The Pitchfork Review

This week we're lending our podcast feed to our friends at WIRED. In this episode of Get WIRED, as protests filled the streets this summer, WIRED Senior Writer Jason Parham went looking for radio broadcasts from 1992, when he watched Los Angeles go up in flames. What he found instead was a trove of broadcasts from throughout his 1990s coming of age, archived by a French YouTuber. Parham goes on to talk with cultural critic Jace Clayton, also known as DJ Rupture, about how the move from analog to digital has changed our relationship to music.

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Host Anna Gaca and Contributing Writers Julianne Escobedo Shepherd and Heven Haile discuss the pop world-builder’s fourth studio album, which abandons their sci-fi past for a more joyous future.

In the latest installment of our year-end podcast coverage, we’re talking about 2020’s best rock and rap albums. Pitchfork Editor Puja Patel is joined by News Editor Evan Minsker, Contributing Editor Jayson Greene, and Staff Writers Alphonse Pierre and Madison Bloom, who argue in favor of their personal favorites, from Yves Tumor and U.S. Girls to Westside Gunn and Jay Electronica. They also get into some broader discussions about the state of the genres more generally, including: Which old heads or new kids ruled rap in 2020? And what does “rock” even mean these days?

Following his recent Sunday Review, longtime contributor Grayson Haver Currin talks to Reviews Director Jeremy D. Larson about the story behind legendary producer Brian Eno’s 1978 touchstone Ambient 1: Music for Airports, the most influential ambient album ever made.
Read Grayson’s Sunday Review of Music for Airports.

Jeremy D. Larson, Julianne Escobedo Shepherd, and Ryan Dombal talk about what made them care about Drake in the first place, why his new album For All the Dogs is so frustratingly mid, and what he should do next. Read Julianne’s review here.