
The Next Picture Show
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Top 10 The Next Picture Show Episodes
Goodpods has curated a list of the 10 best The Next Picture Show episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to The Next Picture Show for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite The Next Picture Show episode by adding your comments to the episode page.

#308: Carnival Games, Pt. 1 — Nightmare Alley (1947)
The Next Picture Show
12/21/21 • 61 min
Guillermo del Toro has emphasized that his new NIGHTMARE ALLEY is not a remake of Edmund Goulding’s 1947 noir of the same name, but rather an attempt to more faithfully adapt the 1946 novel by author William Lindsay Gresham, about a carnival con artist who expands his hustle into spiritualism and subsequently opens himself up to disaster. Nonetheless, this week in preparation of our discussion of del Toro’s NIGHTMARE we’re taking a deeper look at Goulding’s, with an assist from our friend and critic Noel Murray, to see how it follows and diverts from the noir tradition, particularly in its trio of distinctive female characters and performances, and how the morality of its tacked-on ending undercuts its deeper themes. Plus, our recent episode on THE POWER OF THE DOG has inspired a lot of feedback, which we begin digging into with some thoughts on its Hitchcockian and literary connections.
Please share your comments, thoughts, and questions about either version of NIGHTMARE ALLEY, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Outro music: “Carnival Games” by Nelly Furtado
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#425: Playing the Hits, Pt. 1 — The Stunt Man
The Next Picture Show
05/14/24 • 69 min
While there are countless movies featuring the work of stunt performers, movies that center the experiences of those performers are much more rare, which is part of what motivated former stunt performer David Leitch to make the new THE FALL GUY. One of the standouts on that short list is Richard Rush’s 1980 genre oddity THE STUNT MAN, which uses the experience of its accidental-stuntie protagonist to blur the lines between post-Vietnam reality and moviemaking fantasy in fascinating, sometimes confounding ways. We talk through our interpretations of what it means and whether it works, and come to the conclusion that even when it doesn’t, Peter O’Toole’s performance as a diabolical director manages to hold it all together. Then in Feedback, our recent CHALLENGERS episode inspires a couple of listeners to share their alternate pairing ideas.
Please share your comments, thoughts, and questions about THE STUNT MAN, THE FALL GUY, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
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#471: Body By Cronenberg, Pt. 2 — The Shrouds
The Next Picture Show
04/22/25 • 73 min
Over the decades, David Cronenberg has carved a distinctive and provocative filmography out of his interest in human decay and death, up to and including his new THE SHROUDS, a late-career entry in the writer-director’s body-horror canon. It’s a film that left some of us confounded in a way that our returning guest, critic Charles Bramesco, might argue is part of its Cronenbergian appeal; but placing it next to THE FLY in Connections clarifies how much it’s simply an evolution of the same pet themes Cronenberg has been circling since 1986 (and earlier), from overlapping obsessions with the mutability of bodies and technology, to the horror and guilt of watching a loved one deteriorate before our very eyes. And in Your Next Picture Show, we’re inspired to talk over another recent, highly personal project from an elder-statesman auteur that received a mixed reception, and which we never got to cover on the show: Francis Ford Coppola’s MEGALOPOLIS.
Please share your thoughts about THE FLY, THE SHROUDS, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.
Next Pairing: Ryan Coogler’s SINNERS and Robert Rodriguez’s FROM DUSK TIL DAWN
Intro: 00:00:00-00:02:00
The Shrouds discussion: 00:02:04-00:26:23
The Shrouds/The Fly Connections: 00:26:24-00:59:16
Your Next Picture Show: 00:59:17-01:03:15
Next episode preview and goodbyes: 1:03:16-end
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#365: Round Three, Pt. 1 — Rocky III
The Next Picture Show
03/07/23 • 77 min
Originating as a late-stage ROCKY sequel, CREED has since evolved into its own multi-sequel franchise, with the new third entry bringing star Michael B. Jordan back into the ring as well as the director’s chair. That’s the same dual role Sylvester Stallone had for 1982’s ROCKY III, which similarly finds its star prizefighter far from his scrappy beginnings, and needing to humble himself in order to find glory again. There’s a lot connecting these two films, but only one of them can boast the involvement of Hulk Hogan, so we’re joined by critic, friend of the show, and ROCKY III advocate Matt Singer to discuss what issues Stallone and the franchise were working through with this underestimated second sequel. Plus, our extended discussion of extended sequences continues in Feedback as we consider some less-loved examples of the long take.
