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The Experiment - The Unwritten Rules of Black TV

The Unwritten Rules of Black TV

09/16/21 • 35 min

2 Listeners

The Experiment

The Atlantic staff writer Hannah Giorgis grew up in the ’90s, watching dozens of Black characters on TV. Living Single, Sister, Sister, Moesha, and Smart Guy were just a few of the shows led by Black casts. But at some point in the 2000s, those story lines and some of the Black writers behind them seemed to disappear. In a cover story for The Atlantic, Giorgis traces the cyclical, uneven history of Black representation on television.

One writer whose career encompasses much of that history is Susan Fales-Hill. She got her start as an apprentice on The Cosby Show, wrote for A Different World, and now is an executive producer of BET’s Twenties. This week on The Experiment, Fales-Hill and Giorgis talk about how power dynamics behind the scenes have shaped what we watch, what we talk about, and how we understand ourselves.

A transcript of this episode is available.

Further reading: “Most Hollywood Writers’ Rooms Look Nothing Like America”

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Meg Cramer. Reporting by Hannah Giorgis. Editing by Katherine Wells. Fact-check by Jack Segelstein. Sound design by David Herman, with additional engineering by Joe Plourde. Transcript by Caleb Codding.

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The Atlantic staff writer Hannah Giorgis grew up in the ’90s, watching dozens of Black characters on TV. Living Single, Sister, Sister, Moesha, and Smart Guy were just a few of the shows led by Black casts. But at some point in the 2000s, those story lines and some of the Black writers behind them seemed to disappear. In a cover story for The Atlantic, Giorgis traces the cyclical, uneven history of Black representation on television.

One writer whose career encompasses much of that history is Susan Fales-Hill. She got her start as an apprentice on The Cosby Show, wrote for A Different World, and now is an executive producer of BET’s Twenties. This week on The Experiment, Fales-Hill and Giorgis talk about how power dynamics behind the scenes have shaped what we watch, what we talk about, and how we understand ourselves.

A transcript of this episode is available.

Further reading: “Most Hollywood Writers’ Rooms Look Nothing Like America”

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Meg Cramer. Reporting by Hannah Giorgis. Editing by Katherine Wells. Fact-check by Jack Segelstein. Sound design by David Herman, with additional engineering by Joe Plourde. Transcript by Caleb Codding.

Previous Episode

undefined - What 9/11 Did to One Family

What 9/11 Did to One Family

On September 11, 2001, Bobby McIlvaine was killed, along with nearly 3,000 other Americans. In the 20 years since, his parents and brother have searched for ways to live through, and with, their grief.

The writer Jennifer Senior’s brother was Bobby’s roommate when he died, and in the cover story for The Atlantic’s September issue, she visited with each member of the family to understand their personal journey through the aftermath of national tragedy.

“The McIlvaines very early on saw a grief counselor,” Senior tells The Experiment’s host, Julia Longoria, “who said to them: ‘Here’s how you have to think about this. You are all at the top of a mountain, and you all have a broken leg, and you all have to get down to the bottom of the mountain. But because you all have broken legs, you just have to take care of your own self and figure out how to get down.’” In this story, Senior explores how each family member dealt with their grief in very different ways. “But there might be a flaw in that metaphor too,” she says, “because, you know, some people never get down the mountain.”

This episode’s guests include the Atlantic staff writer Jennifer Senior and Helen McIlvaine, Bob McIlvaine Sr., and Jeff McIlvaine, the family of Bobby McIlvaine Jr.

Further reading: “What Bobby McIlvaine Left Behind,” “Everything My Husband Wasn’t There For

A transcript of this episode is available.

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Alyssa Edes and Julia Longoria, with editing by Katherine Wells and Scott Stossel. Reporting by Jennifer Senior. Sound design by David Herman, with additional engineering by Joe Plourde.

Music by Water Feature (“Double Blessing I” and “Richard III (Duke of Gloucester)”), Naran Ratan (“Forevertime Journeys”), Keyboard (“Being There,” “Small Island,” and “Staying In”), Parish Council (“Heatherside Stores), Alecs Pierce (“Harbour Music, Parts I & II”), and H Hunt (“Journeys”), provided by Tasty Morsels. Additional music by Joe Plourde. Additional audio from C-SPAN.

Next Episode

undefined - The Original Anti-Vaxxer

The Original Anti-Vaxxer

This week, President Joe Biden rolled out a large-scale federal mandate requiring COVID-19 vaccinations for two-thirds of the American workforce, impacting more than 100 million people across the public and private sectors. Some lawmakers have already called the mandate unconstitutional, and Arizona is the first state to sue to block it. This week on The Experiment: As the struggle between individual liberty and public safety rages, we revisit the story of the first Supreme Court battle over vaccines, waged more than 100 years ago.

This episode of The Experiment originally ran on March 25, 2021.

A transcript of this episode is available.

Further reading: Why Biden Bet It All on Mandates,” “Not Getting Vaccinated to Own Your Fellow Libs,” “‘Post-Vax COVID’ Is a New Disease

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Julia Longoria and Gabrielle Berbey, with editing by Katherine Wells. Fact-check by Will Gordon. Sound design by David Herman. Transcript by Caleb Codding.

Music by Ob (“Wold”), Parish Council (“Leaving the TV on at Night,” “Museum Weather,” “P Lachaise”), Alecs Pierce (“Harbour Music, Parts I & II”), Laundry (“Lawn Feeling”), water feature (“richard iii (duke of gloucester)”), Keyboard (“Mu”), and naran ratan (“Forevertime Journeys”), provided by Tasty Morsels. Additional music by Dieterich Buxtehude (“Prelude and Fugue in D Major”), Johannes Brahms (“Quintet for Clarinet, Two Violins, Viola, and Cello in B Minor”), and Andrew Eric Halford and Aidan Mark Laverty (“Edge of a Dream”).

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