests of hers include post-humanist feminist theory and philosophy, ecocriticism, and solarpunk. Connect with her on YouTube, at

ShortCuts Live! Talking with Faith Paré about the Atwater Poetry Project Archives

The SpokenWeb Podcast

02/20/23 • 26 min

SUMMARY

This month, ShortCuts presents another episode of ShortCuts Live! This month’s episode was recorded as a live conversation on Zoom with the current curator of the Atwater Poetry Project, Faith Paré. As a former SpokenWeb undergraduate RA, Faith’s SpokenWeb contributions have included editorial and curatorial work on Desire Lines; an interview with Kaie Kellough on SPOKENWEBLOG; performing as a spoken word poet in Black Writers Out Loud; leading a virtual listening practice on Black noise; and a reading at SpokenWeb’s “Sounding Undernames” at Blue Metropolis. This is all to say that she had a wealth of experience to draw upon when, as a curator, she was handed a folder of recordings.

How to reactivate the archival past of a reading series while at the same time looking ahead? What is it like to curate the past and future of a reading series? Find out by listening to ShortCuts Live! A conversation with Katherine McLeod and Faith Paré about the Atwater Poetry Project archives.

EPISODE NOTES

A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode. If you are a SpokenWeb RA with an archival clip to feature on ShortCuts, do write to us at [email protected] with your pitch.

Host and Series Producer: Katherine McLeod

Supervising Producer: Kate Moffatt

Audio Engineer / Sound Designer: Miranda Eastwood

Production Manager and Transcriber: Zoe Mix

SHOW NOTES

The Atwater Poetry Project, https://www.atwaterlibrary.ca/events/atwater-poetry-project/

“Performing the Atwater Poetry Project Archives, guest curated by Katherine McLeod and Klara du Plessis, featuring the sounds of poets from the APP archives,” 20 February 2023, https://spokenweb.ca/events/performing-the-atwater-poetry-project-archive/

ShortCuts Live! A Magical Audio Tour with Jennifer Waits

The SpokenWeb Podcast

11/20/23 • 18 min

This ShortCuts presents the first of many conversations recorded at the University of Alberta as part of the 2023 SpokenWeb Symposium. Recorded on site by SpokenWeb’s Kate Moffatt and Miranda Eastwood, the conversations often took place in spaces where the sonic environment of the symposium is audibly present. As always on ShortCuts, we begin with an audio clip from the archives, but this time the interviewees are the ones bringing an archival sound to the table. What will we hear? And where will these sounds take us? Join us for this ShortCuts Live in which a conversation with Jennifer Waits that takes us on a magical audio tour into the sounds of campus radio stations.

Host and Series Producer: Katherine McLeod

Supervising Producer: Maia Harris

Sound Design: James Healey

Transcription: Zoe Mix

ARCHIVAL AUDIO

Archival audio excerpted from this episode of Radio Survivor:

https://www.radiosurvivor.com/2015/11/podcast-22-were-all-moving-to-the-fm-dial-now/

Blog post with photographs from Jennifer Waits’s tour of Radio K:

https://www.radiosurvivor.com/2015/10/my-grand-tour-of-college-radio-station-radio-k/

A past Radio Survivor episode featuring SpokenWeb:

https://www.radiosurvivor.com/2021/02/podcast-284-spokenweb-and-literary-sound/

SPECIAL GUESTS

Jennifer Waits (interviewee) is the co-founder of Radio Survivor and Radio Survivor’s College Radio and Culture Editor and Social Media Director. Jennifer is also the Founder and Editor of SpinningIndie, a website devoted to the culture of college radio. She’s worked in college radio at 4 different stations (off and on) since 1986 and is currently a DJ at KFJC 89.7FM in Los Altos Hills, California. Jennifer has a Master’s degree in Popular Culture Studies and has written about radio, music, youth culture, and pop culture for a number of publications and websites, including Radio World, PopMatters, the scholarly Radio Journal, youth culture blog Ypulse, beloved teen mag Sassy, and music site Uplister.

Kate Moffatt (interviewer) is a PhD student in the Department of English at Simon Fraser University. Her research interests include British Romanticism, women’s authorship, walking and pedestrianism, and print culture. She is the former supervising producer of The SpokenWeb Podcast, and she is the current co-host of The WPHP Monthly Mercury podcast.

Sounds [ShortCuts]

The SpokenWeb Podcast

10/18/21 • 11 min

ShortCuts is back! Season Three of ShortCuts begins with a listening exercise. We attune our ears to what it sounds like and feels like to hear archival clips ‘cut’ out of context. Join ShortCuts producer Katherine McLeod in this exploration of the sonic and affective place-making of ShortCuts as podcast. What kind of creative and critical work can these archival sounds do? On their own, or together as an archival remix?

