The Jeff Blumenkrantz Songbook Podcast

Episode #8: Singing with Liz Callaway is literally a dream-come-true for me. Ever since I first heard her spectacular voice on the Baby cast recording, I have marveled at the purity and musicality of her voice. What a privilege to have her on this podcast today, singing my duet setting of the Edna St. Vincent Millay poem, "Recuerdo." Recorded 1/31/06. (Click here to see the text of the poem.)
Since her Tony-nominated performace in Baby, she's maintained flourishing careers on Broadway (Miss Saigon, Cats, The Look of Love), in film (providing the singing voice for the title characters in the animated films The Swan Princess and Anastasia), and in cabaret and recordings (check out her most recent CD, The Beat Goes On, and Sibling Revelry, the terrific recording of her show with her super-talented sister, Ann Hampton Callaway). Liz's discography is incredibly impressive, and rightfully so.

Special Episode #1: When I decided I wanted to use "Man in the Moon" for a *special* podcast episode, it came to me in about a millisecond who HAD to sing it: Nancy Anderson. Not only because she's an amazing talent and friend, but also because no one captures the sound of the 20's and 30's like Nancy. Check out her wonderful new solo CD, Ten Cents a Dance, for conclusive proof.
Nancy and I met in 2001, performing together in the Broadway production of A Class Act, where she was my "show girlfriend." Nancy created the role of "Mona" in the Manhattan Theatre Club production and subsequently made her Broadway debut in that role when the show moved to the Ambassador. She had already created a sensation Off-Broadway in Jolson & Company, which earned her her first Drama Desk nomination.
Since then, she has been dazzling audiences with her many stellar performances, most notably as Lois/Bianca in the revival of Kiss Me, Kate, first on the US Tour and then in the West End production, which was later filmed for PBS. (Does she nail the period or what?) Don't forget her wonderful performance in the 2003 revival of Wonderful Town! (Period!!) This past season, at the York Theatre, she won over critics and audiences alike in the title role of Fanny Hill. (She even nailed the 18th Century, as well as a second Drama Desk Nom!)
If you're wondering whether she can pull off a contemporary role (yes!), then you must have missed her hot, hot performance in this year's Off-Broadway play, Burleigh Grime$.
In this episode, Nancy sings "Man in the Moon", an audition spec song I wrote this summer. (What this means is, when producers are considering several different people or teams to write their new show, sometimes they'll ask them all to write songs for that project as part of the audition process.) The project in question takes place around 1930, and that's about as specific as I can be right now. (Recorded 11/3/06.)
Luckily, you'll have some opportunities to see and hear Nancy coming up! Foremost among her many November appearances is her engagement at The Metropolitan Room, two Tuesday night shows, November 14 and November 28, at 9:30 PM. Not to be missed!
And speaking of other things not to miss, I'd also like to remind you about the Jeff Blumenkrantz Songbook Concert at Birdland on Monday, November 20th at 7PM, featuring Liz Callaway, Victoria Clark, Michael McElroy, Mary Testa, and Alysha Umphress! Call 212 581 3080 to reserve, or buy your tickets online.

