The Parrish Art Museum Podcast - Boom, Mad Money, Mega Dealers, and the Rise of Contemporary Art with author Micheal Shnayerson and Parrish Director Terrie Sultan - 8/1/19

Boom, Mad Money, Mega Dealers, and the Rise of Contemporary Art with author Micheal Shnayerson and Parrish Director Terrie Sultan - 8/1/19

09/03/19 • 53 min

August 1st, 2019

Join a conversation with Shnayerson as he reveals his fascinating insider look at the meteoric rise of the largest unregulated financial market in the world, namely the contemporary art market, and its most powerful dealers, including Arne Glimcher, Iwan Wirth, David Zwirner, and Larry Gagosian.

Our Friday Night programs at the Parrish are made possible, in part, by presenting sponsor Bank of America, with additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.

August 1st, 2019

Our Friday Night programs at the Parrish are made possible, in part, by presenting sponsor Bank of America, with additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.

Previous Episode

The Crisis of Connection with author Pedro A. Noguera and Parrish Director Terrie Sultan - 7/26/19

July 26th, 2019

Terrie Sultan talks with Pedro Noguera about his recent book that explores awareness of our common humanity to bridge political, religious, identity-based, and ideological gaps among individuals and communities. Noguera is a Distinguished Professor of Education at the Graduate School of Education and Information Studies and Faculty Director for the Center for the Transformation of Schools at UCLA.

Our Friday Night programs at the Parrish are made possible, in part, by presenting sponsor Bank of America, with additional support provided by The Corcoran Group and Sandy and Stephen Perlbinder.

Next Episode

Abstract Climates: Helen Frankenthaler in Provincetown Opening Conversations Part 1 - 8/3/19

August 3rd, 2019

Abstract Climates: Helen Frankenthaler in Provincetown highlights key examples of Helen Frankenthaler’s work produced during summers spent in that coastal town and underscores their impact on her development as a painter. Beginning with work from the summer of 1950, the exhibition and accompanying catalogue focus on the artist’s output from the late 1950s through 1971. Abstract Climates illuminates Frankenthaler’s exploration of the relationship between landscape and abstraction, and offers new insights into the major role her work played in the development of Abstract Expressionism in America.