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The Emerald

The Emerald

Joshua Schrei

The Emerald explores the human experience through a vibrant lens of myth, story, and imagination. Brought to life through the wise, wild, and humorous vision of Joshua Michael Schrei — a teacher and lifelong student of the cosmologies and mythologies of the world — the podcast draws from a deep well of poetry, lore, and mythos to challenge conventional narratives on politics and public discourse, meditation and mindfulness, art, science, literature, and more. At the heart of the podcast is the premise that the imaginative, poetic, animate heart of human experience — elucidated by so many cultures over so many thousands of years — is missing in modern discourse and is urgently needed at a time when humanity is facing unprecedented problems. The Emerald advocates for an imaginative vision of human life and human discourse as it questions deep underlying assumptions about societal progress.
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Top 10 The Emerald Episodes

Goodpods has curated a list of the 10 best The Emerald episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to The Emerald for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite The Emerald episode by adding your comments to the episode page.

The Emerald - No One Here Gets Out Alive (The Death Episode)
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09/17/22 • 104 min

Death is universal, an undeniable fact of existence that every single one of our ancestors faced, just as we will. So mythic traditions around the world are full of stories of death. Many initiatory rituals directly enact death, taking the initiate through a process of dying while alive. For Ancient Egyptians and Tibetan Tantrikas, death was not something to run from, but something to actively embrace, as acolytes regularly plunged into the intermediary state. Yet modern culture tries to run from the reality of death. For in an individualistic world, what could be more terrifying than individual death? So billionaires feverishly seek to reverse the aging process and 'solve death.' And yet, in seeking to stave off death at all costs, and in the absence of a healthy intimate relationship with death, modern consumerism also enacts death on a massive scale. For modern culture to reconcile its terror of death requires a deep re-orientation around the place of the individual within the universe. For if “I” am not an isolated unit but rather a continuum of ancestry, then what actually dies? If "I" am water molecules momentarily repurposed as a human on my way to become streams and summer thunderstorms, then what actually dies? So death, as described by tradition after tradition, is a great continuance, a great cycling of matter... and perhaps more. This episode dives deep into the mytho-somatics of death, providing a felt journey into a place many fear to tread, but a place that for many traditions was absolutely essential to navigate while alive. Join us as we explore Tantric death texts, Japanese death poems, Siberian death realms, heroic death epics and culminate with a journey into 4500-year-old Egyptian funerary texts in which death and spoken poetry are intimately linked. Rising Appalachia reprise the old folk classic 'Oh Death' specifically for this episode. Note — The Emerald podcast is meant to be listened to with good headphones or on a high quality sound system, at a time when you can give it your full attention.

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The Emerald - Inanimate Objects Aren't Inanimate (Or Objects)
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06/06/23 • 125 min

In the myths and fairytales, everything teems with sentience and agency... Everything is alive. There are talking trees and singing stones and hedges that move of their own will. Mirrors speak. Swords dance. There are flying carpets and far-seeing spyglasses and cloaks and boots that leap by themselves. This pervasive insistence in the old stories that absolutely everything is alive — that everything has eyes — butts up against modern rationality and therefore gets marginalized as childish 'fantasy.' But as science discovers more and more that the lines between living and dead, conscious and not, human and non-human are not as clearcut as we'd once imagined, as science starts to unpack the sentience of trees and the latent life within clay, we start to (re)discover that 'things' are not just dead objects at all, and that this whole world hums with animacy. And so the vision of a world of persons, a world with eyes, is not simply a child's eye view — it's actually much closer to the way things are. In taking our attention to the least of things, and remembering that we inhabit a world with eyes, we open up the possibility of redefining our relationship with the cosmos itself. Sparked to life by a conversation with sculptor Rose B. Simpson and featuring original music by Peia, Marya Stark, Sidibe, Ben Murphy, and Andy Aquarius, this episode takes us on a journey through talking stones and living clay and animate bells and drums into a world in which everything has eyes, everything has agency, everything is a portal to the infinite — even the seemingly 'inanimate.' Even... your car. Listen on a good sound system, at a time when you can devote your full attention.

