Michael Schmidt on 50+ years publishing poetry

11/15/23 • 66 min

Here’s how the Carcanet Press website describes him: Michael Schmidt FRSL, poet, scholar, critic and translator, was born in Mexico in 1947; he studied at Harvard and at Wadham College, Oxford, before settling in England. Among his many publications are several collections of poems and a novel, The Colonist (1981), about a boy’s childhood in Mexico. He is general editor of PN Review and founder as well as managing director of Carcanet Press."

Michael has been applying his judgement publishing poetry and fiction for more than fifty years “discovering” and rediscovering, along the way, many of the greatest writers of our age.

We met at the Carcanet offices in Manchester to talk about, among others things, what he does; Germans in Mexico; the love of poetry; The Harvard Advocate; magazines as good tools for book editors; the importance of the past; the difference between editing books and magazines; poets John Ashbery and Edgell Rickword; writers starting on the left; generous patrons: Baron Robert Gavron; prosody; syllabics; leaving room for the reader; overproduction being a straight path to bankruptcy; an education at Oxford; Milton; the Understanding Poetry anthology; writing letters; the centrality of politics; notions of balance and continuity; principles of permanence and change; the difference between taste and judgement; catalysts; the Yiddish saying: “One word is not enough, two is too many.” Changing literary culture; Wallace Stevens; enhancing, extending and revitalizing the language...all this in tandem with a chorus of Manchester trams piping in, in the background, throughout the conversation.

Michael has been applying his judgement publishing poetry and fiction for more than fifty years “discovering” and rediscovering, along the way, many of the greatest writers of our age.

Previous Episode

Andrew Nash on the value of Publishers' Archives

Andrew Nash is Reader in Book History at the Institute of English Studies, University of London (a leading book history scholar in other words) and Director of the London Rare Books School.

We sat down in the stacks at the Mark Longman "Books about Books" Library at the University of Reading (well, actually the Museum of English Rural Life in Reading which is somehow connected to the University and its publishers' archives collections) to talk about a course Andrew teaches at the London Rare Book School on how to use/work with publishers' archives.

Though this topic may sound a tad niche, even for this podcast, it's not. Andrew makes the convincing case that publishers' archives are in fact of interest to many scholars, and have value precisely because they can be studied from many different economic, social, and cultural perspectives. Publishers' archives yield, among other things, fascinating, detailed information about how knowledge and "culture" is “made public” in society. They’re not just about author-publisher correspondences, though these in themselves are justly recognized and valued as essential documents of cultural heritage, no, they’re about providing scholars, and the world at large, with rich source documentation, from which all of us can better understand...yes, everything!

Archives referenced during our conversation include those of Allen & Unwin, Chatto and Windus, Longmans, John Murray, George Routledge, and The Hogarth Press.

Next Episode

Andrew Franklin "the best of the best in U.K. publishing"

James Daunt calls him "the best of the best in U.K. publishing, constantly challenging the industry to move on when it drags its feet." Listen to my conversation with Andrew Franklin to learn why.

Andrew is founder and, until recently, publisher of Profile Books, an award-winning British independent publishing house which launched in 1996. Best-selling authors on its list include Mary Beard, Margaret Macmillan, Simon Garfield (Just my Type), and Lynne Truss, whose Eats, Shoots, Leaves (2003) sold more than three million copies worldwide and won Book of the Year at the British Book Awards in 2004. Serpent’s Tail, founded by Pete Ayrton in 1986, became an imprint of Profile in 2007. It publishes distinctive, award-winning international fiction. Viper Books, a crime imprint, was added in 2019. I met with Andrew at Profile's offices in London. We talk about, among other things, how much he made off Eats, Shoots, Leaves; selling paperbacks at Hatchards; Tim Waterstone; my tee-shirt; admiration as a key component of successful publishing; conviction and effort, judgement and horse-racing; taste and fashion; tee-shirt designer briefs; "content before commerce;" risk; rom-com; Hilary Mantel; the importance of style versus substance; Goethe; marketing, distribution and sales; taking books seriously; getting the right books into the right hands; freedom of the press; Butler to the World; non-conformism; and Mary Beard's Emperor of Rome. You might want to pay special attention to how Andrew speaks about Mary Beard and her book. And Margaret Macmillan for that matter. The enthusiasm, vigour, conviction. Belief.

They're trademarks of all great publishers.