Please share your comments, thoughts, and questions about ROCKY III, CREED III, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Outro music: “Eye of the Tiger” by Survivor
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#454: The Witch Is Back, Pt. 2 — Wicked
The Next Picture Show
12/10/24 • 85 min
The antagonist becomes the protagonist in Jon M. Chu’s WICKED, which adapts a stage musical — the first act, anyway — which adapts a novel that flipped the script on 1939’s THE WIZARD OF OZ (itself an adaptation of L. Frank Baum’s novel). So while there are plenty of narrative and character parallels between the two films, they often run perpendicular to each other in their respective notions of good and wicked. But the two films are certainly aligned in their aim to be big-screen spectacles of the highest order, though opinions differ among our hosts as to what degree WICKED achieves that goal in its heavily CGI-ed and halved form. Following that debate, we pit Dorothy and Elphaba against each other to see what each protagonist has to offer when it comes to fish-out-of-water pluck, character-defining“I Want” songs, and willingness to trust in that scoundrel the Wizard. And for Your Next Picture Show, Scott wheels out a recommendation for one of the weirder, but strangely enduring, cinematic visions of Oz.
Please share your comments, thoughts, and questions about THE WIZARD OF OZ, WICKED, and anything else in the world of film by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.
Next pairing: RaMell Ross’s NICKEL BOYS and Stanley Kramer’s THE DEFIANT ONES
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#465: Late Innings, Pt. 2 — Eephus
The Next Picture Show
03/11/25 • 74 min
Carson Lund’s feature debut EEPHUS moves at the same deliberate pace as the trick pitch for which it’s named, leisurely unfolding over the course of a season-ending game between two small-town recreation leagues that’s also probably the last time many on the field will ever play. This week we’re joined again by film critic and baseball lover Tim Grierson to discuss how EEPHUS approaches that sense of finality with low-key humor and a subtle sense of nostalgia, before bringing Ron Shelton’s BULL DURHAM back on the field to compare these two films’ ideas about aging, masculinity, and America’s pastime, emphasis on the “past.” And in Your Next Picture Show we offer a recommendation for another unconventional baseball movie that offers a rarely seen perspective on the game, 2008’s SUGAR.
Please share your thoughts about BULL DURHAM, EEPHUS, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.
Next pairing: Bong Joon Ho’s MICKEY 17 and Paul Verhoeven’s STARSHIP TROOPERS
Chapters:
Intro: 00:00:00-00:01:51
Eephus discussion: 00:01:52-00:27:37
Connections: 00:27:38-1:00:12
Your Next Picture Show: 1:00:13-1:04:25
Next episode preview and goodbyes: 1:04:26-end
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#191: Which Side Are You On? Pt. 2 - American Factory
The Next Picture Show
09/03/19 • 62 min
A few decades and a whole industry removed from Barbara Kopple’s HARLAN COUNTY, USA, Steven Bognar and Julia Reichert’s AMERICAN FACTORY is an entertaining yet dispiriting illustration of how much working conditions, labor relations, and blue-collar work have changed — and, in some ways, haven’t. After wrestling with AMERICAN FACTORY’s sometimes-funny, sometimes-demoralizing portrayal of the current state of American industry, unions, and national identity, we dive what unites and separates these films’ approach to depicting the struggles and setbacks of the working American. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar.
Please share your comments, thoughts, and questions about HARLAN COUNTY USA, AMERICAN FACTORY, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Your Next Picture Show:
• Keith: INFINITY TRAIN on Cartoon Network
• Genevieve: Barbara Kopple and Cecilia Peck’s SHUT UP AND SING
• Scott: Barbara Kopple’s AMERICAN DREAM
• Tasha: Richard Linklater’s WHERE’D YOU GO BERNADETTE?
