The Last Archive

The election of 1952 brought all kinds of new technology into the political sphere. The Eisenhower campaign experimented with the first television ads to feature an American presidential candidate. And on election night, CBS News premiered the first computer to predict an American election — the UNIVAC. Safe to say, that part didn’t go according to plan. But election night 1952 is ground zero for our current, political post-truth moment. If a computer and a targeted advertisement can both use heaps data to predict every citizen’s every decision, can voters really know things for themselves after all?

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In the 1950s, polio spread throughout the United States. Heartbreakingly, it affected mainly children. Thousands died. Thousands more were paralyzed. Many ended up surviving only in iron lungs, a machine that breathed for polio victims, sometimes for years. Scientists raced to find a vaccine. After a few hard years of widespread quarantine and isolation, the scientists succeeded. The discovery of the polio vaccine was one of the brightest moments in public health history. But a vaccine required Americans to believe in a truth they couldn’t see with their own eyes. It also raised questions of access, of racial equity, and of the federal government’s role in healthcare, questions whose legacy we’re living with today.

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In 1966, just as the foundations of the Internet were being imagined, the federal government considered building a National Data Center. It would be a centralized federal facility to hold computer records from each federal agency, in the same way that the Library of Congress holds books and the National Archives holds manuscripts. Proponents argued that it would help regulate and compile the vast quantities of data the government was collecting. Quickly, though, fears about privacy, government conspiracies, and government ineptitude buried the idea. But now, that National Data Center looks like a missed opportunity to create rules about data and privacy before the Internet took off. And in the absence of government action, corporations have made those rules themselves.

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In 1969, radical feminists known as the Redstockings gathered in a church in Greenwich Village, and spoke about their experiences with abortion. They called this ‘consciousness-raising’ or ‘speaking bitterness,’ and it changed the history of women’s rights, all the way down to the 1977 National Women’s Convention and, really, down to the present day. The idea of ‘speaking bitterness’ came from a Maoist practice, and is a foundation to both the #MeToo movement and the conservative Victim’s Rights movement. But at what cost?

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This week, we're presenting something fun from Malcolm Gladwell, co-founder of Pushkin. In a special series from his podcast, Revisionist History, Malcolm is launching a massive frontal assault on The Little Mermaid. You might wonder, "what's Malcolm doing? It's a children's classic!" But according to Malcolm, it's not a classic... It's a cinematic dumpster fire. And Revisionist History is devoting no fewer than three episodes to explain why. In the finale, Malcolm enlists an all-star cast to make his own version of The Little Mermaid, featuring Dax Shepard, Brit Marling, Jodie Foster and Glenn Close.

You can hear the entire three-part series, right now, at http://podcasts.pushkin.fm/lastarchiverh

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