Paganini: The Devil’s Violinist

09/19/22 • 1 min

Description
Some thought that the virtuoso violinist Paganini was a metaphorical musical God, others thought he literally got his virtuosity from a deal with the Devil. But what was the real story behind Niccolò Paganini’s genius? Take a minute to get the scoop!
Check out the trailer for The Devil's Violinist
Fun Fact
Known particularly for his fiendish 24 Caprices for Solo Violin, Paganini helped popularise certain string techniques such as bow bounces – spiccato – as well as left-hand pizzicato and harmonics. He also purposely mistuned strings to make certain pieces easier to play. It is said he could play 12 notes per second – a feat later achieved by violinist David Garrett, who plays Paganini in The Devil’s Violinist, a 2013 film based on the composer’s life story.
It is now believed that Paganini’s unusual finger length, which allowed him to play three octaves in one hand span, was due to Marfan syndrome, a genetic disorder. Equally, his ability to play at incredible speed could be attributed to Ehlers-Danlos syndrome, a disorder which causes increased flexibility and a lack of coordination.
About Steven, Host
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
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On a personal note, please consider a coffee donation. 🤓☕️
It's thirsty work creating content for TCMM. Many sleepless nights spent crafting that perfect one-minute episode or editing my latest fab interview as a bonus episode for your listening pleasure. 🎙🤔📚 But a cup of coffee is always welcome to keep my creativity flowing. 🎼☕️✍🏽🙏
A Note To Music Students et al.
All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.
Got a topic? Pop me off an email at: [email protected]

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Previous Episode

Who was "Elise" in Beethoven's Piano Piece, Für Elise?

Description
Nowadays, ‘Für Elise’ is undoubtedly one of Beethoven’s most famous works. It seems almost strange then that, at the time it was composed, the piece was relatively incidental. It certainly didn’t provoke much of a reaction and apparently, Beethoven himself was never fully satisfied with the work, returning to it some years later and trying, unsuccessfully in his eyes, to revise and refine it. Ultimately, ‘Für Elise’ wasn’t even published until 1865, nearly forty years after Beethoven’s death on 26 March 1827. Take a minute to get the scoop!
Listen to "Für Elise" Performed by Lang Lang
Fun Fact
Beethoven composed the piece on 27 April 1810. At this stage, Beethoven’s hearing was getting gradually weaker. The composer could apparently still hear some speech and music until 1812. But by the age of 44 (four years after he composed ‘Für Elise’), he was almost totally deaf and unable to hear voices. As he got progressively deafer, his pieces got higher and higher. This might account for the relatively high pitch of ‘Für Elise’, which reaches an E7 – two Es above a top soprano C.
About Steven, Host
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
You can FOLLOW ME on Instagram. 👋
On a personal note, please consider a coffee donation. 🤓☕️
It's thirsty work creating content for TCMM. Many sleepless nights spent crafting that perfect one-minute episode or editing my latest fab interview as a bonus episode for your listening pleasure. 🎙🤔📚 But a cup of coffee is always welcome to keep my creativity flowing. 🎼☕️✍🏽🙏
A Note To Music Students et al.
All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.
Got a topic? Pop me off an email at: [email protected]

Support the show

Next Episode

Frederick The Great: Have Flute Will Travel

Description
King Frederick II of Prussia aka Frederick The Great was passionate about music. He particularly loved to play the flute, which he initially learned in secret due to his father being a straight-laced military man. Take a minute to get the scoop!
Check out Friedrich II - Concerto For Flute, Strings & Continuo No.1 in G major
1st Movement - Allegro, c/o YouTube
Fun Fact
King Frederick II loved operas but never wrote one himself – he did, however, contribute arias for operas by Carl Graun, and wrote the libretto for Graun’s opera Montezuma. His flute sonatas make virtuosic demands on the performer and are excellent at conveying different ranges of emotion, expressing both soulful and spirited feelings.
About Steven, Host
Steven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.
You can FOLLOW ME on Instagram. 👋
On a personal note, please consider a coffee donation. 🤓☕️
It's thirsty work creating content for TCMM. Many sleepless nights spent crafting that perfect one-minute episode or editing my latest fab interview as a bonus episode for your listening pleasure. 🎙🤔📚 But a cup of coffee is always welcome to keep my creativity flowing. 🎼☕️✍🏽🙏
A Note To Music Students et al.
All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.
Got a topic? Pop me off an email at: [email protected]

Support the show

The Classical Music Minute - Paganini: The Devil’s Violinist

Transcript

Born in 1782 Italy, Paganini was an incredibly gifted musician and is widely considered one of the greatest violinists of all time.
He was a striking man with hollow cheeks, pale skin and thin lips, very tall and thin, and often dressed in black.
At the time, the violin was regarded by some as the devil's instrument, so it's not surprising that rumours about a deal with the devil started circulating.
One of the first rumours came out of a concert in Vienna, where an audience memb