
Judge Judy’s Law
05/05/22 • 47 min
3 Listeners
Almost 30 years ago, a fed-up Manhattan-family-court judge named Judith Sheindlin was sitting in her chambers when she got a call from a couple of television producers. They pitched her the idea for a TV show with Judy at its center.
The result was Judge Judy, one of the most popular and influential television series ever made. Over its decades-long run, it beat out The Oprah Winfrey Show in ratings, led to the explosion of court TV, and influenced how large swaths of Americans think about crime and justice.
The Experiment’s Peter Bresnan has been watching Judge Judy with his mom ever since he was a kid. But recently, he began to wonder how the show managed to become such a force in American culture, and what impact it’s had on the thousands of litigants who stood before Judy’s TV bench. What he found was a strange story about what happens when the line between law and entertainment starts to blur.
A transcript of this episode is available.
Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].
This episode of The Experiment was produced by Peter Bresnan with help from Salman Ahad Khan. Editing by Jenny Lawton, Julia Longoria, Emily Botein, and Michael May. Fact-check by Will Gordon. Sound design by Joe Plourde with additional engineering by Jen Munson. Transcription by Caleb Codding.
Music by Naran Ratan (“East of Somewhere Else”), Ob (“Wold”), R McCarthy (“Big Game” and “Contemplation at Lon Lon”), Parish Council (“P Lachaise,” “Walled Garden 1,” and “New Apt.”), and Column (“A Year in Your Garden” and “Sensuela”) provided by Tasty Morsels. Additional music by Alex Overington. Additional audio from Judge Judy, CBS News, The People's Court, NBC4 News, ABC News, AP Archive, and The Roseanne Show.
Almost 30 years ago, a fed-up Manhattan-family-court judge named Judith Sheindlin was sitting in her chambers when she got a call from a couple of television producers. They pitched her the idea for a TV show with Judy at its center.
The result was Judge Judy, one of the most popular and influential television series ever made. Over its decades-long run, it beat out The Oprah Winfrey Show in ratings, led to the explosion of court TV, and influenced how large swaths of Americans think about crime and justice.
The Experiment’s Peter Bresnan has been watching Judge Judy with his mom ever since he was a kid. But recently, he began to wonder how the show managed to become such a force in American culture, and what impact it’s had on the thousands of litigants who stood before Judy’s TV bench. What he found was a strange story about what happens when the line between law and entertainment starts to blur.
A transcript of this episode is available.
Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].
This episode of The Experiment was produced by Peter Bresnan with help from Salman Ahad Khan. Editing by Jenny Lawton, Julia Longoria, Emily Botein, and Michael May. Fact-check by Will Gordon. Sound design by Joe Plourde with additional engineering by Jen Munson. Transcription by Caleb Codding.
Music by Naran Ratan (“East of Somewhere Else”), Ob (“Wold”), R McCarthy (“Big Game” and “Contemplation at Lon Lon”), Parish Council (“P Lachaise,” “Walled Garden 1,” and “New Apt.”), and Column (“A Year in Your Garden” and “Sensuela”) provided by Tasty Morsels. Additional music by Alex Overington. Additional audio from Judge Judy, CBS News, The People's Court, NBC4 News, ABC News, AP Archive, and The Roseanne Show.
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The Experiment introduces Dead End: A New Jersey Political Murder Mystery
The Experiment introduces WNYC colleague Nancy Solomon's new podcast: Dead End: A New Jersey Political Murder Mystery
New Jersey politics is not for the faint of heart. But the brutal killing of John and Joyce Sheridan, a prominent couple with personal ties to three governors, shocks even the most cynical operatives. The mystery surrounding the crime sends their son on a quest for truth. Dead End is a story of crime and corruption at the highest levels of society in the Garden State.
Next Episode
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Teenage Life After Genocide
At 19 years old, Aséna Tahir Izgil feels wise beyond her years. She is Uyghur, an ethnic minority persecuted in China, and few of her people have escaped to bear witness. After narrowly securing refuge in the United States, Aséna’s now tasked with adjusting to life in a new country and fitting in with her teenage peers.
This week on The Experiment, Aséna shares her family’s story of fleeing to the U.S., navigating newfound freedom, and raising her baby brother away from the shadows of a genocide.
This episode’s guests include Aséna Tahir Izgil and her father, Tahir Hamut Izgil, a Uyghur poet and author.
This episode of The Experiment originally ran on August 19, 2021.
A transcript of this episode is available.
Further reading: “One by One, My Friends Were Sent to the Camps,” “Saving Uighur Culture From Genocide,” “‘I Never Thought China Could Ever Be This Dark,’” “China’s Xinjiang Policy: Less About Births, More About Control”
Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].
This episode was produced by Julia Longoria, with help from Gabrielle Berbey and editing by Katherine Wells and Emily Botein. Fact-check by Yvonne Rolzhausen. Sound design by David Herman, with additional engineering by Joe Plourde. Translations by Joshua L. Freeman.
Music by Keyboard (“Over the Moon,” “Mu,” “Water Decanter,” and “World View”), Laundry (“Lawn Feeling”), Water Feature (“Richard III (Duke of Gloucester)” and “Ancient Morsel”), Parish Council (“New Apt.”), and H Hunt (“C U Soon), provided by Tasty Morsels.
A translation of Tahir Hamut Izgil’s poem “Aséna” is presented below.
Aséna
By Tahir Hamut Izgil
Translation by Joshua L. Freeman
A piece of my flesh
torn away.
A piece of my bone
broken off.
A piece of my soul
remade.
A piece of my thought
set free.
In her thin hands
the lines of time grow long.
In her black eyes
float the truths of stone tablets.
Round her slender neck
a dusky hair lies knotted.
On her dark skin
the map of fruit is drawn.
She
is a raindrop on my cheek, translucent
as the future I can’t see.
She
is a knot that need not to be untied
like the formula my blood traced from the sky,
an omen trickling from history.
She
kisses the stone on my grave
that holds down my corpse
and entrusts me to it.
She
is a luckless spell
who made me a creator
and carried on my creation.
She is my daughter.
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