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The Sound and Music Podcast - Queerness (Reeta Loi, Michael Wolters, Maya-Leigh Rosenwasser) | Ep.8

Queerness (Reeta Loi, Michael Wolters, Maya-Leigh Rosenwasser) | Ep.8

08/27/21 • 35 min

The Sound and Music Podcast

Composers Reeta Loi, Michael Wolters and Maya-Leigh Rosenwasser share their music and thoughts exploring queerness in music. What does it mean to be a queer composer today, and is there such a thing as queer music?

From the playful to the divine, we listen to a drag character lost in space, gender-bending tracks, and work that plays with failure as a creative starting point. Join our CEO Susanna Eastburn MBE and composer/researcher Ruari Paterson-Achenbach for a unique insight into composing.

Our recommendation at the end is for the creative collective the mermaid café (Joanna Ward and Ruari Paterson-Achenbach)

In this episode, you listened to the following music and sounds:

Reeta Loi

  • Unki Yaad (2018), from Ek EP
  • Founder (unreleased) by Reeta Loi
  • Taken (unreleased), by Reeta Loi and James Perera – to be released in Autumn 2021

Michael Wolters

Maya-Leigh Rosenwasser

  • Bibliography and smash bros (2020), by flxnflx, a lockdown collaboration between Maya-Leigh and James McIlwrath
  • Attack (2018), by Equinox, which is Maya-Leigh Rosenwasser, Taner Kemirtlek and George Kypridemos

This podcast was produced by Michael Umney (Resonance FM) and mixed by Chris Bartholomew, with the theme tune composed by Rob Bentall.

Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.

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Composers Reeta Loi, Michael Wolters and Maya-Leigh Rosenwasser share their music and thoughts exploring queerness in music. What does it mean to be a queer composer today, and is there such a thing as queer music?

From the playful to the divine, we listen to a drag character lost in space, gender-bending tracks, and work that plays with failure as a creative starting point. Join our CEO Susanna Eastburn MBE and composer/researcher Ruari Paterson-Achenbach for a unique insight into composing.

Our recommendation at the end is for the creative collective the mermaid café (Joanna Ward and Ruari Paterson-Achenbach)

In this episode, you listened to the following music and sounds:

Reeta Loi

  • Unki Yaad (2018), from Ek EP
  • Founder (unreleased) by Reeta Loi
  • Taken (unreleased), by Reeta Loi and James Perera – to be released in Autumn 2021

Michael Wolters

Maya-Leigh Rosenwasser

  • Bibliography and smash bros (2020), by flxnflx, a lockdown collaboration between Maya-Leigh and James McIlwrath
  • Attack (2018), by Equinox, which is Maya-Leigh Rosenwasser, Taner Kemirtlek and George Kypridemos

This podcast was produced by Michael Umney (Resonance FM) and mixed by Chris Bartholomew, with the theme tune composed by Rob Bentall.

Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.

Previous Episode

undefined - Distractions (Neil Luck, India Jordan, David Austin Grey) | Ep.7

Distractions (Neil Luck, India Jordan, David Austin Grey) | Ep.7

Composers Neil Luck, India Jordan and David Austin Grey share their music and thoughts on the place of distractions in the process of creating music – are distractions bad or are they necessary? We listen to the sounds of a dream, hear the power of music to heal, and dive into what it means to create music during lockdown. Join our CEO Susanna Eastburn MBE and writer Will Eaves for a unique insight into composing.

Our recommendation at the end is the album Watch Out! by India Jordan.

In this episode, you listened to the following music and sounds:

Neil Luck

India Jordan

  • Dear Nan King and Emotional Melodical (2020) from the album For You released by Local Action Records
  • And Groove and Feierabend (2021) from the album Watch Out! released by Ninjatune in May 2021

David Austin Grey

  • Over Seas and Out of Reach (2020), a commission by Stoney Lane Records, performed by David Austin Grey (piano, electronics), Mike Fletcher (clarinet, flute) and David Duffy (double bass, electric bass)
  • A Dark Place to Nest (2019), a work developed at Snape Maltings

Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.

This podcast was produced by Michael Umney (Resonance FM) and mixed by Chris Bartholomew, with our theme tune composed by Rob Bentall.

Next Episode

undefined - Climate: Emergency (Daniel Kidane, Clarice Assad, Lei Liang, Evelien van den Broek) | Ep.9

Climate: Emergency (Daniel Kidane, Clarice Assad, Lei Liang, Evelien van den Broek) | Ep.9

Composers Daniel Kidane, Clarice Assad, Lei Liang and Evelien van den Broek share their music and thoughts exploring the climate emergency in music. What does it mean to be a composer in times of a climate crisis? How does our awareness of the crisis enter our work, and how do we find meaning in our work in these times?

From exploring cultural belonging and understanding our place on this planet through myth to the imperative of artists to be good storytellers, we listen to field recordings of extinct species and vanishing rainforests and music that reflects and inspires. Join our CEO Susanna Eastburn MBE and composer Des Oliver for a unique insight into composing.

This episode features a reading of John Agard’s poem Inheritance (© John Agard 2015 and reproduced by kind permission of John Agard c/o Caroline Sheldon Literary Agency Ltd)

Our recommendation at the end is for Music Declares Emergency (https://musicdeclares.net/)

In this episode, you listened to the following music and sounds:

Daniel Kidane

Clarice Assad

Lei Liang

Evelien van den Broek

  • Endlings (2020), the album version of Biophonica, a stage work exploring biodiversity loss with Mark Nieuwenhuis, available on Bandcamp

This podcast was produced by Michael Umney (Resonance FM) and mixed by Chris Bartholomew, with the theme tune composed by Rob Bentall.

Our heartfelt thanks to the record labels, performers, composers and organisations who allowed us to include excerpts of these recordings on the podcast.

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