Brian Bromberg Interview

10/01/24 • 101 min

Brian Bromberg, a virtuoso bassist, honors the legacy of Scott LaFaro with his latest album, LaFaro, and a series of live performances. LaFaro, who tragically died at 25, was a groundbreaking bassist with the Bill Evans Trio, inspiring Bromberg's tribute. Initially reluctant to take on the project due to the pressures of honoring a jazz legend, Bromberg eventually embraced it after realizing LaFaro's profound influence on his playing. Bromberg also shares personal connections to jazz greats like Stan Getz, with whom he played, and Bill Evans, a missed opportunity from his youth. His career spans collaborations with top artists and an eclectic solo catalog ranging from traditional jazz to contemporary styles. Known for his versatility on upright and electric bass, Bromberg defies genre boundaries, seeking to deliver heartfelt, high-quality musicianship in every project. His performances and music continue to celebrate innovation and jazz's rich history. https://njjs.org/magazine/

Previous Episode

Bluesette and Toots Thielemans

41- "Bluesette" -Toots Thielemans

Standards Rating of 8- Difficulty Rating 7

"Bluesette," composed by Toots Thielemans in 1964, is a celebrated jazz standard recognized for its memorable melody and intricate harmonic structure. This 24-bar jazz waltz features wide intervallic leaps and recurring rhythmic motifs, creating a captivating listening experience. Thielemans, a renowned Belgian harmonica player and guitarist showcased his unique talent by whistling and playing guitar in unison, particularly in his album The Whistler and His Guitar. His collaborations with jazz legends and contributions to popular music, including soundtracks and sessions with artists like Paul Simon and Ella Fitzgerald, solidified his legacy. Sarah Vaughan’s interpretation, produced by Quincy Jones, adds a soulful vocal dimension, further enriching this timeless classic.

Toots Thielemans -https://youtu.be/Oi4G6UmYK9U?si=VcrHN8f5FzC2ttIA

Sarah Vaughan https://youtu.be/0cUoDcjovHA?si=1dh_QFZrj8vWMDGw

Curated Playlist https://open.spotify.com/show/0nS4HH56YVpefoQiaESjqQ?si=6d2a840dc20841de

Next Episode

Body and Soul and Coleman Hawkins

42- “Body and Soul” and Coleman Hawkins

Standards Rating 8- Difficulty Rating 7

Coleman "Hawk" Hawkins was a pioneering jazz tenor saxophonist who transformed the instrument into a key vehicle for jazz improvisation. Born in Missouri in 1904, Hawkins began playing saxophone in his teens and joined Mamie Smith's Jazz Hounds in 1921. His breakthrough came in 1924 when he joined Fletcher Henderson's Orchestra, where his improvisational style evolved, influenced by Louis Armstrong. Hawkins's technical mastery, harmonic innovations, and rich tone were noted.

One of his most iconic recordings is his 1939 interpretation of "Body and Soul," where Hawkins showcased his ability to navigate complex harmonic structures with inventive phrasing, including sixteenth-note runs, rhythmic motifs, and arpeggiated figures. His approach to the song’s challenging chord changes set the standard for future bebop improvisation. The performance highlights his blend of vertical and linear improvisation, often moving far from the original melody and incorporating sophisticated rhythmic techniques. Hawkins spent much of his later career dividing his time between Europe and the U.S., collaborating with younger musicians like Thelonious Monk and Miles Davis and contributing to the bebop movement. His legacy as the first great tenor saxophonist in jazz endures, especially through landmark recordings like "Body and Soul."

Coleman Hawkins: https://youtu.be/zUFg6HvljDE?si=ML1j-MVSXVyR1yIt

Billie Holiday https://youtu.be/AXnQeb0rgpU?si=7C0ZX1Hbh0ZPWc5V

Curated Spotify Playlist

https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=6AKq37uOQ3qR0wBhyLSLQA