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The Experiment - Inventing ‘Hispanic’

Inventing ‘Hispanic’

03/11/21 • 32 min

11 Listeners

The Experiment

Do Puerto Ricans, Mexicans, and Cubans share an identity? The answer wasn’t necessarily clear before 1980.

That’s when the Census Bureau introduced a pair of new terms, Hispanic and Latino, to its decennial count. The addition was the result of years of advocacy and negotiation: Being counted on the census meant the potential for far more government action, yet the broad category oversimplified the identities of an immense and diverse group.

“The way that we define ourselves is consequential,” says G. Cristina Mora, a sociology professor at UC Berkeley. “The larger the category, the more statistical power it would have.”

This week on The Experiment, the origin story of a core American identity—and what’s lost when such a broad category takes hold.

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Julia Longoria and Gabrielle Berbey, with editing by Katherine Wells. Fact-check by William Brennan and Stephanie Hayes. Sound design by David Herman. Special thanks to Christian Paz and A.C. Valdez.

Music by water feature (“a horse”), Ob (“Mog”), Parish Council (“Museum Weather”), Column (“Shutt,” “Sensuela”), r mccarthy (“Contemplation at Lon Lon”), and infinite bisous (“Sole Mate”), provided by Tasty Morsels. Additional audio from the U.S. Census Bureau, CBS, Agence France-Presse, CNN, UCLA’s Chicano Studies Research Center, Tom Myrdahl, Third World Newsreel, Newsreel, Univision Communications, and El Show de Cristina.

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Do Puerto Ricans, Mexicans, and Cubans share an identity? The answer wasn’t necessarily clear before 1980.

That’s when the Census Bureau introduced a pair of new terms, Hispanic and Latino, to its decennial count. The addition was the result of years of advocacy and negotiation: Being counted on the census meant the potential for far more government action, yet the broad category oversimplified the identities of an immense and diverse group.

“The way that we define ourselves is consequential,” says G. Cristina Mora, a sociology professor at UC Berkeley. “The larger the category, the more statistical power it would have.”

This week on The Experiment, the origin story of a core American identity—and what’s lost when such a broad category takes hold.

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Julia Longoria and Gabrielle Berbey, with editing by Katherine Wells. Fact-check by William Brennan and Stephanie Hayes. Sound design by David Herman. Special thanks to Christian Paz and A.C. Valdez.

Music by water feature (“a horse”), Ob (“Mog”), Parish Council (“Museum Weather”), Column (“Shutt,” “Sensuela”), r mccarthy (“Contemplation at Lon Lon”), and infinite bisous (“Sole Mate”), provided by Tasty Morsels. Additional audio from the U.S. Census Bureau, CBS, Agence France-Presse, CNN, UCLA’s Chicano Studies Research Center, Tom Myrdahl, Third World Newsreel, Newsreel, Univision Communications, and El Show de Cristina.

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undefined - Lost Cause

Lost Cause

1 Recommendations

The Confederate States seceded from the United States over slavery. But the “lost cause” myth—the idea that the Civil War was not about slavery but about northern aggression—still has a hold on countless Americans.

The historian Ty Seidule doesn’t believe that anymore, though he only came to the realization well into his career as an Army officer and a history professor. His book Robert E. Lee and Me deconstructs the legacy of the top Confederate general and unpacks the enduring “lost cause” ideology.

On this week’s episode of The Experiment, the correspondent Tracie Hunte talked with Seidule about why unlearning the mythology surrounding Lee took him so long, and the host, Julia Longoria, considers what it might take for other white Americans to do the same.

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Tracie Hunte and Matt Collette, with editing by Katherine Wells, Julia Longoria, and Alvin Melathe. Fact-check by William Brennan. Sound design by David Herman. Special thanks to Adam Serwer, Vann R. Newkirk II, Veralyn Williams, and Jenisha Watts.

Music by Keyboard (“Shingles,” “Contractions”), Parish Council (“St. Peter Port/Wiltshire/Cooking Leeks,” “Socks Before Trousers,” “Leaving the TV on at Night”), Ob (“Waif”), and infinite bisous (“Brain”); provided by Tasty Morsels. Additional audio from CBS, Military Videos, the Associated Press, Congressman Steve Womack, the U.S. Naval Academy, CBSN, and Senator Lindsey Graham.

Next Episode

undefined - The Volunteer

The Volunteer

Was anybody willing to be a spiritual adviser to Orlando Hall, a Muslim man on death row with a fast-approaching execution date? That’s the question that went out by email to a local group of interfaith leaders in Indiana. Nobody answered.

After a week without responses, the management professor Yusuf Ahmed Nur stepped forward. A Somali immigrant who volunteered at his local mosque, Nur would counsel Hall in the weeks leading up to his execution. But Nur never expected to stand beside Hall in the execution chamber as he was put to death.

“That’s when it hit me,” Nur says. “You feel like you’re complicit, that you are cooperating with the system. They assign you a role to play in this execution.”

This week on The Experiment: One man finds himself at the center of our legal system, and witnesses what gets sacrificed in the pursuit of justice.

Further reading: “Trump Is Putting the Machinery of Death Into Overdrive”

Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at [email protected].

This episode was produced by Alvin Melathe, Gabrielle Berbey, and Julia Longoria, with editing by Matt Collette and Katherine Wells. Fact-check by William Brennan. Sound design by David Herman. Special thanks to Katie Bishop and Najib Aminy.

Music by water feature (“double blessing ii”), Keyboard (“Being There,” “More Shingles,” “My Atelier,” “Small Island”), and Parish Council (“Heatherside Stores”) provided by Tasty Morsels.

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