
Cate Pisaroni — Reimagining How We Connect Artists with Audiences
03/20/25 • 32 min
What happens when arts marketers get caught in a loop of generic language like "spellbinding performances" and "timeless classics"? Cate Pisaroni, founder of Lenny's Studio and representative for artists like Joyce DiDonato, Ailyn Pérez, Christian Van Horn, Quinn Kelsey, Stephen Costello, Evan Rogister and many more offers a refreshingly honest take on where arts marketing falls short – and how we can take it to the next level.
Cate brings a wealth of experience to this conversation, sharing how meaningful content emerges when marketers step outside of their silos and immerse themselves in the artistic process. "I feel sometimes the repertoire is so vast and there's so much amazing music... we all benefit from being part of the process and learning more about them," she explains. This philosophy drives her approach to helping classical artists connect authentically with audiences.
The discussion reveals Cate's innovative marketing strategies, including the creation of the Liedstadt Festival, a festival she co-founded alongside tenor Julian Prégardien and musician-project designer Kian Jazdi. Liedstadt is a celebration of song that launched without a marketing budget, yet it managed to flood Hamburg with 56 concerts across 15 venues in a single day. By bringing performances to non-traditional spaces like bars, hospitals, and libraries, they removed barriers of intimidation and drew in younger audiences eager to experience classical music in accessible 20-minute segments.
Beyond event marketing, Cate shares insights on what makes compelling visual communication, from concert posters that capture the spirit of a performance through thoughtful imagery and typography, to social media strategies that balance curation with spontaneity. Her advice on influencer collaborations emphasizes genuine connection over transactional relationships, while her thoughts on community engagement challenge organizations to reimagine how audiences experience performances.
Whether you're a marketer, artist, or arts administrator, Cate's candid perspective offers practical wisdom for creating more authentic, engaging connections with audiences. Her parting advice? "Trust your intuition more, because it's one of the things that is underestimated."
All episodes are also available in video form on our YouTube Channel. All episodes are hosted by Elizabeth (Lizzie) Bowman.
Don’t forget to subscribe, share the love, and leave us a review to show your support—it means a lot to us!
Don't hesitate to reach out to us with guest ideas, information you'd like covered, or any ideas you might have—the hope is for this to be a continuous resource and dialogue with our listeners.
Visit TheSceneRoom.com for more information.
What happens when arts marketers get caught in a loop of generic language like "spellbinding performances" and "timeless classics"? Cate Pisaroni, founder of Lenny's Studio and representative for artists like Joyce DiDonato, Ailyn Pérez, Christian Van Horn, Quinn Kelsey, Stephen Costello, Evan Rogister and many more offers a refreshingly honest take on where arts marketing falls short – and how we can take it to the next level.
Cate brings a wealth of experience to this conversation, sharing how meaningful content emerges when marketers step outside of their silos and immerse themselves in the artistic process. "I feel sometimes the repertoire is so vast and there's so much amazing music... we all benefit from being part of the process and learning more about them," she explains. This philosophy drives her approach to helping classical artists connect authentically with audiences.
The discussion reveals Cate's innovative marketing strategies, including the creation of the Liedstadt Festival, a festival she co-founded alongside tenor Julian Prégardien and musician-project designer Kian Jazdi. Liedstadt is a celebration of song that launched without a marketing budget, yet it managed to flood Hamburg with 56 concerts across 15 venues in a single day. By bringing performances to non-traditional spaces like bars, hospitals, and libraries, they removed barriers of intimidation and drew in younger audiences eager to experience classical music in accessible 20-minute segments.
Beyond event marketing, Cate shares insights on what makes compelling visual communication, from concert posters that capture the spirit of a performance through thoughtful imagery and typography, to social media strategies that balance curation with spontaneity. Her advice on influencer collaborations emphasizes genuine connection over transactional relationships, while her thoughts on community engagement challenge organizations to reimagine how audiences experience performances.
Whether you're a marketer, artist, or arts administrator, Cate's candid perspective offers practical wisdom for creating more authentic, engaging connections with audiences. Her parting advice? "Trust your intuition more, because it's one of the things that is underestimated."
All episodes are also available in video form on our YouTube Channel. All episodes are hosted by Elizabeth (Lizzie) Bowman.
Don’t forget to subscribe, share the love, and leave us a review to show your support—it means a lot to us!
Don't hesitate to reach out to us with guest ideas, information you'd like covered, or any ideas you might have—the hope is for this to be a continuous resource and dialogue with our listeners.
