Log in

goodpods headphones icon

To access all our features

Open the Goodpods app
Close icon
headphones
The Curb

The Curb

The Curb

Welcome to The Curb. A show that's all about Australian culture, film reviews, interviews, and a whole lot more...

Here, you'll find discussions with Australian creatives about their work and their role in Australian culture.

Support The Curb on Patreon, and make sure to follow us on Facebook. Contact with us via our email.


Hosted on Acast. See acast.com/privacy for more information.

Share icon

All episodes

Best episodes

Seasons

Top 10 The Curb Episodes

Goodpods has curated a list of the 10 best The Curb episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to The Curb for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite The Curb episode by adding your comments to the episode page.

The Curb - The First Episode of 2024
play

01/17/24 • 11 min

To help support The Curb on Patreon, please visit Patreon.com/TheCurbAu.

Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode

For this final chat in the series, Andrew catches up with prolific Australian director Robert Connolly and celebrated children's author Alison Lester to talk about their new collaboration, Magic Beach.


Magic Beach takes the Alison Lester's much-loved illustrated kids book and brings it to live with a series of vivid, vibrant, and invigorating animated shorts, made by some of Australia's finest visual talents: Lee Whitmore, Anthony Lucas, Marieka Walsh, Eddie White, Susan Danta, Jake Duczynski, Simon Rippingale, Pierce Davison, Kathy Sarpi, Emma Kelly, and Susie Shapones.


Magic Beach takes us on a journey into the ocean through the mind of kids, and it's through their eyes that we're immersed in the waves and ways of the water and the many stories the seas have to tell. From tales of sandcastle battles, to pirate smugglers, to a whimsical tale of a bird laying an egg on a boat, there's something for everyone in this brilliantly inventive film.


In the following interview with Robert and Alison, they talk about that journey into the water together, what it means to be able to tell stories for kids, and the role that the late, great Sarah Watt had in bringing this story to life.


Magic Beach screens as part of Perth Festival on January 7 and 13 at Luna SX in Fremantle, followed by special meet & greet screenings on 11 January at the Hayden Orpheum Picture Palace & Ritz Cinema in NSW and 12 January at the Classic Elsternwick & Sun Yarraville in Victoria. Magic Beach then opens wide around Australia on 16 January. Visit Madman.com.au for more screening details.


If you want to find out more about the work we do on The Curb, then head over to TheCurb.com.au. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. If you can and have the means to support us, please visit Patreon.com/thecurbau to support our work from as little as $1 a month.


Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode
Listeners should note that the following interview contains discussions on childhood sexual abuse and trauma.

Writer-director Carl Joseph Papa's The Missing follows Eric (Carlo Aquino), a young man who lives alone, maintains a crush on his coworker Carlo (Gio Gahol), and has a strong bond with his mother Rosalinda (Dolly De Leon). Rosalinda's request for Eric to check in on his uncle who they haven't heard from in some time coincides with the presence of an alien. These unexpected events cause Eric's repressed memories of trauma from his childhood to reemerge, amplifying the other aspect of his life that's causing him alarm: he's starting to lose body parts. When we first meet Eric, his mouth is missing, and then as his hold on life and reality starts to slip, other parts of his body start to go missing: an ear, a hand, and more.


Narratively, The Missing is a layered and emotional experience that resonates long after the credits have rolled, but it's how Carl and his creative team use the form of rotoscope animation to create tonal and thematic layers to Eric's story that makes it all the more memorable. Eric's life is presented in a Richard Linklater-esque style of animation, but as his memories of his youth come back, they're presented with a childlike animation that represents the discovering of a creative identity. Carl then uses a smothering black border that creeps in on those memories as Eric's traumatic events stifle that sense of self and creativity that would otherwise have flourished. Equally, Carl uses the open possibilities of animation to reflect Eric's missing body parts: his hand gets replaced by a glitching png image, file not found.


While animation is an open playground for creative minds, it's rarely utilised to explore the aspects of humanity and our inner-self in a way that live-action filmmaking simply cannot do. The Missing then becomes a truly unique experience that lingers because of its creativity and honesty.


In the following interview, I ask Carl about where that creativity comes from, how his journey into filmmaking began, and on honouring the survivors of trauma and abuse in his work. The Missing is screening at the QueerScreen Mardis Gras Film Festival on Wednesday 21 February 2024.