Bonus Episode #4: I warned you that there'd be a few bonus episodes coming up....
This week it's "He'll Never Get What I Do", written for a musical entitled Hush, which dealt with the relationship between a gay theatre composer and a deaf video artist. This song is sung by the composer and is pretty self-explanatory. Music and lyrics by me. Recorded 5/2/06.
As for Hush, I worked on it for a while with the marvelous playwright, Tina Howe, but we couldn't crack the story to our mutual satisfaction, so it's on the shelf. Writing an original musical is a complicated proposition, to say the least. Makes me REALLY appreciate the ones out there that work...
...like, for instance, my favorite new musical, The Drowsy Chaperone, which opened on Broadway last night. It's directed by a certain Mr. Casey Nicholaw, whom I met doing my first show in NY (The Pajama Game at the Equity Library Theatre - Does that date us or what?). Seeing his spectacular production of The Drowsy Chaperone left me awestruck and in tears (literally, hysterical tears of pride, joy, and awe). The show is heaven - don't miss it!
Meanwhile, some of the fabulous people I got to chat with at the opening night party:
George Lee Andrews, the longest-running actor on Broadway, and star of my favorite teen-years album, Starting Here, Starting Now. George is an admitted listener of this podcast, and I'm honored.
Nellie McKay is the brilliant Polly Peachum in the new Threepenny Opera at the Roundabout. She has no idea who I am or that I have a podcast, but I enjoyed chatting with her, and I love her songwriting and her fancy debut double CD, Get Away From Me.
And last but not least, the kids from [title of show] were all there. They recently ended their initial run at the Vineyard, but they'll be back there this summer for a recently-announced return engagement! Dare I see it a 6th time? I dare! Don't miss this one either.
Check out my recommendations page for more things I like!

Special Episode #4: I'm so thrilled to add Donna Lynne Champlin to my list of special guest stars, first at my Birdland concert in November, and now on the podcast. After loving her performances in such Broadway shows as By Jeeves, Hollywood Arms, and Sweeney Todd, it's a real treat for me to get to hear her sing my songs.
I do feel the need to mention: As wonderful as Donna Lynne has been in other people's shows, she could never be better than she is in her own one-woman show, Finishing the Hat. It is, hands down, the most spectacular solo show I have ever seen in my life. Donna Lynne tells a series of stories about herself and her life (chosen from a hat by the audience), and she does so with a level of wit and comedy and pathos and musicality and drama that is truly in a league of her own. DO NOT MISS THIS if she ever does it again. (Donna Lynne, do it again.)
In the meantime, you lucky D.C.er's can catch her at the Kennedy Center in Henry (Dreamgirls) Krieger and Bill (Sideshow) Russell's Up in the Air, playing February 7-10.
In this special episode, she sings "I Burn," from the dearly departed, unfinished musical, Hush. (Recorded 1/11/08.) The song is from a show-within-the-show, i.e. the main character, Miles, is writing a musical which deconstructs Great Expectations and centers around the character of Miss Havisham. This song finds Miss H. on the morning of her wedding day, before she discovers that her fiancé has been deceiving her and will not marry her after all. The song would later be reprised as a duet between young Miss H and old Miss H, as the latter dies in a fire, still wearing her wedding dress.
By the way, The BMI Workshop Songbook Podcast is now officially up and running. Tune in to hear me interview the wonderful members and alumni of this acclaimed writers' workshop and to listen to performances of their songs by our too, too talented guest stars! Subscribe here via iTunes.

Month Upon a Time, Episode #8 (January): January... all about new beginnings, right? Well then, isn't it appropriate that my first special guest of the new year is my new bff, Courtney Balan? I've known about Courtney by reputation, ever since she stood by for both of the superstar ladies of [title of show]. But I'd never met her until last month, when we became fast friends at a mutual friend's Christmas party and then sealed the deal at the same friend's birthday party last week.How fun to find out about all the interesting and varied projects in which she's been involved: the original casts of Broadway's In My Life and Crybaby, as well as Off-Broadway's I Love You Because, I Love You, You're Perfect, Now Change, and I Love Being a Marvelous Wonderette. (OK, that's not really the title, but I couldn't resist.)And this season, we almost got the chance to maybe catch her playing Fanny Brice on Broadway, as she was set to understudy Lauren Ambrose in the now-cancelled revival of Funny Girl. Drat!But wait! There always seems to be a great job awaiting her when another one falls through. This time it's being part of the original cast of the new Off-Broadway musical, Rated P for Parenthood, starting previews on February 8 at the Westside Theatre! Break a leg!Special thanks to my college pal Allyson Rice for her one-word January suggestion that inspired this song: "Dieting." Says it all....
This episode was recorded on January 29, 2012.