
DLO 19: WE'RE STILL HERE
03/01/22 • 36 min
1 Listener
Forward and backward are not stable concepts. The curtains close, a mask is shattered, but we're still here. Wren helps a lost soul and meets some familiar ones.
Thank you all so much for listening, and special thanks to guests Jess Syratt of Nowhere, On Air and Shannon Strucci of Critical Bits and more.
(CWs, spoilers: bullying, derealization, implied dysphoria, brief fire and engine sounds, alcohol, smoking)
*audience shuffling and chatting, dies down*
LOST FISHERMAN: “Good evening, dear audience. Tonight we present to you the final act in a series of strange events. The detective this evening will be played by Wren once more, with the receiving clerk reprising the role of the vanished. I will be your chorus. When you see me again, it will all be over. When I return, you will not be ready, but it must end as all things do. Until then, please enjoy the show.
“A crack in the sky and a hand reaching down to me”
WREN:
The vault wasn’t so much an actual vault, but–as you’ve no doubt surmised–a cave. Like the cave I had encountered before, where Lucy served me breakfast. Where I cried over eggs and toast. Maybe just a different part of the same cave, even. All around me, stacked and scattered throughout the yawning caverns was dead mail: letters, packages, objects covered in grime and dust. The light from my phone only revealed a harsh circle in front of me, leaving much of the vault in total darkness. I felt things stirring in that darkness whenever I turned away. They gathered behind me, at my sides, spiraled gaseous tendrils around my ears. But they dissipated any time I faced them.
I flipped through folders and sifted through cabinets and baskets full of decomposing paper. I found many strange stories among the mundane cruft. Some stories I had heard before, some I had not. These pieces had little in common: from different parts of the country, different times, different people. Many followed a similar thread, though.
Something under the office’s purview, my purview, appeared in each: a moth here, an alien worm there. Just little hints of the ineffable, the sublime radioactive backdrop that most people tune out. This damp hall was where my furry friend would have ended up, had I not saved them from that fate. I panned the pulp silt for gold, trying to find any clue I could sink my teeth into.
I went further and farther back, in time and in space. The older files were kept ever deeper in the cave. I was in the middle of reading a peculiar letter regarding an ill-tempered neighbor when my boot struck a vein. Masonry. Not the deep brown rock surrounding me, but a gray slab shaped by human hands. Around the base of the stone was a shallow puddle. I looked up and there I saw an angel.
An angel in gray, its features blurred and worn by time, its form smudged with black. Had the angel been there the whole time, or had it just appeared a moment ago? I leaned closer and inspected its surface.
All across this sculpture–from the top of its head to the base–were dark fingerprints. I gently slid the letter I was carrying through one of the tacky prints. The black substance followed, sticking to the paper. Simply looking was going to get me nowhere. What use is a detective that only uses one sense, anyway? I held the tacky substance close to my nose and inhaled.
Fire, smoke, machinery. This thing was covered in scorched oil. The angel’s hands were clasped to its chest, and I could tell there was something within. I recalled a story I had heard about a sculpture of similar kind. About a disappearance and a hanging thread.
I had to know what was held in its hands.
As if already planting its roots in my mind, the angel’s stone fingers unfolded, and there it proffered an egg, no bigger than a chicken’s. I dared not touch the angel, this seraph bathed in the blood of the ancient earth. I took a step back and shuddered. At this rejection, many fish fell around the angel, all dead and frozen, slapping hard against the cave floor.
Then, from the deepest recesses of my consciousness, there came a sound: steel wire hanging high above a field of corn. The lines shivered in the breeze and sang like clockwork sparrows. Metallic spring sprung forth in a curl of light and noise. An electrical pylon, its arms spread wide, so wide it held the whole state to its chest. Transmissions from everywhere and nowhere collected in the still air inside its ribs. It blew a whispered kiss through the heavy bent stalks, through iced cities and rolling foothills. It blew a kiss as loud as the trumpets of revelation, and spoke in a hundred tongues of electric rapture:
“The next time you see me, you will be dead. And when I come, you will not be ready...”
All of my training, all of my will and wit was for naught in the face of it. And in my mind were two diverging paths, two images in a...
Forward and backward are not stable concepts. The curtains close, a mask is shattered, but we're still here. Wren helps a lost soul and meets some familiar ones.
Thank you all so much for listening, and special thanks to guests Jess Syratt of Nowhere, On Air and Shannon Strucci of Critical Bits and more.
(CWs, spoilers: bullying, derealization, implied dysphoria, brief fire and engine sounds, alcohol, smoking)
*audience shuffling and chatting, dies down*
LOST FISHERMAN: “Good evening, dear audience. Tonight we present to you the final act in a series of strange events. The detective this evening will be played by Wren once more, with the receiving clerk reprising the role of the vanished. I will be your chorus. When you see me again, it will all be over. When I return, you will not be ready, but it must end as all things do. Until then, please enjoy the show.