Thank you for listening to this episode of The Curb podcast. To help keep the Curb independent, visit patreon.com/thecurbau to show your support from as little as $1 a month.


Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode

Scott Hicks is an Academy Award nominated director, with his Best Picture nominated film Shine bringing his work to international attention, alongside the work of the films subject, pianist David Helfgott.


We're now some twenty-six years removed from the release of Shine, and the echoes of its impact continues to resonate within the creative minds of those who have become vessels for music. In Scott's latest film, The Musical Mind: A Portrait in Process, he explores just how that well of creativity is tapped into as he follows the lives and stories of four interconnected artists.


First is David Helfgott, the centrepoint for each figure and a vital creative force who encourages, inspires, and energises those around him. Moments with his wife, the late Gillian Helfgott, show a supportive, nurturing relationship at work; one where Gillian sees the brilliance of David's mind and the manner that it operates and navigates his path of musicality.


Then we meet the man who as a boy played the role of a young David Helfgott's hands in Shine: Simon Tedeschi. Simon is a genius in his own right, and with his story we hear how he navigated the complicated reality of being labeled a 'child prodigy', while also exploring the fractious state he was left in due to that level of reverence.


We then flow into the orbit of another youthful genius mind, Daniel Johns. For many, we came to know Daniel through Silverchair, the iconic Australian band that worked with David Helfgott on their magnificent opus 'Emotion Sickness'. Daniel's story is one full of deep complexity. Here is a man who daily tries to grapple with what it means to be a creative entity. Like Simon, it's a complicated state to be in, and not one that Daniel himself fully understands as he sees himself as a conduit for the music, rather than being a musician himself.


Finally, swirling into the orbit and feeling the tonal resonance of Shine play out in his own life, is Ben Folds. We see his Adelaide home and hear how his creativity moves forward in unexpected ways. In one awe-inspiring sequence, we see Folds train a captive audience in how to harmonise both together and separately, creating an aural experience that encompasses your heart as you hear it play out.


These four figures - David, Simon, Daniel, Ben - each create a layer of a symphony that is tied together by the conductor Scott Hicks. The Musical Mind is a powerful and fascinating exploration of creativity and how important it is for it to be nourished and nurtured by those who see it emerging within individuals.


In the following interview, recorded ahead of the films release on November 23, Scott talks about how his own creative mind works, how the sense of dreaming plays out when he's making a film, and what it means to be a filmmaker in Adelaide.


Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode

Kaya and welcome to The Curb podcast. My name is Andrew Peirce and this podcast is recorded on the lands of the Wadjuk people of Boorloo Perth. Sovereignty never ceded.

On this episode, I chat with WA local Ben Young about his new film, Devil's Peak, which features Robin Wright, Billy Bob Thornton, Hopper Penn, Jackie Earl Haley, and regular collaborator, Emma Booth. It's a thriller set in the Appalachian Mountains and focuses on a famiy torn apart by drug related crime.

In this chat, Ben talks about working with mother-son relationship with Robin and Hopper, as well as the grounded nature of someone like Billy Bob Thornton. He also gives open advice about finding the right creative path forward as a filmmaker.

Devil's Peak is the opening night film for Perth's Revelation Film Festival on July 12th, with the night kicking off at 7pm at Luna Cinemas Leederville. Visit revelationfilmfest.org for more details.

We've got extensive coverage from the festival taking place this week, with interviews with filmmakers like soda jerk, Robert Machoain, Adam Morris and Myles Pollard. To read or listen to those interviews, head over to thecurb.com.au.

For now, here's a slice of the trailer of Devil's Peak followed by the interview with Ben Young.

See omnystudio.com/listener for privacy information.

bookmark
plus icon
share episode

On this episode, Andrew catches up with Academy Award winning master of stop motion animation, Adam Elliot, and Emmy award and AACTA award winning screen legend, Sarah Snook, to talk about their mollusk-motion flick, Memoir of a Snail.


Memoir of a Snail is driven by the delightfully dark sense of comedy and a relatable pathos, both of which bring the off-kilter world of Grace Pudel (Sarah Snook) and her equally orphaned twin brother Gilbert (Kodi Smit-McPhee) to life. It's a film that's resonated immensely with audiences around the world, with each person able to find a little bit of themselves in this tender tale of Grace and her obsession with snails.


