
The Nashville Way
09/07/20 • 45 min
1 Listener
To understand the resegregation of Nashville’s schools, you have to start with understanding desegregation.
In 1954, the famous Brown v. Board decision ruled that segregated schools violated the constitution. But in reality, that decision changed very little in Nashville. Segregation was an architecture, and to pull it apart was a grueling endeavor. White families derailed the process. City officials worked mightily to resist it. And black families sacrificed for it.
In this episode, we’re going back to the early days of this battle for racial equity in the classroom, to the time not that long ago when school desegregation literally blew this city apart.
The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.
To understand the resegregation of Nashville’s schools, you have to start with understanding desegregation.
In 1954, the famous Brown v. Board decision ruled that segregated schools violated the constitution. But in reality, that decision changed very little in Nashville. Segregation was an architecture, and to pull it apart was a grueling endeavor. White families derailed the process. City officials worked mightily to resist it. And black families sacrificed for it.
In this episode, we’re going back to the early days of this battle for racial equity in the classroom, to the time not that long ago when school desegregation literally blew this city apart.
The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.
Previous Episode

A Tale Of Two Schools
At the beginning of the 2019 school year, Principal Ricki Gibbs knew he had a tough job ahead. Warner Elementary in East Nashville had just landed on Tennessee’s list of lowest performing schools. It had lost so many students that it wasn’t even half full. Gibbs was the fourth principal in six years. Yet, he had seemingly unending enthusiasm and a federal magnet grant to boot. He was confident he could turn Warner around.
But what he didn’t anticipate was the neighborhood divide. Warner’s kids are almost all black and most live in poverty, but just about a mile up the road is another public elementary, named Lockeland, whose student body is exactly the opposite. What happens when you have two schools so close together yet so different? And what happens when people in the neighborhood finally start to notice?
Next Episode

The Unraveling
After 43 years of courtroom battles, Nashville's landmark school desegregation lawsuit was settled. In the eyes of the law, the city finally made an honest effort to racially integrate its schools. But in truth, the matter was far from settled.
For the Kelley family, whose son was the case's named plaintiff, being Black in America meant there were battles and sacrifices at every turn — far beyond education. And for Richard Dinkins, the plaintiffs' lawyer, hope was quickly replaced by dismay as he watched decades of work and progress towards school desegregation begin to unravel.
"The settlement was based on mutual promises," Dinkins said. "The city broke the promise."
In this episode, our story about Nashville's fight for school desegregation continues.
The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.
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