“A crack in the sky and a hand reaching down to me”
WREN:
The vault wasn’t so much an actual vault, but–as you’ve no doubt surmised–a cave. Like the cave I had encountered before, where Lucy served me breakfast. Where I cried over eggs and toast. Maybe just a different part of the same cave, even. All around me, stacked and scattered throughout the yawning caverns was dead mail: letters, packages, objects covered in grime and dust. The light from my phone only revealed a harsh circle in front of me, leaving much of the vault in total darkness. I felt things stirring in that darkness whenever I turned away. They gathered behind me, at my sides, spiraled gaseous tendrils around my ears. But they dissipated any time I faced them.
I flipped through folders and sifted through cabinets and baskets full of decomposing paper. I found many strange stories among the mundane cruft. Some stories I had heard before, some I had not. These pieces had little in common: from different parts of the country, different times, different people. Many followed a similar thread, though.
Something under the office’s purview, my purview, appeared in each: a moth here, an alien worm there. Just little hints of the ineffable, the sublime radioactive backdrop that most people tune out. This damp hall was where my furry friend would have ended up, had I not saved them from that fate. I panned the pulp silt for gold, trying to find any clue I could sink my teeth into.
I went further and farther back, in time and in space. The older files were kept ever deeper in the cave. I was in the middle of reading a peculiar letter regarding an ill-tempered neighbor when my boot struck a vein. Masonry. Not the deep brown rock surrounding me, but a gray slab shaped by human hands. Around the base of the stone was a shallow puddle. I looked up and there I saw an angel.
An angel in gray, its features blurred and worn by time, its form smudged with black. Had the angel been there the whole time, or had it just appeared a moment ago? I leaned closer and inspected its surface.
All across this sculpture–from the top of its head to the base–were dark fingerprints. I gently slid the letter I was carrying through one of the tacky prints. The black substance followed, sticking to the paper. Simply looking was going to get me nowhere. What use is a detective that only uses one sense, anyway? I held the tacky substance close to my nose and inhaled.
Fire, smoke, machinery. This thing was covered in scorched oil. The angel’s hands were clasped to its chest, and I could tell there was something within. I recalled a story I had heard about a sculpture of similar kind. About a disappearance and a hanging thread.
I had to know what was held in its hands.
As if already planting its roots in my mind, the angel’s stone fingers unfolded, and there it proffered an egg, no bigger than a chicken’s. I dared not touch the angel, this seraph bathed in the blood of the ancient earth. I took a step back and shuddered. At this rejection, many fish fell around the angel, all dead and frozen, slapping hard against the cave floor.
Then, from the deepest recesses of my consciousness, there came a sound: steel wire hanging high above a field of corn. The lines shivered in the breeze and sang like clockwork sparrows. Metallic spring sprung forth in a curl of light and noise. An electrical pylon, its arms spread wide, so wide it held the whole state to its chest. Transmissions from everywhere and nowhere collected in the still air inside its ribs. It blew a whispered kiss through the heavy bent stalks, through iced cities and rolling foothills. It blew a kiss as loud as the trumpets of revelation, and spoke in a hundred tongues of electric rapture:
“The next time you see me, you will be dead. And when I come, you will not be ready...”
All of my training, all of my will and wit was for naught in the face of it. And in my mind were two diverging paths, two images in a...
Previous Episode

DLO 18: HONEYBEE
Wren has a chat and descends into the dark. Liz gathers allies for a revolt. Major thanks to the MVPs of this episode: Rae Lundberg as Shadow, Jess Syratt as Liz, and Nathan from the Storage Papers as the Director.
(CWs, mild spoilers: fire, death, body horror, distorted voices and faces, static, dripping noises)
Transcripts available at somewhereohio.com
Apologies for the delay!
TRANSCRIPT:
*Fizzling Boss tones*
*boss tones coagulate into a voice*
BOSS: “Because I needed you alive long enough for us to talk.”
WREN, barely conscious: “wh-what? Where...”
WREN: Drops of frigid water pelted my forehead, stirring me from the astral plane. Above me was a whitewashed ceiling, stone walls curving in a circle like a shackle. I wasn’t restrained, however. I sat upright on crossed legs. Someone had been speaking just then, right?
WREN: “Is someone there?”
BOSS: “Ah, good, you are awake. I was a tad worried the furball out there hit you too hard.”
The curdled voice had to be coming from...somewhere, but it felt like it was all around me, under me, seeping into my hair and nails. The impact of the sheer cold of this place finally hit me as my head stopped spinning. I sat hunched for a moment before responding.
