
Ep. 54 - Grant Wood's "American Gothic" (1930)
09/30/21 • 31 min
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Re-ReleaseEp. 48 - Anselm Kiefer's "Margarete" and "Sulamith" (1981)
A year ago today, we released our most ambitious episode yet: an exploration of postwar German artist Anselm Kiefer's layered, dense, enormous canvases that themselves respond to the enormity of Holocaust survivor Paul Celan's layered, dense poem, "Todesfugue."
In honor of this episode taking the gold in podcasting at the American Alliance of Museums' MuseWeb awards, we're re-releasing the episode, and with it the layers of metaphor and materials, texture and text, golden straw and blackened ash, that comprise the unimaginable.
This episode was produced with support from the San Francisco Museum of Modern Art. Learn more at www.sfmoma.com.
See the images:
bit.ly/31gUSwW
Music used:
The Blue Dot Sessions, “The Bus at Dawn,” “Silky,” Drone Pine,” “Tiny Bottles,” “Inamorata,” “Tapoco,” “The Summit,” “Cirrus,” “Derailed,” “Insatiable Toad,” “Dolly and Pad,” “A Pleasant Strike”
John Williams, performed by Itzhak Perlman & Pittsburgh Symphony Orchestra, “Theme from Schindler’s List”
Support the show:
www.patreon.com/lonelypalette
AAM MuseWeb award press release:
bit.ly/37hItwi
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Ep. 54 - Grant Wood's "American Gothic" (1930)
See the images:
bit.ly/2WuV2CQ
Music used:
Django Reinhardt, “Django’s Tiger”
The Andrews Sisters, "Bei Mir Bist Du Schoen"
The Blue Dot Sessions, “Long and Low Cloud,” “Hakodate Line,” “Cornicob,” “Sylvestor,” “Di Breun,” “The Silver Hatch,” “Speaker Joy”
Joe Dassin, “Les Champs-Elysees"
Support the show:
www.patreon.com/lonelypalette
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