
Suzi F. Garcia in Conversation with Joy Harjo
01/11/22 • 34 min
Today on the podcast: Joy Harjo. Harjo is the nation's first Native American poet laureate and a playwright, musician, author, and editor. Not everyone knows that Harjo also started playing saxophone at the age of forty. Today, we have the pleasure of hearing from her new album, I Pray for My Enemies, which features musicians from some of the biggest bands of the nineties grunge scene—including R.E.M., Pearl Jam, and Nirvana. We also spoke with Harjo about her early activism, how she came to befriend Audre Lorde, her obsession with maps, and her new memoir, Poet Warrior. The memoir celebrates the influences that shaped Harjo’s poetry and reckons with the theft of her ancestral homeland. She writes about her sixth-generation grandfather, who survived the Trail of Tears, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member.
Harjo has been creating her own maps for decades—with her poetry, the way she lives in the world, and recently, with the project Living Nations, Living Words, a collaboration with the Library of Congress and her signature project as United States Poet Laureate. It’s an online map where poems by Native Nations poets can be heard. The conversation starts with how Harjo found poetry.
Today on the podcast: Joy Harjo. Harjo is the nation's first Native American poet laureate and a playwright, musician, author, and editor. Not everyone knows that Harjo also started playing saxophone at the age of forty. Today, we have the pleasure of hearing from her new album, I Pray for My Enemies, which features musicians from some of the biggest bands of the nineties grunge scene—including R.E.M., Pearl Jam, and Nirvana. We also spoke with Harjo about her early activism, how she came to befriend Audre Lorde, her obsession with maps, and her new memoir, Poet Warrior. The memoir celebrates the influences that shaped Harjo’s poetry and reckons with the theft of her ancestral homeland. She writes about her sixth-generation grandfather, who survived the Trail of Tears, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member.
Harjo has been creating her own maps for decades—with her poetry, the way she lives in the world, and recently, with the project Living Nations, Living Words, a collaboration with the Library of Congress and her signature project as United States Poet Laureate. It’s an online map where poems by Native Nations poets can be heard. The conversation starts with how Harjo found poetry.
Previous Episode

Suzi F. Garcia in Conversation with Paul Hlava Ceballos
In today’s episode, Suzi F. Garcia sits down with poet Paul Hlava Ceballos to discuss writing against monoculture. They also dig into the history of banana workers in Ecuador, propaganda, and the art of citation. Ceballos reads from his forthcoming book, banana [ ], which includes images and a mix of handwritten and typed text. If you’d like to read along while you listen, excerpts of the book-length poem appear in the December issue of Poetry.
Next Episode

Suzi F. Garcia in Conversation with Kay Ulanday Barrett
This week, Suzi F. Garcia had the honor of speaking with Kay Ulanday Barrett, a self-described queer brown Filipinx disabled transgender boi. Barrett is one of the most generous people we have ever encountered, no doubt due to their commitment to care work—which is another way of saying his commitment to collective survival. Their essay “To Hold the Grief & the Growth: On Crip Ecologies” in the January 2022 issue of Poetry is an absolute must read.
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