As always, Elliot is able to bring forth a welcome sense of groundedness to his characters, and while they may physically appear eccentric, there's something about each and every one of them that makes us feel seen. As with his previous film, Mary & Max, Elliot actively removes stigmas associated with those who live with mental illnesses, while also shining a light on those who try to vilify, condemn, or in the case of Gilbert, cruelly convert them away from their true self.


The authenticity that sits at the core of Memoir of a Snail is not just driven by the characters we see on screen, but also from the empathetic and grounded voice work from Snook, Smit-McPhee, and other Aussie screen icons like Jackie Weaver, Magda Szubanski, Tony Armstrong, Eric Bana, while French icon Dominique Pinon also makes an appearance.


In the following conversations with Adam, then with Sarah, I talk about how they both built that relatability on screen, what it means to show Australian stories in this way, and curiously, the importance of dress up boxes in the homes of Australian kids. There's really something for everyone here.


Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode

Eli Craig smashed onto the slasher scene with his genre-defying comedy event Tucker & Dale VS Evil, and he's back with another slasher that upends expectations: Clown in a Cornfield.

Clown in a Cornfield is based on the first entry in Adam Cesare's Frendo series which chucks a group of teens into the mayhem of a Midwestern American town where they find themselves picked off by a growing group of killer clowns. Eli Craig then takes that terror from the page and supplants it brilliantly with a satirical and savvy stance, making one of the most enjoyably subversive horror flicks of the year so far.

It's also one of the most timely too, as it's a horror film about the flyover states of America, yet it's shot in Canada. That added layer of political devilishness is one of the things that I ask Eli about in the following interview.

This chat is an open one from Eli, with the horror director talking about the journey of Tucker & Dale VS Evil from being an unseen flick to a cult classic which has fans demanding a sequel. Eli also talks about the journey of adapting Adam's books for the screen, before making a statement for horror film fans around the world, myself included: If you want more Clown in the Cornfield films, then go and see the first one in cinemas.

And for Aussie audiences, you'll be able to do that very soon.

Clown in a Cornfield makes its Australian premiere at Fantastic Film Festival Australia on 26 April at the Lido in Hawthorn and the Ritz Randwick. It then is unleashed nation wide on 8 May. This is a film you'll want to see with a screaming audience.

We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month.


Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode

Charlie Chaplin is best known for his silent films, but quick in the minds of film lovers would be his iconic speech that concludes his Best Picture nominated film, The Great Dictator. Co-hosts of Awards Don't Matter sift through this powerful satire and assess how difficult it is to craft biting comedy that shakes its fists at the powerful. Find out in this episode whether Chaplin's maniacal dictator film still matters or not in this episode.

Featured in this episode is a clip of Daniel Taradash presenting Charlie Chaplin his honorary Oscar at the 1972 44th Academy Awards:

Subscribe via RSS Feed, Anchor.fm, Apple Podcasts, or Spotify.

Follow the hosts on social media at the links below:

Andrew F Peirce – @TheCurbAU
David Giannini – @Darnthatdave
Awards Don’t Matter – @AwardsDontPod

https://www.youtube.com/watch?v=J3Pl-qvA1X8&ab_channel=Oscars

See omnystudio.com/listener for privacy information.


Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode

Perth based filmmaker Hassib Kushkaki's feature film Rampage Electra will have its world premiere at the upcoming WA Made Film Festival, which screens at Palace Cinemas Raine Square, Perth, between February 17 to 26. This is a Perth shot action film that features Mikayla Levy as Hannah Electra, a young girl who has a shadowy past that is revealed to her by her father, throwing her into a harsh world of gangsters and guns. Featuring a huge cast and shot in iconic Perth locations like Fremantle Prison and Lancelin, Rampage Electra shows creative ingenuity on a micro-budget.

Hassib caught up with me to talk about the film ahead of its world premiere on February 24 at the WA Made Film Festival. Hassib is also taking part in the free Indie Filmmaker Panel on February 19 at The Globe, alongside producer Stephanie Davis who produced the web series Love Me Lex, filmmaker Aaron Kamp who recently made Thorns & Thistles at the End of the World, Arnold Carter, who made Sun Moon & Thalia, Sarah Legg who made Cherubhead, and has a new short film Impression, and producer Ruby Schmidt, who helped bring General Hercules to life. All of these films, and many more are at the WA Made Film Festival.

