16. Florence Lockheart: her role as an editor, how to conduct an interview, and having difficult conversations
06/11/24 • 43 min
Florence Lockheart is the editor of Classical Music Magazine, the only magazine and website dedicated to the classical music industry in the UK. A Classics graduate from Durham University, Florence has always had a strong interest in classical music, which she nurtured over the years through both choral singing and training as a solo singer. Editor of the magazine since late 2021, her passion for both the artform and the industry is palpable, and she continues to develop CM's role as a trusted resource for the classical music world.
In this episode, Florence spoke about what her role as an editor entails, and shared some insightful tips on how to conduct an interview (duly noted by yours truly). She also spoke about the joy she found in working on a cover feature about Maestro, the 2023 Bernstein biopic, and having difficult conversations involving the breaking of bad news to fellow creatives during the pandemic.
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Classical Music:
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Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
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This podcast is also available to listen to via The Violin Channel
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Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
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The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).
Hosted on Acast. See acast.com/privacy for more information.
Florence Lockheart is the editor of Classical Music Magazine, the only magazine and website dedicated to the classical music industry in the UK. A Classics graduate from Durham University, Florence has always had a strong interest in classical music, which she nurtured over the years through both choral singing and training as a solo singer. Editor of the magazine since late 2021, her passion for both the artform and the industry is palpable, and she continues to develop CM's role as a trusted resource for the classical music world.
In this episode, Florence spoke about what her role as an editor entails, and shared some insightful tips on how to conduct an interview (duly noted by yours truly). She also spoke about the joy she found in working on a cover feature about Maestro, the 2023 Bernstein biopic, and having difficult conversations involving the breaking of bad news to fellow creatives during the pandemic.
-------------------
Classical Music:
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).
Hosted on Acast. See acast.com/privacy for more information.
Previous Episode
15. Raffaello Morales: an alternative to concert halls, the commercial viability of classical music, and following his curiosity
Raffaello Morales is the founder and music director of the Fidelio Cafe in London, known and well-loved for their 'classical dinner-concert' series, comprising a one-hour concert by an established musician or ensemble, followed by a three-course menu specially curated for that evening's programme. Within the wider Fidelio project, Raffaello also conducts the Fidelio Orchestra, run as a charity with the intent of providing high-level orchestral experience for young musicians, with the likes of Angela Hewitt and Cedric Tiberghien on its roster of former collaborators.
In this episode, Raffaello talks about the role of the concert hall, and why he favours a less formal setting for live music; the adaptations the current classical music model might need to make in order to ride the waves of change; and the desire to bring classical music to as wide a public as possible without undervaluing the intimate live music experience.
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Fidelio links:
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).
Hosted on Acast. See acast.com/privacy for more information.
Next Episode
17. Chris O'Reilly: the classical recording industry, paying musicians fairly for streaming, and getting rejected from conducting programmes
Chris O'Reilly is the CEO of Presto Music, the UK's leading ecommerce site for classical and jazz recordings, sheet music, music books and musical instruments. With a background in music and musicology, Chris has run Presto Music since 2001. In this episode, he shared his observations of the changing tides of the classical recording industry, and musings on where things might head in future; as well as Presto's own streaming service, launched in 2023, which pays musicians fairly. (!!!) Chris also reflected on the time he wasn't accepted onto any postgraduate conducting programmes, his positive outlook on everything that has happened since then, and the importance of resilience.
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Presto Music:
-------------------
Follow The Classical Circuit on Instagram
Did you enjoy this episode? If so, ratings and follows help a lot with visibility, if you have a spare moment... *bats eyelashes*
No offence taken if not.
--------------------
Music: François Couperin - Le Tic-Toc-Choc ou Les Maillotins
Performed by Daniel Lebhardt
--------------------
This podcast is also available to listen to via The Violin Channel
--------------------
The Classical Circuit is made by Ella Lee (producer by trade, pianist at heart).
Hosted on Acast. See acast.com/privacy for more information.
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