
Isamaya Ffrench on creating beauty that 'people can step into and feel inspired"
11/03/22 • 38 min
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Nearly every turn in Isamaya Ffrench’s career was unexpected. Ffrench grew up in a family of engineers and didn’t ascribe to the glamorous rituals her mother and grandmother practiced when she was a child. Her introduction to beauty came by way of discovering Kevyn Aucoin’s iconic beauty book “Making Faces.”
But even after studying that book cover to cover, Ffrench still didn’t have dreams of becoming a makeup artist, content creator or founder of her namesake beauty brand — all of which she is now. In fact, Ffrench danced professionally for 15 years. But a colleague at the contemporary theatrical performance group Theo Adams Company put her up for a body painting job at i-D magazine, knowing Ffrench painted faces at children’s parties. While unplanned, that gig planted the seeds for Ffrench’s future career.
“I was hired to do a very specific thing,” said Ffrench on the most recent episode of the Glossy Beauty Podcast. “I was using clay and mixed media and turning these models into Demigods. It was all very creative, but there was another makeup artist on set who had been booked to do the beauty because I guess I was a wildcard. I just remember there was this moment when I was washing up my really dirty, grubby brushes in the sink with washing liquid. I had big paintbrushes and sponges and all this grimy stuff. I looked over at this makeup artist who sat there with her beautiful kit laid out looking very clean. I was like, ‘Hold on a sec, why am I not doing that job? I should be doing that job, as well.'”
Ffrench continued to book editorial jobs, all while refining her subverted beauty aesthetic. Her work landed her ambassador and creative director posts at YSL Beauté, Tom Ford Beauty, Burberry and Byredo, which proved to be fortuitous primers to launching her own brand, Isamaya, in June.
“I don’t ever think I planned to do my own brand, or not until very, very recently, probably because I was very happy doing it for other people. ... And then I sort of thought, ‘Well, maybe there are some things I would like to do for myself that brands wouldn’t let me do because they have their own language,'” she said.
Since debuting Isamaya this summer, Ffrench has leaned into the drop model, first launching the Industrial collection, a BDSM-inspired offering. Wild Star, a rhinestone cowgirl-esque drop, debuted Thursday with L.A. pop-ups supporting the collection.
Nearly every turn in Isamaya Ffrench’s career was unexpected. Ffrench grew up in a family of engineers and didn’t ascribe to the glamorous rituals her mother and grandmother practiced when she was a child. Her introduction to beauty came by way of discovering Kevyn Aucoin’s iconic beauty book “Making Faces.”
But even after studying that book cover to cover, Ffrench still didn’t have dreams of becoming a makeup artist, content creator or founder of her namesake beauty brand — all of which she is now. In fact, Ffrench danced professionally for 15 years. But a colleague at the contemporary theatrical performance group Theo Adams Company put her up for a body painting job at i-D magazine, knowing Ffrench painted faces at children’s parties. While unplanned, that gig planted the seeds for Ffrench’s future career.
“I was hired to do a very specific thing,” said Ffrench on the most recent episode of the Glossy Beauty Podcast. “I was using clay and mixed media and turning these models into Demigods. It was all very creative, but there was another makeup artist on set who had been booked to do the beauty because I guess I was a wildcard. I just remember there was this moment when I was washing up my really dirty, grubby brushes in the sink with washing liquid. I had big paintbrushes and sponges and all this grimy stuff. I looked over at this makeup artist who sat there with her beautiful kit laid out looking very clean. I was like, ‘Hold on a sec, why am I not doing that job? I should be doing that job, as well.'”
Ffrench continued to book editorial jobs, all while refining her subverted beauty aesthetic. Her work landed her ambassador and creative director posts at YSL Beauté, Tom Ford Beauty, Burberry and Byredo, which proved to be fortuitous primers to launching her own brand, Isamaya, in June.
“I don’t ever think I planned to do my own brand, or not until very, very recently, probably because I was very happy doing it for other people. ... And then I sort of thought, ‘Well, maybe there are some things I would like to do for myself that brands wouldn’t let me do because they have their own language,'” she said.