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The Emerald - Awake in the Forest of Dangers and Wonders
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04/26/22 • 82 min

How many myths and stories and fairy tales take place in... the forest? The forest in these stories is more than just setting or backdrop. It is a character of its own, alive, awake, animate, both treacherous and beautiful. The forest doesn't 'represent' something abstract in the myths, it is exactly what it was for our ancestors — a place of beauty and peril, of life and death, of food and devouring, of danger and wonder. To step into the forest is to step outside of linear, organized time and space into the liminality of trance. In the forest, sounds are different, everything is immediate and up close, and every choice matters. To navigate the forest well — like the protagonists of so many fairy tales show us — is to use discernment, to cultivate sensory wakefulness and a deep respect for protocols of animacy. Animism, therefore, is not simply about acknowledging nature's beauty. It is about cultivating a deep relationality with the varying forces of the forest — some of which are perilous. Traditional forest-dwelling cultures recognized the danger of the forest, while the modern world tends to flatten the forest into something either to be destroyed or to be adored from a distance. But to deeply know the forest also means knowing how to navigate unfriendly forces. It's easy in the modern world to view traditional understandings of malevolent forces as 'primitive,' or 'superstitious.' Yet for cultures who actually navigate the forest and its intricacies, knowing how to navigate these forces means survival. And so — if we value animism, it means not looking at the forces of the forest as an 'illusion', or as something to 'move beyond' but something to be treated with deep discernment and respect. Take a step into the forest, this time on The Emerald. Featuring music from Rising Appalachia, Charlotte Malin, and Nivedita Gunturi.

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Modern embodiment discourse has arisen as a reaction to the Western world's fraught history with bodies. In a world of deep fracture from the natural world, the current emphasis on embodiment serves to help reclaim a relationship with ecology and with the sacredness of the immediate. But what does 'embodiment' really mean? For some, embodiment is synonymous with wellness. For others, embodiment is related to ongoing personal processing. Often, traditional cultures are held up as examples of embodiment. Yet traditional mythic and ritual visions of embodiment are very different from modern wellness embodiment and from therapeutic/psychological visions of embodiment. Bodies, in ritual, go through agonizing repetition. Bodies are driven to the point of rupture. In myths, bodies do not exist in a kind of happily embodied stasis — bodies are ripped apart. Bodies shrink. Bodies expand. The individual self in initiation is specifically meant to be taken to the brink and then ritually dismantled. Ritual and mythic visions of embodiment ask us to expand our vision of what the body is, to embrace all the paradoxes of embodiment. As we explore in this episode, sometimes, to be embodied requires tearing the body into pieces. Sometimes it requires soaring out of the body. Ultimately, we find that in mythic and ritual traditions, embodiment is less about us and our individualized journey, and more about the great transformative journey of the body of the community and the cosmos itself. This episode seeks to challenge some of the common narratives of embodiment discourse in order to help return embodiment discourse to its living, breathing, paradoxical body. Best listened to when you have time to devote your full attention, on a bumping sound system or with really good headphones.

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Human beings adorn. Scientists now say that the earliest adornments date back over 160,000 years. Why is adornment so universal? It is easy to see adornment as simply an indication of status, wealth, and identity. But adornment is also more than this. The word 'adorn' and 'ornament' relate directly to the word 'order,' to the pattern of the cosmos. And so to adorn has also been associated with aligning to a greater pattern, a pattern evident in the harmonic structures of nature and expressed in the aesthetics of culture and ritual. So in many traditions, to adorn is to directly enhance and pattern consciousness. To assume the boar-tooth mask or the macaw-feather crown is to bring consciousness into greater unification with the pattern of nature — to both heighten perception and to defend against unwanted forces. So adornment plays a key role in the shamanic navigation of the cosmos. In Tantric traditions, deep, loving, attention is paid to adornments. Hymns are sung to the goddess's adornments. The entire universe itself is seen as the adornment of the primal mother power, and practices of invocation and imaginal architecting deliberately adorn the consciousness of the practitioner. Such meticulous adornment has been foundational in many animist traditions. Yet in a world of decontextualized spirituality, the architecting and adorning of consciousness through ritual patterning is often discarded in favor of spiritualities that put all the emphasis on ridding the mind of constructs rather than deliberately patterning it. Perhaps in a post-modern, post-structuralist world, modern minds need deliberate patterning. Like the Sumerian goddess Innana, we need to adorn... for survival. Featuring music from Sidibe, harpist Andy Aquarius, and Nivedita Gunturi and drawing on the work of Tantric scholar Sthaneswar Timalsina, this episode is a patterned journey through that which shines, shimmers, jingles, defends, and aligns... listen on a good sound system, at a time when you can devote your full attention.

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Báyò Akómoláfé is an author, celebrated speaker, teacher, and self-styled trans-public intellectual whose vocation goes beyond justice and speaking truth to power to opening up other spaces of power-with. In this episode of The Emerald, Báyò joins Josh for a deep-dive discussion into how the Western psychological vision shapes modernity, and the need to expand into alternative stories of what 'being' means. Says Báyò: "Psychology is complicit in the creation of Western modernity. It is not a thing apart. Its disciplinarity, its history, and its legacies are tied up with the industrialization, commodification, the manufacturing, the replication and the reproduction of the human subject. How we think about what it means to be human, what it means to have agency, what it means to think, who has cognition, who doesn't have cognition — all of this is tied in with the historicity of psychology." Using animate tradition as a foundation, Josh and Báyò explore Norse and Polynesian trickster myths, trauma discourse and Puritanism, and pay homage to the gods of in between spaces as they explode open a vision of being, bodies, and sentience that is vast, wild, and porous.