Outro music: Bruce Springsteen, “Factory”
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#413: Beach Bummers, Pt. 1 — Where the Boys Are (1960)
The Next Picture Show
02/20/24 • 65 min
The new British coming-of-age film HOW TO HAVE SEX follows a group of girlfriends on a post-exam holiday into an environment where peer pressure, alcohol, and coercion can erode the boundaries of consent. But these problems aren’t unique to the film’s contemporary setting, as we’ll see in this week’s companion film, the seemingly frivolous 1960 spring break romp WHERE THE BOYS ARE. Special guest Marya Gates brings us some historical context about the film’s place in the continuum of “beach party” movies, and the degree to which audiences still a few years out from the sexual revolution would be receptive to the film’s relative frankness about sex. And in Feedback we continue the debate about the usefulness of film ratings, and respond to the charge that a recent pairing was our worst-ever choice of new film.
Please share your comments, thoughts, and questions about WHERE THE BOYS ARE, HOW TO HAVE SEX, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
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#205: Rian Johnson's Mystery Mastery, Pt. 1 - Brick
The Next Picture Show
12/17/19 • 65 min
Rian Johnson’s new KNIVES OUT is much more of a romp than 2005’s BRICK, but it hearkens back to Johnson’s debut feature in the way it upends the conventions of mystery stories and gives the audience much more up-front information about the plot-inducing murder than is typical for the genre. In this half of our Johnson mystery pairing we go back to the beginning to consider what BRICK looks like from the other side of the writer-director’s genre-hopping career, how the film navigates its transposing of noir and high-school movie conventions, and which elements make it stand out as a distinctly Rian Johnson endeavor. Plus, we take on some follow-up feedback, and put out an open call for your comments about “anything else in the world of film.”
Please share your comments, thoughts, and questions about BRICK, KNIVES OUT, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730.
Outro music: “A Show of Hands” by Nathan Johnson
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#432: Pixar's Girl Story, Pt. 2 — Inside Out 2
The Next Picture Show
07/02/24 • 78 min
When thinking of a film to pair with INSIDE OUT 2, we purposefully avoided the new Pixar sequel’s 2015 original because the two are so of a piece, delving into the contrasts between them seemed too much like nitpicking. Still, we attempt to make fruitful discussion out of those nitpicks in this week’s conversation about the new film, and perhaps even change one panelist’s opinion of it in the process. Then we bring in the film we actually chose for this pairing, 2012’s BRAVE, which we all agree isn’t as much of a Pixar all-timer as the original INSIDE OUT, but provides some thought-provoking echoes and contrasts with its sequel in terms of adolescent emotions and the outward embodiments thereof, journeys of self discovery — for a teenage protagonist as well as the nurturing presence who cares for them — and the symbolic potential of pretty glowing things. Then we make a hard pivot for Your Next Picture Show to discuss the appeal of Richard Linklater’s new HIT MAN and how it translates between the big and small screens.
Please share your comments, thoughts, and questions about BRAVE, INSIDE OUT 2, or anything else in the world of film, by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.
Next Pairing: Annie Baker’s JANET PLANET and Lukas Moodysson’s TOGETHER
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FAQ
How many episodes does The Next Picture Show have?
The Next Picture Show currently has 481 episodes available.
What topics does The Next Picture Show cover?
The podcast is about Film History, Podcasts, Tv & Film and Film Reviews.
What is the most popular episode on The Next Picture Show?
The episode title '#308: Carnival Games, Pt. 1 — Nightmare Alley (1947)' is the most popular.
What is the average episode length on The Next Picture Show?
The average episode length on The Next Picture Show is 64 minutes.
How often are episodes of The Next Picture Show released?
Episodes of The Next Picture Show are typically released every 7 days.
When was the first episode of The Next Picture Show?
The first episode of The Next Picture Show was released on Nov 10, 2015.
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