Producer: Katherine McLeod

Host: Hannah McGregor

Supervising Producer: Judith Burr

Audio Excerpted

Voices heard in this episode: Katherine McLeod, Tanya Davis, Ali Barillaro, Muriel Rukeyser, Margaret Avison, Stephanie Bolster, Barbara Nickel, Mathieu Aubin, Dionne Brand, Alexei Perry Cox and Isla, and Phyllis Webb.

All audio has been played on previous ShortCuts on The SpokenWeb Podcast.

Try listening to this episode first without knowing whose voices you are hearing. Afterwards, explore the audio that caught your attention. Use the transcript to find the ShortCuts episode that the audio is clipped from, and there you will find the original audio sources listed in the show notes. For a full transcript of this episode, check out the link above.

The Serendipitous Headlight 24

The SpokenWeb Podcast

08/07/23 • 39 min

SUMMARY

“Though staff turnaround is a challenge for student-run publications, community support remains when people love it. Let’s revive the love for Headlight.”

This was the sign-off of an application for managing editor for Headlight, Concordia University’s graduate student-run literary journal. Carlos A. Pittella’s application was accepted shortly after—along with Sherine Elbanhawy’s application for co-managing editor—and the 24th edition of Headlight was put into motion.

This episode is a behind-the-scenes look at Headlight 24, and an exploration of what happens when print publication meets audio production. Diving into a host of recordings made along the way, the episode revisits readings from authors featured in Headlight 24, as well as recordings from the journal’s launch at the De Stiil bookstore in Montreal. Also featured is a roundtable conversation with the editorial team—Carlos A. Pittella, Sherine Elbanhawy, Alex Affonso, Ariella Ruby, Olive Andrews, and Miranda Eastwood—as they revisit the challenges faced in reviving the journal following pandemic restrictions, as well as the exciting new directions embraced by this year’s team.

Headlight 24 will host the second part of their launch at the 4th SPACE at Concordia University, August 31st, at 2pm. We hope to see you there!

EPISODE NOTES

Host: Katherine McLeod

Supervising Producer: Kate Moffatt

Audio Engineer / Sound Designer: Miranda Eastwood

Transcription: Zoe Mix

FEATURED READINGS

Bandukwala, Manahil. "Turning Twenty-Four on the Rise of the Sturgeon Moon". Headlight 24, 2023.

Solomon, Misha. "Tubes". Headlight 24, 2023.

Mazur, Ari. "A&W". Headlight 24, 2023.

O'Farrell, Paz. "I don't even know what to do about all this". Headlight 24, 2023.

Palmer, Jade. "Onyx and Rose Gold". Headlight 24, 2023.

Trudel, Nadia. "Goblin". Headlight 24, 2023.

Cirignano, Sophia. "Giverny". Headlight 24, 2023.

Wayland, Tina. "The Tending of Small Gardens". Headlight 24, 2023.

Welcome to Season 4!

The SpokenWeb Podcast

09/19/22 • 3 min

Hello and welcome to another season of The SpokenWeb Podcast! We’re back with a new line-up of exciting episodes created by researchers across the SpokenWeb network. The SpokenWeb Podcast asks, “What does literature sound like? What stories do we hear when we listen to the archive?” In this season, we have episodes that dive into the lives of archival objects—university poetry events—what it means to read an audiobook—and so much more. This season has something for everyone from lovers of literature and history to sound studies scholars, so come and join us as we continue listening to literature and the archives.

We would love to hear your reactions and ideas to our stories. If you appreciate the podcast, leave us a rating and a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.

Episode Producers:

Kate Moffatt is a PhD student in the Department of English at Simon Fraser University. Her research focuses on eighteenth- and nineteenth-century women’s book history, and women in the book trades and book trade archives. In addition to being the supervising producer of The SpokenWeb Podcast, she also produces The WPHP Monthly Mercury podcast for the Women's Print History Project.

Miranda Eastwood is a Montreal-based transmedia artist studying towards their master’s degree in English Literature and Creative Writing at Concordia University. Focused on sound design, they are developing a radio drama for their thesis, and is the audio engineer for the SpokenWeb Podcast.

Hannah McGregor is an Assistant Professor of Publishing at Simon Fraser University, where her research focuses on podcasting as scholarly communication, systemic barriers to access in the Canadian publishing industry, and magazines as middlebrow media. She is the co-creator of Witch, Please, a feminist podcast on the Harry Potter world, and the creator of the podcast Secret Feminist Agenda. She is also the co-editor of the book Refuse: CanLit in Ruins (Book*hug 2018).