Since debuting Isamaya this summer, Ffrench has leaned into the drop model, first launching the Industrial collection, a BDSM-inspired offering. Wild Star, a rhinestone cowgirl-esque drop, debuted Thursday with L.A. pop-ups supporting the collection.
Previous Episode

Harry's Jeff Raider and Andy Katz-Mayfield: 'We have a long-term vision'
When Harry's was founded in 2012, co-founders Jeff Raider and Andy Katz-Mayfield were trying to connect the dots between quality razors, affordable prices and a brand that could connect with consumers.
"I can tell you exactly where it was' it was a Rite Aid on 14th and Wilshire in Santa Monica, California. I had run out of razor blades and was wandering through the store, looking for somebody to unlock the case, because they were locked away," said Katz-Mayfield, regarding the brand's inspiration. on the Glossy Beauty Podcast. "They're locked away because they're so expensive and they get shoplifted all the time. It was this absurd experience. ... I was looking at the shelf and the brands that were on the shelf, and they didn't speak to me as a consumer. There was like a picture of a razor blade flying over the moon on one of the packages. Obviously, what the brand was trying to communicate was, 'Oh, there's all this space-age technology in this thing, and therefore you should pay $25 for a four-pack of razor blades.' But I was like, 'Should I really, though?'"
Katz-Mayfield Gchatted Raider, who had recently co-founded Warby Parker, another early DTC disruptor. The two met while in college as consulting interns at Bain & Company.
"We say he called me a lot, but actually, he Gchatted me. I was at work, and he said, 'Hey, I had this really bad experience in a drugstore, being overcharged for razor blades by these brands that don't really connect with me. Do you think you could take what you learned at Warby Parker, building [a] brand that people love, trying to do good in the world and for customers, and bring design and style to an industry that might have lacked it before, in razors and razor blades?' I remember reading that and thinking, 'Wow, this is an awesome opportunity,'" said Raider.
Though the brand is just nine years old, Raider and Katz-Mayfield have lived many lives with Harry's. The brand has gone from a best-in-class startup to an acquisition target and the focus of the Federal Trade Commission, to now a different type of parent company that acquires and incubates its own brands. Those have included Lume and Cat Person.
"What Harry's and Flamingo both did was they found an unmet consumer need, an opportunity to do something that was actually better for somebody. ... It started with delivering really high-quality products at a great value, and then also speaking to people how they wanted to be spoken to in these categories," said Raider. "We felt like we had the opportunity to build brands and unique products that differentially meet consumers' needs and do it on DTC. That could actually be applied anywhere in CPG."
Next Episode

Edgewell CEO Rod Little: ‘We're operating more like a startup and disruptor’
When beauty and personal care executive Rod Little joined personal care conglomerate Edgewell as CFO in 2018, the company’s core businesses of shaving and feminine care were seeing mid-single-digit declines. Competing with giants like Procter & Gamble and DTC disruptors like Billie, the company was in need of a transformation.
Rising to CEO in 2019, Little identified the areas that needed to change at the company, which owns household name brands such as Schick, Banana Boat and Playtex.
“We had gotten into a rhythm of being too technology-focused, and we had been led by technology, as opposed to being led by the consumer,” he said on this week’s episode of the Glossy Beauty Podcast.
His turnaround strategy included not only moving the focus to the consumer, but also adopting a startup mentality and embracing new acquisitions in growth categories. While the company’s attempted acquisition of Harry’s was blocked by the FTC in 2020, the company has made four acquisitions in the past five years: men’s grooming brands Bulldog, Jack Black and Cremo, and razor startup Billie. With its new brands driving double-digit growth, Edgewell’s shaving and feminine care categories have moved up to “mid-single-digit” growth this year, while its sun-care category is going strong. On this week’s episode, Little shares details on the company’s acquisition strategy, his thoughts on the FTC decision and ways brands can stay innovative while scaling.
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