The Fold

Able is the home of the captioning and audio description services which make television accessible to hearing and vision impaired New Zealanders – and it’s about to lose the only leader it's ever had. Outgoing chief executive Wendy Youens tells The Fold about her haerenga, the importance of Able’s work – and why the same services barely exist on New Zealand’s streaming services.

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Crypto, NFTs and web3 have an impressive ability to prompt one of four core reactions: fury, greed, idealism or "????" Glorious is a web3 company from Aotearoa which has started in fine art and with a focus on how to improve outcomes for artists. Co-founder and CEO Tim Harper has a specific and differentiated view of how the space will evolve – and how it will create its own lane.

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The Fold is taking a short break over summer. We'll be back with new episodes soon, but until then here's one of our favourites from 2021.

Lucy Blakiston is one of three young New Zealand women behind Shit You Should Care About, a media company built around an Instagram account which was started in 2018 to break down the barriers of entry to news and issues. The account now has over three million followers, and the company is branching out into podcasts and the new web series Extremely Online.

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One of New Zealand’s most voracious consumers of local news media joins Duncan Greive to reveal the secrets behind his popular daily newsletter.

Most days Alex Braae starts work at approximately the same time as a dairy farmer. But instead of hopping on a quad bike to go and milk a shed full of cows, he sits down at his computer to read a figurative shed full of news. The end product is just as important to a lot of people’s morning routines as a cold bottle of blue top milk – it’s The Spinoff’s daily newsletter The Bulletin.

Since it started in 2018, The Bulletin has developed a loyal following among its more than 25,000 subscribers by collecting and distilling all the most important stories from across the New Zealand news landscape into a single email that hits inboxes at 7am every morning. But exactly how Alex does it remains a mystery to even his closest colleagues.

He joins The Fold host (and his boss) Duncan Greive on this month’s edition of The Fold to explain the process behind the curation and creation of The Bulletin, discuss the state of New Zealand journalism (as someone who consumes more of it than most) and delve into the obsession with local democracy and minor parties which led him to embark on a Jucy campervan tour of the regions before Lockdown 2.0 hit.

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The Fold podcast returns for March into a media world transformed by the impact of Covid-19. Host Duncan Greive records a monopod to assess its impact.

In last month's edition of this podcast, The Spinoff editor Toby Manhire and I discussed RNZ's Concert debacle. At the time, it was the biggest story in media; now it seems, like so many things, a quaint concern from a different time. The impact of Covid-19 has been so vast that there is no other news agenda – simply 'how the virus is impacting X'. Even Thursday's decision by the Christchurch mosque terrorist to change his plea to guilty had a notable Covid-19 dimension, as his victims were largely unable to face him in court – and thus what would have been the biggest story of any other month felt like it flashed by.

Yet for all the global pandemic's power as an engulfing news story, it's the impact on the media business I discuss on March's The Fold. There's a huge paradox in its relationship to the media, in that all of us are seeing record ratings, which in normal times would lead to big revenue spikes – but because almost no client is advertising, the opposite is happening. Journalists are working harder than ever, serving bigger audiences than ever, but the bottom is falling out of the business in a completely unprecedented way.

It's also making our work different: instead of being in our podcast studio in Morningside, I recorded it under a towel at home. And instead of a guest, I simply relayed my own thoughts. Literally everything has changed in our society now, and the media has had a supply, demand and operational shock up there with the best of them.

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