The Best Song Podcast

For the first time in Academy Awards history, only two songs were picked by the music branch as worthy of Oscar consideration. A few other songs by big names in the music industry missed out on the coveted nominations this year, including one by Madonna. You'll hear the two nominated songs on this episode, and learn why Madonna was once again shunned by the Academy.

Host Jeff Commings invited not one, not two, but THREE Oscar-nominated songwriters to this episode to share their behind-the-scenes tales of creating two of the five Oscar nominees for original song of 1992. Jud Friedman and Allan Rich talk about writing "Run to You" for Whitney Houston and creating a guerilla campaign for an Oscar nomination. Tim Rice discusses his detour into writing songs for Aladdin and how Alan Menken's melody for "A Whole New World" helped shape the lyrics.

Only three songs were nominated for the Academy Award in 1988, the first time the list of nominees was that low since the 1930s. An Academy rule forced the list to be cut to three in that year, and the ones that made the final list gave Oscar voters a tough choice over which should be picked as the best of the year. Host Jeff Commings details those three songs, and mentions a comeback song from The Beach Boys that might have finished in fourth place in nominations voting.

The members of the music branch of the Academy of Motion Picture Arts and Sciences split the original score category in two in 1995, but the rules for original song stayed the same. Pop songs and traditional movie songs were still in the running for the biggest movie award, including a chance for Alan Menken to earn a record-tying fourth Original Song Oscar. His competition included Oscar winners John Williams, Alan and Marilyn Bergman, and Bruce Springsteen, all of whom wrote some compelling movie songs.

Two of the songs nominated for the Academy Award for Best Song of 1949 probably should not have been eligible for the award. One of them had been written many years earlier, while the other heavily borrowed from a folk song written about a century earlier.

As host Jeff Commings talks about the origins of these two songs, you can decide if they deserved Oscar nominations.