Katherine McLeod @kathmcleod researches archives, performance, and poetry. She has co-edited the collection CanLit Across Media: Unarchiving the Literary Event (with Jason Camlot, McGill-Queen’s University Press, 2019). She is writing a monograph (under contract with Wilfrid Laurier University Press) that is a feminist listening to recordings of women poets reading on CBC Radio. She was the 2020-2021 Researcher-in-Residence at the Concordia University Library and, at present, she is an affiliated researcher with SpokenWeb at Concordia, where she is the principal investigator of her SSHRC Insight Development Grant, “Literary Radio: New Approaches to Audio Research” (2021-2023).

Listening in Uncertainty

The SpokenWeb Podcast

11/06/23 • 45 min

This episode navigates this question using an associative method which links stories and sounds, forming a non-linear audio collage. Listeners are invited to tune in to their affective and embodied responses to end time stories including Lulu Miller’s podcast and Kiyoshi Kurosawa’s horror film, and stories of endurance, with Kathy Jetñil-Kijiner’s poem and Tanya Tagaq’s audiobook.

Nadège Paquette (she/they) is a white settler living in Tiotià:ke/Montréal, on the lands and waters of the Kanien’kehá:ka Nation, where they are completing a master’s degree in English Literature at Concordia University. Their research interests aggregate around the relationship between human and nonhuman forms of life and nonlife. They are drawn to narratives of the future extrapolating present troubles and delving into already-existing Indigenous, decolonial, queer, and non-anthropocentric alternatives to a colonial and capitalist world. For them, some of those alternative worlds take the form of collective gardens where they love to work with plants, soil, water, animal, and human neighbors.

Show Notes

Music:

Tom Bonheur https://www.instagram.com/dj.g3ntil/

Kovd, Kvelden, Tell What You Know, Ivory Pillow, and Fever Creep by Blue Dot Sessions https://app.sessions.blue/

Podcast:

“The Wordless Place” Lulu Miller https://radiolab.org/podcast/wordless-place

“Why Podcast?” Hannah McGregor and Stacey Copeland https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.html

Short Film:

Anointed, Kathy Jetñil-Kijiner and Dan Lin https://www.kathyjetnilkijiner.com/videos-featuring-kathy/

Film:

Pulse, Kiyoshi Kurosawa

Additional sounds from:

“Interview with Tanya Tagaq,” Alicia Atout https://www.youtube.com/watch?v=FupatQbcTeM

“Open Dialogues: Daniel Heath Justice,” Centre for Teaching, Learning, and Technology https://www.youtube.com/watch?v=VrBN8_IGuuw

“Monster 怪物,” United for Peace Film Festival https://www.youtube.com/watch?v=m8OJulGi1Rg

Works Cited

Bouich, Abdenour. 2021. “Coeval Worlds, Alter/Native Words.” Transmotion 7 (2). https://doi.org/10.22024/UniKent/03/tm.980.

Butler, Judith. 2003. “Violence, Mourning, Politics.” Studies in Gender and Sexuality 4 (1): 9–37. https://doi.org/10.1080/15240650409349213.

Chion, Michel. 2017. L’audio-Vision : Son et Image Au Cinéma. 4th Edition. Armand Colin.

Copeland, Stacey, and Hannah McGregor. 2022. Why Podcast?: Podcasting as Publishing, Sound-Based Scholarship, and Making Podcasts Count. Vol. 27, no. 1. Kairos: A Journal of Rhetoric, Technology, and Pedagogy. https://kairos.technorhetoric.net/27.1/topoi/mcgregor-copeland/index.html.

Eidsheim, Nina Sun. 2019. “Introduction: The Acousmatic Question: Who Is This?” In The Race of Sound, 1–38. Listening, Timbre, and Vocality in African American Music. Duke University Press. https://doi.org/10.2307/j.ctv11hpntq.4.

Goodman, Steve. 2010. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Technologies of lived abstraction. Cambridge, Massachusetts: The MIT Press. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018751433&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. North Carolina, United States: Duke University Press.

Hudson, Seán. 2018. “A Queer Aesthetic: Identity in Kurosawa Kiyoshi’s Horror Films.” Film-Philosophy 22 (3): 448–64. https://doi.org/10.3366/film.2018.0089.

JLiat. 1954. Bravo. Found Sounds. Bikini Atoll. http://jliat.com/.

Justice, Daniel Heath. 2018. Why Indigenous Literatures Matter. Wilfrid Laurier University Press.

Kurosawa, Kiyoshi, dir. 2001. Pulse. Toho Co., Ltd.

