The Second Muse

In this last episode of Season Two, Drew Miller asks three questions of the Rabbit Room staff: How did you listen to music growing up and how have your listening habits changed? What is your advice for becoming a better listener? And who are some artists you're listening to right now?

You'll hear the voices of Andrew Peterson, Pete Peterson, Jennifer Trafton, Chris Thiessen, Leslie Thompson, and Shigé Clark as they share about their personal relationship to music.

This episode was inspired by a blog series at the Rabbit Room called The Lost Art of Listening, which examined how the streaming era has forever changed the way we listen, for better and for worse.

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In this second-to-last episode of Season 2, Andrew Osenga joins the podcast to interview Drew Miller and Evan Redwine about Drew’s song “Death of a Dream.” They speculate on what precisely the dreams are that died and how this song and its accompanying Desolation and Consolation EPs came about. Then they geek out about how Evan played Pro Tools plug-ins like instruments to achieve that spooky, decaying sort of sound that defines “Death of a Dream.”

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Drew Miller talks with Taylor Leonhardt and Lucas Morton about the making of Taylor's new song "Hold Still" from her upcoming album. They discuss Taylor’s quest to dig deeper into the songwriting process for her second album, songs as streams of water always seeking new spaces to fill, and the imperfect magic of recording an album live in the room with other musicians.

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Drew Miller talks with Don Chaffer about the song "Be Invisible" from his musical, The (Almost) Unforgettable Edwin Booth. They discuss the creativity to be found in the “fenced-in areas” of musical theater, the magic of seeing so many people bring your work to life on stage, and art as a way of practicing empathy.

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Drew Miller talks with Ella Mine and Evan Redwine about the making of Ella's song, "Sound & Fury." They discuss Ella’s process of discerning how to tell such a personal story in the form of a concept album, the integral role of Shakespeare in “Sound & Fury,” and the tricky process of faithfully adapting a live performance into a crystallized record.

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