Check out the WA Made Film Festival here, and purchase tickets to Rampage Electra here.

https://www.youtube.com/watch?v=PivgAC7I-oM

See omnystudio.com/listener for privacy information.


Hosted on Acast. See acast.com/privacy for more information.

bookmark
plus icon
share episode

The Curb is proudly part of the Auscast Network. Subscribe via RSS feed, Apple Podcasts, Spotify, iHeart Radio or Google Podcasts. Download the episode directly here.

Shahn Devendran is the series creator and producer of the powerful Amazon and LADbible Australia show, UNHEARD. Telling the story of racism in Australia from the perspective of those who live with the impact of racial discrimination, this is a powerful, important series. Andrew interviews Shahn about the creation of the series, the social impact campaigns that LADbible has engaged with, and how to encourage people who might not feel they live in a racist society to watch this show.

https://www.youtube.com/watch?v=cXp6JXi1F1Y&ab_channel=AmazonPrimeVideoAUNZ

Song featured in this episode: Everything's Fucked - The Dirty Three

Find out more about the series below.

Amazon Prime Video today announced a ground-breaking new six-episode documentary series, UNHEARD, the first feature produced by LADbible Australia Originals and with production funding from Screen Australia. All six episodes of UNHEARD will premiere on Amazon Prime Video in Australia, New Zealand and select countries around the world on 29 October, with the first two episodes also available to stream for free on primevideo.com.

UNHEARD will give Prime Video members an insight into critical issues of racial discrimination in Australia, including Indigenous deaths in custody, the targeting of Indigenous youth, attacks towards Asians during COVID, Islamophobia, the vilification of the African community and the treatment of asylum seekers and refugees. The six stand-alone episodes in the UNHEARD series are told through intimate interviews, blended with animation, archive footage, podcasts, photographs, phone conversations and infographics revealing the shocking statistics and complexities behind the larger issues. Each episode is led by the voices of personal accounts, so their experiences and calls for justice are presented without filter.

“The opportunity to program this compelling investigative series is significant to us,” said Tyler Bern, Head of Content, Amazon Prime Video Australia, New Zealand, and Canada. “UNHEARD is a necessary action and awareness series that is globally relevant to Prime members in Australia and makes them aware of social injustice locally. We are very proud to be involved with LADbible Australia on this production and showcasing this important documentary series.”

The UNHEARD documentary series is an extension of LADbible Australia's UNHEARD campaign. Launched in February 2021, the campaign utilises LADbible Group's global audience of almost a billion and Australian audience of 11.8 million to support their campaign partners; the National Justice Project, Human Rights Commission, National Aboriginal and Torres Strait Islander Legal Services, The Refugee Council of Australia, Change.org, African Women Australia, Asian Australian Alliance, Islamophobia Register Australia, Deadly Connections Community and Justice Services and All Together Now.

“The UNHEARD campaign and documentary series not only provides a platform for these powerful stories to be told, but also helps put a global focus on Australian incidents of racial injustice that are often overlooked,” says executive producer, writer and creator, Shahn Devendran, Head of Originals, LADbible APAC. “We are proud that LADbible's first feature documentary series is able to support our campaign partners, and in working with Amazon Prime Video and Screen Australia will help bring these important issues to light.”

UNHEARD was written and produced by Shahn Devendran (LADbible Australia Originals)...

bookmark
plus icon
share episode

Show more best episodes

Toggle view more icon

FAQ

How many episodes does The Curb have?

The Curb currently has 318 episodes available.

What topics does The Curb cover?

The podcast is about Australia, Film Interviews, Podcasts, Interviews, Tv & Film and Film Reviews.

What is the most popular episode on The Curb?

The episode title '1945 Academy Award Best Picture Winner: The Lost Weekend (dir. Billy Wilder)' is the most popular.

What is the average episode length on The Curb?

The average episode length on The Curb is 41 minutes.

How often are episodes of The Curb released?

Episodes of The Curb are typically released every 4 days, 16 hours.

When was the first episode of The Curb?

The first episode of The Curb was released on Aug 6, 2016.

Show more FAQ

Toggle view more icon

Comments