Lamb, David Michael. 2015. “Clyde River, Nunavut, Takes on Oil Indsutry over Seismic Testing.” CBC. March 30, 2015. https://www.cbc.ca/news/canada/north/clyde-river-nunavut-takes-on-oil-industry-over-seismic-testing-1.3014742.

Lin, Dan, and Kathy Jetnil-Kijiner, dirs. 2018. Anointed. Pacific Storytellers Cooperative. https://www.youtube.com/watch?v=hEVpExaY2Fs.

Madwar, Samia. 2016. “Breaking The Silence.” Text/html. Up Here Publishing. uphere. Https://uphere.ca/articles/breaking-silence. 2016. https://uphere.ca/articles/breaking-silence.

Miller, Lulu. 2022. “The Wordless Place.”...

As It Is or As It Was: Translating “The Ruin” Poem

The SpokenWeb Podcast

10/02/23 • 49 min

Ghislaine Comeau is a PhD student in the English department at Concordia University. Her SSHRC funded doctoral project, inspired by the recent Global Middle Ages movement, focuses on re-examining texts from the early medieval period to further investigate direct references and allusions to “Saracens.” In addition to her more “traditional” approaches to scholarly work, she has recently discovered that she has a great appreciation for and desire to consume and produce research-creation projects that can serve a wider audience – popular or pedagogical.

Works Cited / Featured Audio

Creed, Robert Payson. “The Ruin (Modern English).” YouTube, uploaded by YouTube and provided by Smithsonian Folkways Recordings, 30 May 2015. https://www.youtube.com/watch?v=1CSWnfuyzyM .

Cronan, Dennis. “Cædmon’s Audience.” Studies in Philology, vol. 109, no. 4, 2012, p 336. DOI: https://doi.org/10.1353/sip.2012.0028.

The Fyrdsman. “Anglo-Saxon Poetry: The Ruin (Reading).” YouTube, uploaded by thefyrdsman9590, 9 Nov. 2022, https://www.youtube.com/watch?v=8FRRny7oyLg&t=318s .

Hammill, Peter. “Imperial Walls (2006 Digital Remaster).” YouTube, uploaded by YouTube and provided by Universal Music Group, 24 Aug. 2018, https://www.youtube.com/watch?v=W0KW9CMFC_E .

Magennis, Hugh. “Chapter 1 Approaching Anglo-Saxon Literature.” The Cambridge Introduction to Anglo-Saxon Literature, Cambridge UP, 2011, pp. 1-35.

Raffel, Burton. “The Ruin (Old English).” YouTube, uploaded by YouTube and provided by Smithsonian Folkways Recordings, 30 May 2015. https://www.youtube.com/watch?v=M-dtP_73WTs&t=110s .

Smith, Mark M. “Echo.” Keywords in Sound, edited by David Novak and Matt Sakakeeny, Duke UP, 2015, pp. 55-64.

Silence is Leaden. “The Ruin: An Anglo-Saxon Poem.” YouTube, uploaded by silenceisleaden188, 20 Jan. 2021, https://www.youtube.com/watch?v=D68n9F8Yozc&t=25s .

Staniforth, Daniel (aka Luna Trick). “The Ruin.” YouTube, uploaded by lunatrick7098, 28 Jun. 2010, https://www.youtube.com/watch?v=-IIoZfOR5MQ .

Show more best episodes

FAQ

How many episodes does The SpokenWeb Podcast have?

The SpokenWeb Podcast currently has 101 episodes available.

What topics does The SpokenWeb Podcast cover?

The podcast is about Poetry, Literature, Podcasts, Books, Arts and Performing Arts.

What is the most popular episode on The SpokenWeb Podcast?

The episode title 'Communal Listening [ShortCuts]' is the most popular.

What is the average episode length on The SpokenWeb Podcast?

The average episode length on The SpokenWeb Podcast is 34 minutes.

How often are episodes of The SpokenWeb Podcast released?

Episodes of The SpokenWeb Podcast are typically released every 14 days.

When was the first episode of The SpokenWeb Podcast?

The first episode of The SpokenWeb Podcast was released on Sep 19, 2019.

Show more FAQ

The SpokenWeb Podcast

SpokenWeb

Top 10 The SpokenWeb Podcast Episodes

FAQ

How many episodes does The SpokenWeb Podcast have?

What topics does The SpokenWeb Podcast cover?

What is the most popular episode on The SpokenWeb Podcast?

What is the average episode length on The SpokenWeb Podcast?

How often are episodes of The SpokenWeb Podcast released?

When was the first episode of The SpokenWeb Podcast?

Comments