WREN: “Boss? I-is that you? How did you–”
BOSS: “I live in the wires, creep through static, remember? And your friend out there is about 50% wires, give or take. It’ll be fine once its circuits or whatever they have reboot. But that thing isn’t what I’m interested in. I brought you here to talk. So let’s hop to it.”
WREN: “What do you want me to say? I’m sorry for leaving? For trying to help you?”
BOSS: “Lucy. I want to talk about Lucy. See, Ever since our phone call, I’ve been...unsettled. Now that I’ve always been the boss, I have near unlimited knowledge of the DLO, of the things around me, but still no sign of Lucy. That bothers me.”
I warily stood up and looked around the frozen lighthouse. Long icicles hung from the ceiling–floor? whichever--dripping and freezing once more on the ground. The whole interior was covered in a thin icy sheen. No sign of Conw–er, the boss. I needed to find where this voice was coming from, but I needed time. I’d have to string him along for a bit and hope his confidence would play against him.
WREN: “Okay, then. Let’s talk Lucy. But first, there are some things I want to know. I’ve heard about some sort of machine salvaged from the lakebed. What is it?”
BOSS: “Might as well indulge the little worker bees in a bit of honey while they can still taste it. Very well, Wren.”
As he spoke, I snuck around the perimeter of the dark tower, listening for any changes in directional sound.
BOSS: “That machine is what made this place, made me real. It shepherded a new era for this state. Sure a few people lost a job or two, a few houses demolished, a few forests burned down, but it made way for industry, for growth. For potential. You shouldn’t blame this engine for your troubles: it’s people that run it. Without us, it’s just a hunk of junk. But with our hand on the till, we can remake the world. You’re stuck in the old ways, Wren. You’re a dinosaur, flailing in the tar, and I am the good god above, shaking my head.
Yes, this little engine can be dangerous, if you can’t handle the power. Kenji couldn’t. Look what happened to him. I could handle it, and here we are.
Speaking of power, don’t think I don’t know about the little coup attempt you’re plotting with some of my...former associates. It won’t work. As soon as we’re done here, I’m crushing your little salt and feeding her to the engine. Then it’s back to business.”
I should have known he’d know. But just because he knew what was happening didn’t mean he could stop it. If all went well on Liz’s side, it would be many hundreds against one. Those are decent odds in my ledger. I just needed a bit more time.
WREN: “So this ‘lucid engine’ really runs on human misery. It carved its way across the midwest, burning through the souls of workers, flattening towns, setting forests ablaze, bringing nightmares to life. But it’s our touch that makes it glow, our will that drives its whips and chains. Is that right? A conduit for economic malice?
You know you weren’t always like this. I’ve heard your earlier memos. You were kind, artistic, even funny sometimes, I must grudgingly admit. I trusted you.
I want to believe that person is still in you somewhere, trapped among the paperwork and oil. If it is, I intend to find that person, and bring them back. If it is not, I don’t intend to show any mercy.”
BOSS: “You sure say a whole hell of a lot and say a whole lot of nothing, huh little bee?”
I found no hints to the direction of his voice, but I did discover a narrow staircase winding down to the top of the lighthouse.
BOSS: ...
Next Episode

BONUS: NINE II MIDNIGHT - PROLOGUE
On the Eve of Halloween, 14 storytellers make their way to the Darklight Carnival to share horrific tales of mystery and murder... but not all is as it seems. This October 30th, the feed you’re listening to now, along with all other participating shows, will post two episodes simultaneously for Nine II Midnight. One episode will feature tales that are based in reality with terrors that may be part of our waking life. The other episode will share the horror of the most esoteric and spiritual side of the dark and terrifying. NINE II MIDNIGHT is another collaborative storytelling event, and sequel to last year’s episode. Both episodes are comprised of stories written and produced by the Nine II Midnight participants:
Hell Gate City Malevolent Nowhere, On Air Out of the Ashes Parkdale Haunt The Cellar Letters The Dead Letter Office of Somewhere, Ohio The Night Post The Storage Papers The Town Whispers Wake Of Corrosion WOE.BEGONE
On October 30th, you get to choose which stories you want to enjoy first, then, make sure to listen to the other for the complete tale.
See you then.
The Prologue was written, produced & edited by Harlan Guthrie
Guest starring Alexander Newall Series Art by Nathan Lunsford ---------------------------------------
Content Warnings: Descriptions of Violent Death
Starring: Harlan Guthrie Rat Grimes Jeremy Enfinger Nathan Lunsford Rae Lundberg Jess Syratt Shaun Pellington Kevin Berrey Dylan Griggs Vincent C. Davis Alex Nursall Emily Kellogg Jamie Petronis Cole Weavers
If you like this episode you’ll love
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