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There is... a sound. Many, through the ages, have heard it. It echoes in the world all around us, it reverberates in songs of joy and lament, it vibrates in the names of the gods and goddesses themselves. Across the world, tradition after tradition describes a sound that is the source of all sound, a sound that can be heard if we practice attuning ourselves to it. So the Indian yogi follows the sound OM to its source, the Brazilian Umbanda practitioner rides a thread of vibration to the great vibration, and the Gay'Wu group of Australian Aboriginal women speak of how sound transports the singer to their homeland, to the place where the 'time is now.' To access this sound isn't frivolous, it serves to replenish and renew our connection to the world around us, to reinvigorate relationships with land, with community, and with the harmonic laws of creation. So the role of the bard — the musical seer — has always been to listen for this sound, to dissolve into it, and to return laden with songs that reinvigorate natural relationships. Song, in this sense, reconnects us to and replenishes the law of the land, and in a time of fracture, listening for this sound and singing back to it in reverence is more important than ever. Anchored by an interview with musician Trevor Hall, and featuring original music from Leah Song and Chloe Smith and traditional Baul devotional singing from Sri Parvathy Baul, this episode is a love song to sound itself. Listen on a good sound system at a time when you can devote your full attention.

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The Emerald - Neck Hairs of the Shapeshifter (w/ Simon Thakur)
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03/09/22 • 105 min

Shapeshifting is nearly universal to global mythic tradition. The myths of the world feature shapeshifting gods, shapeshifting animals, shapeshifting spirits, and, of course, shapeshifting people who assume the forms of tigers, bears, wolves, eagles, and more. The prevalence of shapeshifting in myth challenges our assumptions about the static nature of selfhood. Yet even from the scientific view, we are shapeshifters. We contain multitudes of beings within us — we are at once fish, bird, mammal, reptile, and more. Understanding and connecting to this permeable, malleable self was key for our ancestors for many thousands of years, as we learned about things primarily by becoming them in states of conjunctive trance. Shapeshifting, accomplished through the animal dance, through the assumption of the animal form in states of ecstasy, formed the foundation of how we learned, communicated, and cultivated empathy for the world. In a world that has turned its back on the sensate animal body, shapeshifting is more important than ever, as it offers a way back to a deep relationship with the living world. Simon Thakur of Ancestral Movement and Biblical Scholar Dr. Natalie Mylonas join us for this episode on shapeshifting, conjunctive knowing, and the sensate body.

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Human beings have a complicated relationship with want. For some traditions, desire, want, or longing sits right at the heart of creation itself, providing the spark that sets the universe in motion, and is inherent to what it means to be human. Yet unchecked want has also resulted in untold suffering for people and planet. Renunciate traditions have put forth practices and philosophies designed to get rid of the want altogether. But is getting rid of want even possible? Is longing inextricably part of the fabric of reality, and to deny it is to deny existence itself? In times like these when we face unprecedented global crises, perhaps we need to harness this primal want in service of life and nature rather than deny it. In this episode we follow the fascinating history of one Sanskrit word — Kāma, desire, longing — in order to shed light on humanity's intricate relationship with want, ultimately finding ourselves at the feet of the Goddess of Longing herself, whose temple and traditions speak to a universe that is built upon a deep substrate of longing, and who encourages us to harness longing rather than deny it.

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The Emerald - Animism is Normative Consciousness
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12/01/20 • 58 min

For 98% of human history, 99.9% of our ancestors lived, breathed, and interacted with a world that they saw and felt to be animate. Imbued with lifeforce. Inhabited by and permeated with forces, with which we exist in ongoing relation. This animate vision was the water in which we swam, it was consciousness in its natural dwelling place, the normative way of seeing the world and our place in it. It wasn’t a theory, a philosophy, or an idea. It wasn’t, actually, an -ism. It was felt experience. It was, simply, how things were. Which is why it has been commonly understood across the entire world for all of time.

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FAQ

How many episodes does The Emerald have?

The Emerald currently has 89 episodes available.

What topics does The Emerald cover?

The podcast is about Culture, Mythology, Spirituality, Art, History, Religion & Spirituality, Justice, Shamanism, Podcasts, Cosmology, Arts and Trance.

What is the most popular episode on The Emerald?

The episode title 'No One Here Gets Out Alive (The Death Episode)' is the most popular.

What is the average episode length on The Emerald?

The average episode length on The Emerald is 66 minutes.

How often are episodes of The Emerald released?

Episodes of The Emerald are typically released every 18 days, 18 hours.

When was the first episode of The Emerald?

The first episode of The Emerald was released on May 26, 2019.

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