Visit TheSceneRoom.com for more information.
Previous Episode

Alex Sarian — Relevance and Leadership in the Arts
Join us as we sit down with Alex Sarian, bestselling author of The Audacity of Relevance and President and CEO of Calgary's Arts Commons. Sarian’s innovative approach to cultural leadership has not only transformed Calgary’s Arts Commons but also unlocked over $500 million in funding, reshaping cultural leadership across Canada. This marks the largest cultural infrastructure project in Canadian history.
In this episode, Sarian shares how he leads Arts Commons with a focus on community engagement and a service-oriented leadership model. Learn how his visionary approach has aligned Arts Commons’ success with Calgary’s civic ambitions, reducing government dependency through a social enterprise model.
Sarian also challenges conventional thinking on audience development, arguing that programming relevance must come before ticket price adjustments to truly build value. He reveals how arts organizations can achieve both relevance and financial sustainability by focusing on the needs of their communities.
Throughout the conversation, one key question emerges as central to Sarian’s success: “What does the world need right now that we are uniquely positioned to do?” Discover how this guiding principle has transformed fundraising, programming, and the cultural landscape at Arts Commons.
*Correction: Lizzie says in the video introduction that Sarian is a New York Times bestselling author — while we think he should be, he's a nationally bestselling author. So, here she is manifesting...so, go buy his book!
photo credit: Jeremy Fokkens
All episodes are also available in video form on our YouTube Channel. All episodes are hosted by Elizabeth (Lizzie) Bowman.
Don’t forget to subscribe, share the love, and leave us a review to show your support—it means a lot to us!
Don't hesitate to reach out to us with guest ideas, information you'd like covered, or any ideas you might have—the hope is for this to be a continuous resource and dialogue with our listeners.
Visit TheSceneRoom.com for more information.
Next Episode

Aubrey Bergauer — Running Your Arts Organization Like a Business
Imagine doubling your audience size and quadrupling your donor base in today's challenging arts landscape. That's exactly what Aubrey Bergauer accomplished at the California Symphony by applying business principles to arts administration — and now she's sharing her playbook with us. Her bestselling book, Run It Like a Business, packs all these insights into one powerful guide!
Aubrey's journey into arts administration began at the age of 16 when she realized there were careers beyond performance in the orchestra world. Twenty years later, she's revolutionizing how arts organizations approach audience development through data-driven strategies that yield remarkable results.
The conversation illuminates why classical music organizations must pivot toward audience-centric approaches. With declining arts education creating knowledge gaps, Aubrey explains that we can no longer assume audiences understand programming terminology or composer backgrounds. Rather than expecting potential attendees to educate themselves, successful organizations proactively provide context and entry points.
Perhaps most revealing is Aubrey's insight that arts organizations don't have a new audience problem — they have a retention problem. When up to 90% of first-time attendees never return, the focus must shift to creating meaningful experiences that convert first-timers into regulars. Equally important is giving special attention to first-year subscribers, whose renewal rates typically lag significantly behind long-term subscribers.
Vertical integration emerges as another powerful strategy, with adult education representing a particularly promising opportunity. By offering education programs, organizations can generate new revenue while simultaneously deepening audience engagement and creating more invested patrons who are likely to become donors.
For digital content, Aubrey recommends against seeing streaming as a substitute for live performance. Instead, she advocates using digital "appetizers" that stimulate interest and drive in-person attendance - what she calls "digital content driving analog purchases."
Whether you're a marketer, fundraiser, or arts leader, Aubrey's practical strategies offer a roadmap for sustainability and growth in today's challenging landscape. Her message is clear: combine artistic excellence with sound business practices, and arts organizations can not only survive but thrive.
All episodes are also available in video form on our YouTube Channel. All episodes are hosted by Elizabeth (Lizzie) Bowman.
Don’t forget to subscribe, share the love, and leave us a review to show your support—it means a lot to us!
Don't hesitate to reach out to us with guest ideas, information you'd like covered, or any ideas you might have—the hope is for this to be a continuous resource and dialogue with our listeners.
Visit TheSceneRoom.com for more information.
The Scene Room - Cate Pisaroni — Reimagining How We Connect Artists with Audiences
Transcript
Hi , I'm Elizabeth Bowman and welcome to the Scene Room . Today I have Cate Pisaroni here . She is the creative director and founder of Lenny's Studio , a company that represents really amazing artists like Joyce DiDonato , christian Van Horn ,
Elizabeth BowmanStephen Costello the list really goes on . Check their website at lennystudio . com .
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